Peter Railton

Our notion of normativity appears to combine, in a way difficult to understand but seemingly familiar from experience, elements of force and freedom. On the one hand, a normative claim is thought to have a kind of compelling authority; on the other hand, if our respecting it is to be an appropriate species of respect, it must not be coerced, automatic, or trivially guaranteed by definition. Both Hume and Kant, I argue, looked to aesthetic experience as a convincing example exhibiting this marriage of force and freedom, as well as showing how our judgment can come to be properly attuned to the features that constitute value. This image of attunement carries over into their respective accounts of moral judgment. The seemingly radical difference between their moral theories may be traceable not to a different conception of normativity, but to a difference in their empirical psychological theories – a difference we can readily spot in their accounts of aesthetics

David Hume famously criticized rationalist theories of practical reason, arguing that reason alone is incapable of yielding action, and that some passionate element must be supplied. Contemporary theories of Humean inspiration develop a causal-explanatory model of action in terms of the joint operation of two distinct mental states: beliefs and desires, one inert and representational, the other dynamic. Such neo-Humean theories claim that since desires, unlike beliefs, are not subject to direct rational evaluation, an act can be said to be rational only in the sense that it is instrumental to realizing the agent’s desires. The historical Hume appears to have embraced a “sceptical solution” involving a more dynamic conception of belief, while admitting a default sense in which both beliefs and actions can be deemed reasonable or unreasonable.