Amie Thomasson

The basic philosophical controversy regarding ordinary objects is: Do tables and chairs, sticks and stones, exist? This paper aims to do two things: first, to explain why how this can be a controversy at all, and second, to explain why this controversy has arisen so late in the history of philosophy. Section 1 begins by discussing why the 'obvious' sensory evidence in favor of ordinary objects is not taken to be decisive. It goes on to review the standard arguments against the existence of ordinary objects – including those based on problems with causal redundancy, parsimony, co-location, sorites arguments, and the special composition question. Section 2 goes on to address what it is about the contemporary approach to metaphysics that invites and sustains this kind of controversy, and helps make evident why debates about ordinary objects lead so readily to debates in metametaphysics about the nature of metaphysics itself.

The existence of a social world raises both the metaphysical puzzle: how can there be a “reality” of facts and objects that are genuinely created by human intentionality? and the epistemological puzzle: how can such a product of human intentionality include objective facts available for investigation and discovery by the social sciences? I argue that Searle’s story about the creation of social facts in The Construction of Social Reality is too narrow to fully solve either side of the puzzle. By acknowledging different forms of rules for constructing social reality paralleling rules for creating ‘make-believe’ truths, we can build a more comprehensive social ontology and allow for a more appropriate range of discovery for the social sciences. Nonetheless, I argue that despite the parallels between methods for constructing make-believe and social facts, it would be mistaken to treat talk about social reality as involving a mere pretense to refer.

Roman Ingarden (1893 -- 1970) was a Polish phenomenologist, ontologist and aesthetician. A student of Edmund Husserl's from the Göttingen period, Ingarden was a realist phenomenologist who spent much of his career working against what he took to be Husserl's turn to transcendental idealism. As preparatory work for narrowing down possible solutions to the realism/idealism problem, Ingarden developed ontological studies unmatched in scope and detail, distinguishing different kinds of dependence and different modes of being. He is best known, however, for his work in aesthetics, particularly on the ontology of the work of art and the status of aesthetic values, and is credited with being the founder of phenomenological aesthetics. His work..

A good phenomenological theory must be able to account equally well for our experiences of veridical perception and hallucination, for our thoughts about universities, colors, numbers, mythical figures and more. For all of these are characteristic mental acts, and a theory of intentionality should be a theory of conscious acts in general, not just of consciousness of a specific kind of thing or of a specific kind of consciousness. In so far as phenomenology purports to be a general study of intentional acts of consciousness, it must be able to account for acts with all kinds of objects and with all kinds of thetic character. Any limitation of these features puts the theory in danger of being an explanation of only some kinds of mental act, and of mis-characterizing the nature of intentionality in general.

A minimalist or “pleonastic” ontology is supposed to provide a “cheap ontology” of languagecreated entities to serve as relatively innocuous referents for singular terms for such entities as properties, propositions, events, meanings, and fictional characters. This paper investigates the very idea of ontological minimalism, its source, and its potential applications. Certain puzzles and paradoxes arise in the idea of ontological minimalism; the article argues that these result from the fact that minimal entities divide into three different cases with importantly different ontological and epistemological implications. These different analyses show that general claims of minimalism provide no guarantee that the relevant entities are merely linguistic creations that can be accepted without ontological qualms. Nonetheless, minimalism has some important applications, e.g. relative minimalism can aid in determining the relative parsimony of different theories and thereby help demonstrate why certain forms of eliminativism regarding “ordinary objects”, fictional characters, etc. are misguided.

Nonreductive physicalism provides an appealing solution to the nature of mental properties. But its success as a theory of mental properties has been called into doubt by claims that it cannot adequately handle the problems of mental causation, as it leads either to epiphenomenalism or to thoroughgoing overdetermination. I argue that these apparent problems for the nonreductivist are based in fundamental confusion about causation and explanation. I distinguish two different types of explanation and two different relations to which they appeal: causation and determination. I argue that these types of explanation do not compete with one another, nor do these relations jointly result in overdetermination. In closing I develop a nonreductivist solution to mental causation which avoids both the hazards of epiphenomenalism and of overdetermination and so demonstrates a way to save nonreductive physicalism from the problems of mental causation.

I argue that the ontological status of fictional characters is determined by the beliefs and practices of those who competently deal with works of literature, and draw out three important consequences of this. First, heavily revisionary theories cannot be considered as ‘discoveries’ about the ‘true nature’ of fictional characters; any acceptable realist theory of fiction must preserve all or most of the common conception of fictional characters. Second, once we note that the existence conditions for fictional characters are extremely minimal, it makes little sense to deny the existence of fictional characters, leaving anti-realist views of fiction unmotivated. Finally, the role of ordinary beliefs and practices in determining facts about the ontology of fictional characters explains why non-revisionary theories of fiction are bound to yield no determinate or precise answer to certain questions about fictional characters, demonstrating the limits of a theory of fiction

This paper examines what’s at stake in which form of metaontological deflationism we adopt. Stephen Yablo has argued for a ‘quizzicalist’ approach, holding that many ontological questions are ‘moot’ in the sense that there is simply nothing to settle them. Defenders of the ‘easy approach’ to ontology, by contrast, think not that these questions are unsettled, but that they are very easily settled by trivial inferences from uncontroversial premises—so obviously and easily settled that there is no point debating them. The views may differ in terms of how far the deflation extends—while easy ontology deflates debates about ordinary objects, Yablo doesn’t think his view does. But the crucial underlying difference lies in whether we think there are ontological presuppositions for introducing terminology

Those working in experimental philosophy have raised a number of arguments against the use of conceptual analysis in philosophical inquiries. But they have typically focused on a model that pursues conceptual analysis by taking intuitions as a kind of (defeasible) evidence for philosophical hypotheses. Little attention has been given to the constitutivist alternative, which sees metaphysical modal facts as reflections of constitutive semantic rules. I begin with a brief overview of the constitutivist approach and argue that we can defend a role for conceptual analysis, so understood, in ontological disputes against both the general skepticism about the relevance of intuitions, and against the specific worries raised by experimental results. Finally, I argue that even if the constitutivist view is adopted, experimental philosophy may still have quite a useful role to play, though purely empirical inquiries cannot in principle do the ontological work alone.

In an earlier paper in this journal I argued that deflationism is preferable to fictionalism as an alternative to both traditional realism and eliminativism. Gabriele Contessa questions this conclusion, denying that fictionalist arguments beg the question against easy ontological arguments, presenting a new argument against easy ontology, and suggesting a response to the challenge I raise for fictionalists. Below I respond to these points in turn. In so doing, I hope to clarify the broader theoretic orientation of easy ontology—in particular, its rejection of a Quinean criterion of ontological commitment and its commitment to a form of functional pluralism about language.

Dan Zahavi raises doubts about the prospects for combining phenomenological and analytical approaches to the mind, based chiefly on the claim that phenomenology is a form of transcendental philosophy. I argue that there are two ways in which one might understand the claim that phenomenology is transcendental: (1) as the claim that the methods of phenomenology essentially involve addressing transcendental questions or making transcendental arguments, or (2) as the claim that phenomenology is committed to substantive theses of antirealism and the like, which are sometimes thought to follow from atranscendental approach. I argue that while (1) is appropriate, it in no way leads to conflicts with analytic work in philosophy of mind. Moreover, adopting this method and practicing phenomenology in no way commits us to claims of type (2) that might be thought to conflict with common assumptions in analytic philosophy of mind

This paper defends the view that ontological questions (properly understood) are easy—too easy, in fact, to be subjects of substantive and distinctively philosophical debates. They are easy, roughly, in the sense that they may be resolved straightforwardly—generally by a combination of conceptual and empirical enquiries. After briefly outlining the view and some of its virtues, I turn to examine two central lines of objection. The first is that this ‘easy’ approach is itself committed to substantive ontological views, including an implausibly permissive ontology. The second is that it, like neo-Fregean views, relies on transformation rules that are questionable on both logical and ontological grounds. Ultimately, I will argue, the easy view is not easily assailed by either of these routes, and so remains (thus far) a tenable and attractive approach.

An account of the source of first-person knowledge is essential not just for phenomenology, but for anyone who takes seriously the apparent evidence that we each have a distinctive access to knowing what we experience. One standard way to account for the source of first-person knowledge is by appeal to a kind of inner observation of the passing contents of one’s own mind, and phenomenology is often thought to rely on introspection. I argue, however, that Husserl’s method of phenomenological reduction was designed precisely to find a route to knowledge of the structures of consciousness that was independent of any appeal to observation of one’s own mental states. The goals of this essay are to explicate Husserl’s method of phenomenological reduction in contemporary terms that (1) show its distance from all inner-observation accounts, (2) exhibit its kinship to and historical influence on outer-observation accounts of selfknowledge popularized by Sellars, and (3) demonstrate that a contemporary ‘cognitive transformation’ view based on Husserl’s method may provide a viable contribution to contemporary debates about the source of self-knowledge.

This challenging study places fiction squarely at the centre of the discussion of metaphysics. Philosophers have traditionally treated fiction as involving a set of narrow problems in logic or the philosophy of language. By contrast Amie Thomasson argues that fiction has far-reaching implications for central problems of metaphysics. The book develops an 'artifactual' theory of fiction, whereby fictional characters are abstract artifacts as ordinary as laws or symphonies or works of literature. By understanding fictional characters we come to understand how other cultural and social objects are established on the basis of the independent physical world and the mental states of human beings.

Arguments that ordinary inanimate objects such as tables and chairs, sticks and stones, simply do not exist have become increasingly common and increasingly prominent. Some are based on demands for parsimony or for a non-arbitrary answer to the special composition question; others arise from prohibitions against causal redundancy, ontological vagueness, or co-location; and others still come from worries that a common sense ontology would be a rival to a scientific one. Until now, little has been done to address these arguments in a unified and systematic way. Ordinary Objects is designed to fill this gap, demonstrating that the mistakes behind all of these superficially diverse eliminativist arguments may be traced to a common source. It aims to develop an ontology of ordinary objects subject to no such problems, providing perhaps the first sustained defense of a common sense ontology in two generations. The work done along the way addresses a number of major issues in philosophy of language and metaphysics, contributing to debates about analyticity, identity conditions, co-location and the grounding problem, vagueness, overdetermination, parsimony, and ontological commitment. In the end, the most important result of addressing these eliminativist arguments is not merely avoiding their conclusions; examining their failings also gives us reason to suspect that many apparent disputes in ontology are pseudo-debates. For it brings into question widely-held assumptions about which uses of metaphysical principles are appropriate, which metaphysical demands are answerable, and how we should go about addressing such fundamental questions as "What exists?". As a result, the work of Ordinary Objects promises to provide not only the route to a reflective understanding of our unreflective common-sense view, but also a better understanding of the proper methods and limits of metaphysics

A system of categories is a complete list of highest kinds or genera. Traditionally, following Aristotle, these have been thought of as highest genera of entities (in the widest sense of the term), so that a system of categories undertaken in this realist spirit would ideally provide an inventory of everything there is, thus answering the most basic of metaphysical questions: “What is there?”. Skepticism about the possibilities for discerning the different categories of ‘reality itself’ has led others to approach category systems not with the aim of cataloging the highest kinds in the world itself, but rather with the aim of elucidating the categories of our conceptual system. Thus Kant makes the shift to a conceptualist approach by drawing out the categories that are..

It is argued that the work of Husserl offers a model for self-knowledge that avoids the disadvantages of standard introspectionist accounts and of a Sellarsian view of the relation between our perceptual judgements and derived judgements about appearances. Self-knowledge is based on externally directed knowledge of the world that is then subjected to a cognitive transformation analogous to the move from a statement to the activity of stating. Appearance talk is (contra Sellars) not an epistemically non-committal form of speech, but talk to which we are fully committed. However, it is a commitment to a certain kind of claim about our experiences, viewed as cognitive phenomena, after a process of transformation. Such reductive and hypostatizing transformations can exhibit the intentional structure of consciousness. Phenomenology thus gives a form of knowledge about our mental states that is first personal but not introspective knowledge in any philosophically problematic sense. The account offered is also, in key respects, dissimilar to Sellars's outer directed view of the origin of self-knowledge

Sally Haslanger undertakes groundbreaking work in developing an account of structural explanations and the social structures that figure in them. A chief virtue of the account is that it can show the importance of structural explanations while also respecting the role of individual autonomy in explaining many decisions, by demonstrating the way in which social structures may set up a ‘choice architecture’ in which these choices are made. This paper gives an overview of this achievement, and goes on to consider why there may be need to broaden the role of social structural explanations beyond those that involve explicit choice within a choice architecture. It develops the idea, familiar from work by Heidegger and Ingarden, that social artifacts, roles, and nodes in social structures may be constitutively defined by norms. It closes by suggesting that attention to the role of norms in social structures may enable us to broaden the account to include structural explanations of other kinds

The first question to be addressed about fictional entities is: are there any? The usual grounds given for accepting or rejecting the view that there are fictional entities come from linguistic considerations. We make many different sorts of claims about fictional characters in our literary discussions. How can we account for their apparent truth? Does doing so require that we allow that there are fictional characters we can refer to, or can we offer equally good analyses while denying that there are any fictional entities?