Simon Evnine

Much of traditional rabbinic hermeneutics, what I call "midrashic interpretation," appears to be of such a bizarre nature as to require some sort of explanation, or even justification. This essay attempts to provide a philosophical foundation for midrashic interpretation by placing it in the context of the idea (vaguely neo-platonic) that God is only fully realized as the result of a certain process, a process of which midrashic interpretation is an essential part. In the final section I attempt to spell out some connections between the specifically Jewish question of rabbinic hermeneutics and some more general ideas in philosophy and psychoanalysis.

I argue that it is not ideally rational to believe that some of one's current beliefs are false, despite the impressive inductive evidence concerning others and our former selves. One's own current beliefs represent a commitment which would be undermined by taking some of them to be false. The nature of this commitment is examined in the light of Nagel's distinction between subjective and objective points of view. Finally, I suggest how we might acknowledge our fallibility consistently with this special attitude to our own beliefs.

The paper attempts to shed light on Frege's views on the relation of logic to truth by looking at several passages in which he compares it to the relation of ethics to the good and aesthetics to the beautiful. It turns out that Frege makes four distinct points by means of these comparisons only one of which both concerns truth and makes use of distinctive features of ethics and aesthetics. This point is that logic is about reaching truth in the way that ethics is about reaching the good and aesthetics the beautiful. I then sketch how Frege can plausibly maintain this view about logic. (A more detailed version of Frege's positive view is given in my unpublished "Frege on the Relations Between Logic and Thought.")

Donald Davidson is unquestionably one of America's greatest living philosophers. His influence on Anglo-American philosophy over the last twenty years has been enormous, and his work is an unavoidable reference point in current debates in the philosophy of language and the philosophy of mind. This book offers a systematic and accessible introduction to Davidson's work. Evnine begins by discussing Davidson's contribution to the philosophy of mind, including his views on action, events and causation. He then examines Davidson's work in the philosophy of language. The link between meaning and truth, radical interpretation, and semantic holism are considered in detail. The final chapters deal with the metaphysical aspects of Davidson's work and seek to assess his philosophical project as a whole.

Constitution is the relation between something and what it is made of. Composition is the relation between something and its parts. I examine three different approaches to the relation between constitution and composition. One approach, associated with neo-Aristotelians like Mark Johnston and Kathrin Koslicki, identifies constitution with composition. A second, popular with those sympathetic to classical mereology such as Judith Thomson, defines constitution in terms of parthood. A third, advocated strongly by Lynne Baker, takes constitution to be somehow inconsistent with relations of parthood. All of these approaches, I argue, face serious problems. I conclude, tentatively, that constitution and composition have nothing to do with each other.

The paper contrasts two ways of understanding the apparently strange assertions of mad persons, finds them both problematic, and proposes an alternative. The first approach, exemplified by R.D. Laing, is to suppose that the beliefs of the mad person are ordinary but expressed in terms that make them appear irrational. The other approach, advocated by Silvano Arieti, is to take the words at face value but to attribute to the mad person a kind of deviant logic. I suggest, on the basis of a Davidsonian approach, that the bizarre utterances of the mad simply cannot be understood adequately; they are, precisely, points at which accomodations of intepretation give out. This is what makes them symptoms of madness.

A reply to Sean Liam Kelly's analysis of Martial 7.35 in the Fall 1993 issue of Nexus. Although I am in substantial agreement with many parts of Kelly's analysis, one detail of the text which he did not pick up on leads me to offer a different route to Kelly's conclusion that, according to the narrator of the poem, Laecania insults his and his slave's virility, and that in response to this perceived unmanning, he replies with the charge of lesbianism. However, the route I propose introduces into the itinerary not only issues of gender and violence, but also those of race

I bring together social ontology and social epistemology by consideringsocial entities (``epistemic unities'') that are constituted by the holdingof epistemic relations between their members. In particular, I focus onthe relation of taking someone as an expert. Among the types of structuresexamined are ones with a single expert and one or more non-experts whomay or may not know of each other's situation; and ones with more thanone expert, including cases in which the relation between the experts ishierarchical and cases in which it is symmetrical. These structures modela variety of social situations which can thus be given a unified treatment.Among the cases I discuss are persons, which I argue are multiple-expertunities of persons at times. Taking a person as a social unity like this offersa clear sense in which some groups can also be person-like.

If science fiction is a genre, then attempts to think about the nature of science fiction will be affected by one’s understanding of what genres are. I shall examine two approaches to genre, one dominant but inadequate, the other better, but only occasionally making itself seen. I shall then discuss several important, interrelated issues, focusing particularly on science fiction : what it is for a work to belong to a genre, the semantics of genre names, the validity of attempts to define genres, and the connections between genre and normativity. One important but neglected clue to the nature of genres lies in the kinds of disagreements they generate over the assignment of works to genres. I conclude by explaining why these disagreements tell us something about the nature of genres, and discussing in some detail two famous cases of disagreement about whether some work or works are science fiction

I survey a number of views about how we can obtain knowledge of modal propositions, propositions about necessity and possibility. One major approach is that whether a proposition or state of affairs is conceivable tells us something about whether it is possible. I examine two quite different positions that fall under this rubric, those of Yablo and Chalmers. One problem for this approach is the existence of necessary a posteriori truths and I deal with some of the ways in which these authors respond to the problem, including the use of two-dimensional modal semantics. Conventionalism about modality offers a complementary approach to modal epistemology, prompting us to identify our knowledge of modal truths with our mastery of linguistic or conceptual conventions. Finally, I discuss an approach to modal epistemology deriving from David Lewis's work that seeks to identify structural features of the modal space over which necessity and possibility are defined.