Steven Crowell

Steven Crowell has been for many years a leading voice in debates on twentieth-century European philosophy. This volume presents thirteen recent essays that together provide a systematic account of the relation between meaningful experience and responsiveness to norms. They argue for a new understanding of the philosophical importance of phenomenology, taking the work of Husserl and Heidegger as exemplary, and introducing a conception of phenomenology broad enough to encompass the practices of both philosophers. Crowell discusses Husserl's analyses of first-person authority, the semantics of conscious experience, the structure of perceptual content, and the embodied subject, and shows how Heidegger's interpretation of the self addresses problems in Husserl's approach to the normative structure of meaning. His volume will be valuable for upper-level students and scholars interested in phenomenological approaches to philosophical questions in both the European and the analytic traditions.

This paper responds to comments by Maxime Doyon and Thomas Sheehan on aspects of my book, Normativity and Phenomenology in Husserl and Heidegger. Among the topics discussed are the relations between phenomenology and analytic philosophy, the difference between a Brentanian and an Husserlian approach to intentional content, the normative structure of the intentional content of noetic states such as thinking and imagining, the implications of taking a phenomenological approach to Heidegger’s concept of “being,” Heidegger’s “correlationism,” and the normative character of Heidegger’s analysis of Angst, death, and conscience.

This paper introduces phenomenology as a distinctive form of transcendental philosophy by exploring a problem that arises with the phenomenological concept of “constitution,” namely, the “paradox of human subjectivity” – the idea that under the transcendental reduction the human subject is both a entity in the world and the ground of all such constitution. Focusing on the question of what conditions must obtain for something to be the bearer of normatively structured intentional content, the paper argues that the appearance of paradox here rests upon a certain naturalistic assumption – namely, that the aspect of subjectivity responsible for transcendental constitution is consciousness conceived as the kind of phenomenal experience we share with other animals. In a final section I try to suggest how transcendentalism and a certain naturalism might nevertheless be reconciled on phenomenological grounds.

This paper argues that transcendental phenomenology (here represented by Edmund Husserl) can accommodate the main thesis of semantic externalism, namely, that intentional content is not simply a matter of what is ‘in the head,’ but depends on how the world is. I first introduce the semantic problem as an issue of how linguistic tokens or mental states can have ‘content’—that is, how they can set up conditions of satisfaction or be responsive to norms such that they can succeed or fail at referring. The standard representationalist view—which thinks of the problem in first-person terms—is contrasted with Brandom’s pragmatic inferentialist approach, which adopts a third-person stance. The rest of the paper defends a phenomenological version of the representationalist position (seeking to preserve its first-person stance) but offers a conception of representation that does not identify it with an entity ‘in the head.’ The standard view of Husserl as a Cartesian internalist is undermined by rejecting its fundamental assumption—that Husserl’s concept of the ‘noema’ is a mental entity—and by defending a concept of ‘phenomenological immanence’ that has a normative, rather than a psychological, structure. Finally, it is argued that phenomenological immanence cannot be identified with ‘consciousness’ in Husserl’s sense, though consciousness is a necessary condition for it

Husserl’s concept of an “historical apriori” is marked by a tension: It simultaneously departs from, and develops his long-standing commitment to philosophy as transcendental phenomenology. This paper looks at some reasons for this tension in the context of Husserl’s attempt to determine philosophy as a “tradition” in The Origin of Geometry. Husserl is convinced that philosophy is a scientific tradition, and the historical apriori serves in the analysis of the conditions that define a distinctively scientific “handing down.” The key here is a kind of writing—mathematics—thanks to which the participants in the tradition can be certain that they are in essential connection with the “original” idealities of that tradition. But Husserl’s discovery about the individual philosopher’s relation to the philosophical tradition—namely, that it is always mediated by a kind of “poetic invention”—undermines his conviction that philosophy can be a scientific tradition. This is Husserl’s “existentialism.”

Burt Hopkins provides a reading of the development of Husserl’s phenomenology, framing it with an account of its relation to Platonic and Aristotelian theories of unity-in-multiplicity, on the one hand, and the criticisms of Husserl found in Heidegger and Derrida, on the other. Here I introduce a further approach to the problem of unity-in-multiplicity – one based on normative ideality, drawing on Plato’s Idea of the Good -- and investigate three crucial aspects of phenomenological philosophy as Hopkins presents it: the method of reflection, the nature of absolute consciousness, and the status of the ego. I take issue with Husserl’s idea that consciousness can be the sufficient ground of that “meaning” which, for both Hopkins and for me, is the specific topic of phenomenology.

Taking Maurice Natanson's posthumously published book, The Erotic Bird: Phenomenology in Literature, as its point of departure, the essay argues that "fictive reality" is the specific content of transcendental-phenomenological reflection. Elaborating this concept allows us to see how phenomenological concepts such as constitution, horizon, and the "transcendental" have a tropological, rather than a psychological, meaning. Specifically, the article considers the metonymical structure of reality's "spatial horizon" and the metaphorical structure of reality's "temporal horizon." This latter is demonstrated on Natanson's analysis of Thomas Mann's concept of the "leitmotiv" in The Magic Mountain. The essay concludes by pointing toward the ontology of metaphor entailed by Natanson's analysis, while suggesting the difference between phenomenology, as the "poetic essence" of philosophy, and philosophy itself, as the categorial elaboration of what phenomenology uncovers.