James South

_A look at the philosophical underpinnings of the hit TV show, _Mad Men__ With its swirling cigarette smoke, martini lunches, skinny ties, and tight pencil skirts, Mad Men is unquestionably one of the most stylish, sexy, and irresistible shows on television. But the series becomes even more absorbing once you dig deeper into its portrayal of the changing social and political mores of 1960s America and explore the philosophical complexities of its key characters and themes. From Socrates, Plato, and Aristotle to John Kenneth Galbraith, Milton Friedman, and Ayn Rand, Mad Men and Philosophy brings the thinking of some of history's most powerful minds to bear on the world of Don Draper and the Sterling Cooper ad agency. You'll gain insights into a host of compelling Mad Men questions and issues, including happiness, freedom, authenticity, feminism, Don Draper's identity, and more. Takes an unprecedented look at the philosophical issues and themes behind AMC's Emmy Award-winning show, Mad Men Explores issues ranging from identity to authenticity to feminism, and more Offers new insights on your favorite Mad Men characters, themes, and storylines Mad Men and Philosophy will give _Mad Men_ fans everywhere something new to talk about around the water cooler

James Bond 007 strode into the human imagination in the novel Casino Royale in 1953 and hit the movie screens with Dr. No in 1962. He has become one of the best-known personalities, real or imagined, in global history. One out of every four people in the entire world has now seen a Bond movie, and every month thousands of new readers become addicted to Ian Fleming’s original Bond stories. In James Bond and Philosophy, seventeen scholars examine hidden philosophical issues in the hazardous, deceptive, glamorous world of Double-0 Seven. Is Bond a Nietzschean hero who graduates "beyond good and evil"? Does Bond paradoxically break the law in order, ultimately, to uphold it like any "stupid policeman"? What can Bond’s razor-sharp reasoning powers tell us about the scientific pursuit of truth? Does 007’s license to kill help us understand the ethics of counterterrorism? What motivates all those despicable Bond villains—could it be a Hegelian quest for recognition?

Medieval philosophy is the collective name given to the philosophies of thinkers who lived between the end of the Roman Empire, c. 400, and the beginning of the modern era, c. 1490. The philosophers profiled in DLB Volume 115 were involved in education, public life and ecclesiastical administration, and thus represent the various schools of thought that existed throughout this vast period. This volume offers much new information on these scholars, and fills the gap in available literature. The entries, containing biographies, bibliographies and beliefs of the philosophers, reflect the most recent developments in the field.

It's time to pick up your fedora and embark on a philosophical journey through Discworld! Terry Pratchett is world-famous for the narrative verve and surreal humour of his novels. But now meet another Terry Pratchett – a man of serious metaphysical ideas and sophisticated philosophical insights. In Philosophy and Terry Pratchett thirteen professional philosophers survey such key philosophical issues as personal identity, the nature of destiny, the value of individuality, the meaning of existentialism, the reality of universals and the existence of alternative realities. In considering these and many other equally fascinating themes, close reference is made to more than 35 Discworld novels as well as to the ideas of some of history's greatest philosophers including Aristotle, Hobbes, Rousseau, Kant, Mill, Kierkegaard, Wittgenstein and Rawls. During your journey, you will be surprised by numerous provocative conclusions including the startling claim that the existence of Discworld is logically possible!

It is acknowledged that Francisco Suarez had an excellent knowledge of the Medieval Scholastic tradition. In this project, I focus on one topic, human knowledge of material singulars, to determine Suarez's debt to and freedom from the Scholastic tradition. The representative thinkers of the Medieval tradition that I consider are Thomas Aquinas, John Duns Scotus, and William of Ockham. ;In the first two Chapters, I consider the accounts of John Duns Scotus and William of Ockham on the issue of knowledge of singulars. I show that both Scotus and Ockham try to distance themselves from the analysis of indirect knowledge of material singulars presented by Aquinas. Although Scotus retains the notion that the universal nature is the first object of the intellect, his stress on the autonomy of the intellect in its relation to sense cognition paved the way for Ockham. Notably, Ockham rejects any account of knowledge that requires intermediary representational species, and consequently adopts a position that stresses the intellect's ability to know singulars directly via intuitive cognition. ;In the final two Chapters, I discuss in detail Suarez's account of knowledge of material singulars. I show that Suarez accepts Ockham's basic arguments for the priority of knowledge of the singular but at the same time retains the necessity of intelligible species. His account of the relationship between sense cognition and intellectual cognition owes some debt to Scotus, but Suarez accents the theme of the autonomy of the intellect to an extremely high degree. Furthermore, he rejects Ockham's account of intuitive cognition, positing instead a theory of cognition that requires representational species at every step in the cognitive process, both sensory and intellectual. Consequently, Suarez presents us with a highly nuanced and extremely consistent account of knowledge that leaves no explanatory "gaps."

Zabarella and the Intentionality of Sensation - ABSTRACT: In this paper, I examine Zabarella’s account of the intentionality of sensation. By looking at both his account of the production of the sensible species as well as proper activity of the human soul in the process of sensation, I show that he has carefully reinterpreted standard medieval theories of sensation. Most notably, his account of intentionality as a kind of mental attention seems to point towards a type of Cartesian dualism, but at the same time attempts to remain faithful to the basic insights of the Aristotelian tradition concerning sensation.