Rebecca Bamford

Nietzsche offers us a critique of modern culture as threatened by a nihilistic crisis in values. Philosophy is specifically incorporated into Nietzsche's critique, resulting in the claim that modern philosophy, as well as modern culture, is nihilistic. But why should contemporary philosophers give this view credence? In this paper, I put forward some reasons to take Nietzsche's view seriously, focusing on the relationship between science and philosophy. I suggest that modern philosophy still tends to idealise science as an exemplar of objectivity, particularly as this relates to judgement, even despite widespread acknowledgement that science is not value-free. I therefore argue that Nietzsche's critique is valuable in two respects: first, it calls the notion of a scientific ideal grounding objective, cross-cultural, judgement into question, and second, it facilitates a distinction between this scientific ideal and science itself. S. Afr. J. Philos. Vol.24(4) 2005:241-259

This unique book explores Nietzsche’s philosophy at the time of Dawn’s writing and discusses the modern relevance of themes such as fear, superstition, terror, and moral and religious fanaticism. The authors highlight Dawn’s links with key areas of philosophical inquiry, such as “the art of living well,” skepticism, and naturalism. The book begins by introducing Dawn and discussing how to read Nietzsche, his literary and philosophical influences, his relation to German philosophy, and his efforts to advance his ‘free spirit’ philosophy. Subsequent discussions address a wide range of topics relevant to Dawn, including presumptions of customary morality, hatred of the self, free-minded thinking, and embracing science and the passion of knowledge.

We present a two-pronged criticism of Ramos's argument. Our main contention is that the logic of the author’s argument is flawed. As we demonstrate, the author conflates probability with necessity, in addition to conflating free will having causal efficacy with the merely illusory conscious experience of free will; such conflations undermine the claim that individual free will should be both exhibited on a social scale and necessarily cause a particular organized pattern to emerge. In addition, we will show that the author makes a series of inadequately supported assertions concerning the relationship between, and degree of scholarly consensus upon, causally effective free will and mind-body interactionist dualism, which further undermine his argument.

Jessica Berry provides the first detailed analysis of whether, and in what sense, Nietzsche was a skeptic (5). Exploring the affinity between Nietzsche’s work and Pyrrhonism in six main chapters, Berry differentiates between modern skepticism, understood as epistemological pessimism or nihilism (33), and Pyrrhonian skepticism as a commitment to continuing inquiry, based on the equipollence of arguments, “roughly equal persuasive weight for and against just about any claim,” and epochē, suspension of judgment (36–37). Berry shows that Nietzsche appreciated this distinction (29–32) and proceeds to read Nietzsche’s remarks on truth skeptically. She argues that—like the ancient Skeptic’s response to the ..

Here I argue that aspects of Nietzsche's thought may be productively compared with the role played by the concept of ubuntu in talk of cultural renaissance in South Africa. I show that Nietzsche respects and writes for humanity conceived of in a vital sense, thereby imagining a sense of authenticity that may prove significant to talk of cultural renaissance in South Africa. I question the view that Nietzsche is an individualist, drawing on debate between Conway (1990) and Gooding-Williams (2001), concerning the interpretation of ‘The Dance-Song' in Thus Spoke Zarathustra, as well as on the notion of reciprocity intrinsic to the concept of ubuntu (Shutte, 1993). South African Journal of Philosophy Vol. 26 (1) 2007: pp. 85-97

I provide a critical interpretation of Morgenröthe: Gedanken über die moralischen Vorurteile that identifies the key philosophical work done by Nietzsche in this text, as well as presenting the text as a type of medical narrative. I show how Nietzsche engages with three main questions, drawing thematic connections between themes of physical and psychological health and of ethics, in order to develop a foundation for his critical transvaluation project: First, what is the nature of, and relationship between psycho-physiological and cultural health? Second, by which method of critical engagement may our health be diagnosed and promoted? And third, what virtues are required for such work?