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31How Can We Know What God Means? The Interpretation of ReligionPalgrave. 2001.Explains the general conditions under which one can understand what God means through texts regarded as divinely revealed.
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108Metaphysics and its Task: The Search for the Categorial Foundation of KnowledgeState University of New York Press. 1999.Systematically analyzes the nature of metaphysics
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175Suárez and the doctrine of the transcendentalsTopoi 11 (2): 121-133. 1992.This article discusses Suárez''s views concerning the transcendentals, that is, being and those attributes of it that extend to everything. In particular it explores Suárez''s notion of transcendentality and the way in which he conceived the transcendental attributes of being are related to it. It makes two claims: First, that Suárez has an intensional, rather than an extensional understanding of transcendentality; and, second, that Suárez''s understanding of truth and goodness, as expressing re…Read more
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1El problema de la individualidad en la temprana Escolástica. Teodorico, Gilberto y AbelardoPensamiento 40 (158): 203. 1984.
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Reperterio de Fil'osofos Latinoamericanos = Directory of Latin American PhilosophersCouncil on International Studies and Programs, State University of New York at Buffalo. 1988.
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68Can There Be Texts without Audiences? The Identity and Function of AudiencesReview of Metaphysics 47 (4). 1994.THE AUDIENCE IS THE REAL or imaginary group of persons who are in fact acquainted, could be acquainted, or are meant to be acquainted with a given text. Etymologically, the term "audience" refers to a group of listeners. This meaning of the term goes back to a time when the primary form of acquaintance with the work of an author was through the spoken word. From the invention of the printing press, however, until the time when the use of the radio became widespread, written texts were the primar…Read more
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41Philosophy and the Interpretation of Pop Culture (edited book)Rowman & Littlefield Publishers. 2006.Comprised of thirteen articles by well-known authors, this book makes the case to philosophers that popular culture is worthy of their attention. Issues of concern include the distinction between high culture and popular culture, the aesthetic and moral value of popular culture, allusion and identification in popular culture, and special problems posed by the interpretation of popular culture. Popular art forms considered include: movies, television shows, comic books, children's stories, photog…Read more
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52Painting Borges: Philosophy Interpreting Art Interpreting LiteratureState University of New York Press. 2012.A provocative examination of the artistic interpretation of twelve of Borges’s most famous stories
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223Borges's "Pierre menard": Philosophy or literature?Journal of Aesthetics and Art Criticism 59 (1): 45-57. 2001.
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46Texts: Ontological Status, Identity, Author, AudienceState University of New York Press. 1996.Provides an ontological characterization of texts, explores the issues raised by the identity of various texts, and presents a view of the function of authors and audiences, and of their relations to texts
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61Individuation in Scholasticism: The Later Middle Ages and the Counter-Reformation, 1150-1650 (edited book)State University of New York Press. 1994.Examines the place of individuation in the work of over 25 scholastic writers from when Arabic and Greek thought began to impact Europe, until scholasticism died out.
Buffalo, New York, United States of America
Areas of Specialization
| Metaphysics |
| Medieval and Renaissance Philosophy |
| 17th/18th Century Philosophy |
Areas of Interest
| Metaphysics |
| Medieval and Renaissance Philosophy |
| Philosophy of the Americas |