•  51
    Aesthetic Judgment as Parasitic on Cognition
    Kant Yearbook 11 (1): 41-59. 2019.
    When we judge something to be beautiful, do we identify an inherent feature of the object, or only our subjective response to it? This paper argues that, for Kant, pure aesthetic judgment occupies a middle ground. Such judgments are based upon affective responses to our own cognitive faculties. Thus, pure aesthetic judgment is subjective insofar as it concerns our feeling ourselves to be engaged in a certain task; it is objective insofar as the task we are engaged in is cognition of an object, a…Read more
  •  49
    The antinomy of teleological judgment has increasingly been understood as a conflict between regulative principles. But it is not clear why regulative principles can be in conflict at all, since Kant otherwise takes the realization that two conflicting principles are regulative to be sufficient to resolve an antinomy. I argue that in Kant’s view regulative principles do not conflict with one another only if they are reducible to reason’s interest in systematicity. Given that the principles of th…Read more
  •  43
    Kant’s moral philosophy both enjoins the acquisition of self-knowledge as a duty, and precludes certain forms of its acquisition via what has become known as the Opacity Thesis. This article looks at several recent attempts to solve this difficulty and argues that they are inadequate. I argue instead that the Opacity Thesis rules out only the knowledge that one has acted from genuine moral principles, but does not apply in cases of moral failure. The duty of moral self-knowledge applies therefor…Read more
  •  42
    Rethinking Kant 's distinction between the beauty of art and the beauty of nature
    European Journal of Philosophy 28 (4): 857-875. 2020.
    This paper argues that Kant presents two different accounts of beauty, one that applies properly to art and one that applies properly to nature. The judgment of beauty that applies properly to nature can be free and thus judged without concepts. The work of art, however, is judged beautiful when it expresses aesthetic ideas. This distinction then enables me to explain several problematic passages in Kant's text: those that serve to distinguish these two conceptions of beauty from one another as …Read more