Dennis Vanden Auweele

Most philosophers do not read Kant’s philosophy of religion as providing a foundation for Christianity, or even as in line with it. Recently, however, a number of so-called “affirmative Kantians” have argued that Kant’s philosophy of religion explicitly aims at recovering the spirit of Christianity. In this article I scrutinize this claim with regard to Kant’s conceptualization of “grace” as a supplement to his moral theory. Contrary to these “affirmative Kantians,” I argue that Kant’s account of grace stems from Kant’s moral pessimism, not from any sense of the shortcomings of human beings in fulfilling their duties or the religious need for supernatural cooperation. Kant’s concept of grace tries to moderate this pessimism by providing what is needed for the possibility of moral progress. But simply by the way in which Kant regards grace as a rational concept needed for his moral theory, it seems to me that his philosophy of religion runs counter to certain central convictions of Christianity.

This book connects Schopenhauer’s philosophy with transcendental idealism by exploring the distinctly Kantian roots of his pessimism. By clearly discerning four types of coming to knowledge, it demonstrates how Schopenhauer’s epistemology can enlighten this connection with other areas of his philosophy. The individual chapters in this book discuss how these knowledge types—immediate or mediate, representational or non-representational—relate to Schopenhauer’s metaphysics, ethics and action, philosophy of religion, aesthetics, and asceticism. In each of these areas, a specific sense of pessimism serves to disarm a number of paradoxes and inconsistencies typically associated with Schopenhauer’s philosophy. _The Kantian Foundation of Schopenhauer's Pessismism _shows how Schopenhauer’s claim that he is a true successor to Kant can be justified.

To date authors are unsure about Nietzsche's self-critical attitude regarding his Thus Spoke Zarathustra. While few doubt that the narrative reaches a dramatic climax at the end of its third part, the largely satirical fourth part invites to take this climax cum grano salis. I provide an interpretation of the dramatic structure of Thus Spoke Zarathustra by focusing on the tragic nature of Nietzsche's ideal of the Übermensch and the comical relief provided by part four. Accordingly, the completion at the end of part three is relegated to a noble lie to assuage the tragic nature of Zarathustra's ideal.

This volume collects 12 essays by various contributors on the subject of the importance and influence of Schopenhauer’s doctoral dissertation for both Schopenhauer’s more well-known philosophy and the ongoing discussion of the subject of the principle of sufficient reason. The contributions deal with the historical context of Schopenhauer’s reflections, their relationship to idealism, the insights they hold for Schopenhauer’s views of consciousness and sensation, and how they illuminate Schopenhauer’s theory of action. This is the first full-length, English volume on Schopenhauer’s Fourfold Root and its relevance for Schopenhauer’s philosophy. The thought-provoking essays collected in this volume will undoubtedly enrich the burgeoning field of Schopenhauer-studies.

Contemporary Kant-scholarship has a tendency to allign Kant’s understanding of depravity closer to Erasmus than Luther in their famous debate on the freedom of the will. While, at face value, some paragraphs do warrant such a claim, I will argue that Kant’s understanding of the radical evil will draws closer to Luther than Erasmus in a number of elements. These elements are the intervention of the Wille for progress towards the good, a positive choice for evil, the inscrutability of moral progress, the rejection of prudence as a means for salvation and the rejection of moral sentimentalism. I believe that Kant-scholarship mistakenly pegs Kant’s rational Enlightenment optimism for an existential optimism while Kant’s view of fallen nature draws closer to Lutheran than Erasmusian depravity. A tacit Lutheran influence pervades Kant’s moral philosophy which could explain the influence Kant’s has had on some more pessimistic 19th century philosophers such as Arthur Schopenhauer and Friedrich Nietzsche.

Arthur Schopenhauer’s philosophy proved more palpable to artists of the nineteenth century than to philosophers as such. Ironically, Schopenhauer’s aesthetical theory is particularly paradoxical on a variety of fronts. One troubling paradox is how Schopenhauer subscribes both to the elitist nature of the genius artist and a naturalist metaphysics. How can a singular being have radically distinct abilities if s/he cannot principally differ from the rest of existence? I address this paradox in this essay and provide a solution by focusing on a certain evolution in Schopenhauer’s philosophical development.

Recently, William Desmond’s metaxological philosophy has been gaining popularity since it proposes a powerful counterweight to the dominance of deconstruction in certain areas of contemporary philosophy of religion. This paper serves to introduce Desmond’s philosophy and confront it with one specific form of Postmodern theology, namely John Caputo’s “weak theology.” Since Desmond’s philosophy is—while thought-provoking and refreshing—not well known, a substantial part of this paper is devoted to fleshing out its central concepts: perplexity, metaxology, and hyperbolic indirection. Afterwards, I argue for the advantages of a metaphysical (Desmond) over a deconstructive (Caputo) approach to philosophy of religion/God.