Brendan Sweetman

The plays in this new volume were written early in Marcel’s career, and were published together under the title Le Seuil invisible (The Invisible Threshold) in 1913. The first play, Grace, explores the theme of religious conversion. The drama depicts a crisis between characters of genuine depth and sincerity, who are struggling with different interpretations of shared experiences. Similar themes are addressed but developed differently in the second play, The Sandcastle. This drama explores the confrontation between one’s beliefs and their consequences when faced with challenging family and social circumstances. The play asks us to think about what happens when our beliefs and theories, especially about religion, morality and politics, come up against situations in life that can test them. Both plays illustrate one of the major themes of both Marcel’s dramatic and philosophical work: that life’s most profound, fulfilling experiences are compromised more than ever in what he describes as the modern, broken world (le monde cassé), one unfortunately characterized by alienation, loss of meaning and feelings of despair.

Advances in technology have not only given rise to many important questions in bioethics but have also made the whole subject something of an ethical minefield. Bioethics now involves practices that give rise to ethical dilemmas in such diverse fields as medicine, biology, and even physics and chemistry. The success and future potential of scientific research in bioethics has contributed to the growing perception that science has a kind of hegemony over modern life, and this brings with it a temptation to make scientists the gurus of modern culture, to look to them for answers to all human problems.

French existentialist philosopher Gabriel Marcel is one of the most influential thinkers of the twentieth century. The central themes of his philosophy, which are developed with a blend of realism, concreteness, and common sense, continue to be relevant for the plight of humanity in the twentieth-first century. All of Marcel’s important ideas are introduced here, ranging from his unique conception of philosophy; to his original approach to epistemology and the nature of knowledge; to his view on the nature of the human person, including the idea of beingin- a-situation and the importance of the “context” that the subject lives in for the subject’s ideas and experiences; to his approach to religious themes, including the issues of the rationality of religious belief, the question of God’s existence, and our longing for the transcendent; and his “concrete approaches” of fidelity, hope, love and faith. There are also selections in which he discusses some of his misgivings about the direction of contemporary culture, especially the effects of technology.

"Max Picard was a Swiss-German writer, who converted to Catholicism from Judaism. A doctor and psychologist, Picard worked in Berlin but retired in the 1920s to Switzerland. He is often regarded as a "wisdom thinker," and his rich and penetrating writings continue to speak to us in the twenty-first century. The Flight from God is an incisive, profound description of many of the problems facing modern culture, and its analysis resonates with us more today than when first published in 1934. Picard illustrates that modern culture is essentially in Flight, and so the individual is under pressure to make a choice; in earlier generations only an individual could be in flight because the culture itself was not in flight but in Faith. The flight does not require courage or gui.

This paper is a critical reflection and response to the religious fideism of D. Z. Phillips, and especially to recent attempts to defend this fideism. Over the course of his career, Phillips argued for a number of interesting but quite dramatic theses about religious belief, including the claim that what is sometimes called the propositional nature of religious belief is frequently misunderstood by philosophers, and that this misunderstanding involves a distortion of what religious believers are doing when they say they believe in God and engage in various religious practices. This paper explores these and other claims in the light of recent interesting attempts to defend them, especially in the work of Patrick Horn. I elaborate the distinction between the propositional and expressive dimensions of religious belief, and argue that Horn does not succeed in rescuing Phillips’s view from a number of serious philosophical objections, including the objection that theirs is a metaphorical interpretation of religion. I suggest also that Horn’s and Phillips’s fideistic versions of religious belief and religious phenomena may involve an element of self-deception, and would likely lead to people giving up their religious beliefs, or at least to their beliefs playing a decreasing role in their everyday lives.

Act Three of Gabriel Marcel’s play, The Emissary, is presented here in English for the first time. The introductory essay introduces Marcel and several of his best known themes, especially the distinctions between problem and mystery, and primary and secondary reflection. Focusing on the relationship between experience and conceptual knowledge, it discusses Marcel’s attempt to argue philosophically for a return to ordinary experience. The role of drama and art in the recovery of the realm of mystery is also highlighted. The play illustrates these themes at the concrete level as it raises many of the challenging situations and moral dilemmas that emerged from the occupation of France by a brutal enemy during World War II. The realities of deceit, betrayal and blackmail are all in the air, as are real worries about reprisals, violence, and irreparable loss. In a moving, gripping drama, Marcel portrays the occupation as an occasion for deep soul-searching among the characters, in the midst of great suffering and loss, and, rather than passing easy judgment, he suggests a journey toward healing, one inspired by compassion, honesty, courage, and faith.

Part of a series of books devoted to Polish Christian Philosophy in the twentieth century, this latest study introduces the life and work of Piotr Lenartowicz. Lenartowicz, a member of the Jesuit order, held several professional positions, but spent most of his career at the Jesuit University Ignatianum in Krakow. Approaching philosophy from an Aristotelian- Thomistic perspective, his interests ranged over the philosophy of animate nature, the theory of evolution, topics in the philosophy of science, and epistemological issues, especially concerning the nature of human cognition.