Adam Knowles

In 1929, Martin Heidegger announced a new fundamental term in his thinking: Wal- ten. Heidegger uses Walten to designate the primal ontological force of nature, but also brings it into connection with administration (Verwalten), specifically linking it to university administration. The article argues that in the Black Notebooks Heidegger develops a philosophical conception of administrative practice in the midst of his own administrative practice as university Rector in the era of Gleichschaltung.

In 1929, Martin Heidegger announced a new fundamental term in his thinking: Wal- ten. Heidegger uses Walten to designate the primal ontological force of nature, but also brings it into connection with administration (Verwalten), specifically linking it to university administration. The article argues that in the Black Notebooks Heidegger develops a philosophical conception of administrative practice in the midst of his own administrative practice as university Rector in the era of Gleichschaltung.

ABSTRACT This article explores the gendered nature of speech and silence in ancient Greece by showing how women were denied the measure of moderation with regard to speech. Drawing on examples from Plato and Aristotle, it shows how the voice of Greek women was associated with irreducibly contradictory qualities of being too loud, yet never silent enough. Exploring these contradictions through Plato's chōra and Irigaray's Speculum of the Other Woman, it argues that Greek women were ultimately considered essentially atopos, or out of place by virtue of their measurelessness, with great political consequences for the city.

Reexamining the case of one of the most famous intellectuals to embrace fascism, this book argues that Martin Heidegger's politics and philosophy of language emerge from a deep affinity for the ethno-nationalist and anti-Semitic politics of the Nazi movement. Himself a product of a conservative milieu, Heidegger did not have to significantly compromise his thinking to adapt it to National Socialism but only to intensify certain themes within it. Tracing the continuity of these themes in his lectures on Greek philosophy, his magnum opus, Being and Time, and the notorious Black Notebooks that have only begun to see the light of day, Heidegger's Fascist Affinities argues that if Heidegger was able to align himself so thoroughly with Nazism, it was partly because his philosophy was predicated upon fundamental forms of silencing and exclusion. With the arrival of the Nazi revolution, Heidegger displayed—both in public and in private—a complex, protracted form of silence drawn from his philosophy of language. Avoiding the easy satisfaction of banishing Heidegger from the philosophical realm so indebted to his work, Adam Knowles asks whether what drove Heidegger to Nazism in the first place might continue to haunt the discipline. In the context of today's burgeoning ethno-nationalist regimes, can contemporary philosophy ensure itself of its immunity?

Neoliberal rationality eliminates what these thinkers termed the "good life" or the "true realm of freedom", by which they did not mean luxury, leisure, or indulgence, but rather the cultivation and expression of distinctly human capacities for ethical and political freedom, creativity, unbounded reflection, or invention.The legacy of Kant's political writings is uniquely duplicitous. This is because the space of the Kantian text is capable—as great philosophical works often are—of sustaining immense contradictions.1 On the one hand, as has long been well known, Kant's universalist notion of reason provided justification for and implicitly sanctioned the violence of racist colonial civilizing...

Thus Plotinus (what is his status in the history of metaphysics and in the "Platonic" era, if one follows Heidegger's reading?), who speaks of presence, that is, also of morphē, as the trace of nonpresence, as the amorphous (to gar ikhnos tou amorphous morphē). A trace which is neither absence nor presence, nor, in whatever modality, a secondary modality.In his reading of Heidegger in his 2003 seminar, published as The Beast and the Sovereign, Derrida is particularly troubled by one particular aspect of Heidegger: Heidegger's "superabundant use" of the language of Walten.1 "As you see," Derrida writes of Heidegger's use of Walten, "late in my life of reading Heidegger, I have just discovered a word that seems to ..

In lieu of an abstract, here is a brief excerpt of the content:A Genealogy of SilenceChōra and the Placelessness of Greek WomenAdam KnowlesIsn’t excess that which the philosopher... must bring back, within measure?—Luce Irigaray, The Forgetting of Air in Martin HeideggerAnd if I must make some mention of the virtue of those wives who will now be in widowhood, I will indicate all with a brief word of advice. To be no worse than your proper nature [phuseōs], is a great honor for you; and great honor is hers, whose reputation among males is least, whether for praise or for blame.—PericlesIntroductionPhilosophy in the twentieth century is mapped upon a terrain of silence. At the turn of the century Sigmund Freud sought to translate the silent language of the unconscious, as Friedrich Nietzsche heralded an untimely voice that could not yet be heard.1 Ludwig Wittgenstein and Martin Heidegger, foundational thinkers in analytic and continental philosophy respectively, each placed silence at the core of his most influential works.2 In the phenomenological tradition, Maurice Merleau-Ponty and Emmanuel Levinas prominently thematized silence,3 while the subsequent generation of poststructuralist, [End Page 1] deconstructionist, and feminist thinkers such as Hélène Cixous, Jacques Derrida, Michel Foucault, Jean-François Lyotard, and Luce Irigaray all grappled with silence in various forms.4 Among these works, Lyotard’s theory of the differend, a term that describes an ontological gap of incommunicability, is now a standard term for addressing questions of silence, silencing, the ethics of sayability and trauma.5 Later, in queer theory, Eve Kosofsky Sedgwick’s closet became a complex synonym for many forms of silence and silencing.6Beyond this philosophical concern for silence and silencing, a number of similar themes emerged in the art and literature of the twentieth century, demonstrating both the creative and destructive force of silence.7 In literature, dramatists such as Samuel Beckett and Harold Pinter brought silence to the stage, while poets and novelists like Adrienne Rich and Virginia Woolf traced the presence of silence in language, each thematizing the power of silencing in unique ways.8 In music, John Cage famously utilized silence as an element of his compositions and filmmakers such as Ingmar Bergmann and Chantal Akerman likewise crafted silence to structure the cinematic spaces of their works.9 Silence became one of the most persistent themes of philosophy in the twentieth century, both implicitly and explicitly. Could one even go so far as to say that a certain silence haunted philosophy in the twentieth century?Amid this abundance of artistic and philosophical work on silence, “breaking the silence” became the watchword for emancipatory projects pursued by groups such as first-wave feminists, postcolonial scholars, race theorists, and campaigns for social justice.10 These emancipatory projects sought to disrupt processes of silencing by locating, recovering, and translating marginalized voices from the silencing of oppression and disenfranchisement. Though essential political interventions at the historical moment when they emerged, these projects of recovery soon met with the critique of the politics of representation best exemplified by thinkers such as Gayatri Chakravorty Spivak and Toril Moi.11 Spivak and Moi effectively argued that recovering and speaking for silenced and marginalized voices entails a further form of silencing. These critiques showed that projects of recovering silence from the archives, history, literature, art, culture, and everyday practices of living were constrained by the very concept of silence they employed. As a result, any naive politics of granting a voice and breaking silence became impossible after the 1980s. From this point onward the deconstructive critique of representation folded silence back into itself, destroying any simple binary of empowered speech and disempowered silence. Even despite this powerful deconstruction of the speech/silence binary, philosophy, to the extent that it still operates within representational schemes and a speech/silence binary, still remains haunted by the specter of silence—a silence that carries with it a deeply gendered heritage. Pursuing rigorous analyses of the manifold structures of silence and silencing remains an urgent ethical and political task for feminist philosophy. [End Page 2]This essay seeks to contribute to that task by arguing that, in order to critically engage with the many...