Adriano Kurle

Universidade Federal de Mato Grosso
  •  347
    The anachronism of myth in Hegel and Bolsonarist Brazil
    Problemata 11 (4): 176-192. 2020.
    In this paper, I present some concepts of Hegel’s philosophy of art, aiming to interpret a cultural-political situation, namely, Bolsonarism in contemporary Brazil. I present the ideas in the following order: (a) the modes of comprehension, mainly through the distinction between the poetic and the prosaicmodes; (b) the conception of “Action [Handlung]” as a category of art, by means of its three levels: State of the World [Weltzustand], Situation [Situation], and Action itself [Handlung als solc…Read more
  •  281
    The Concept of 'I' in Kant's First Critique
    In Agemir Bavaresco, Evandro Pontel & Jair Tauchen (eds.), Setenário, Editora Fundação Fênix. pp. 41-56. 2023.
    I seek to show in this paper how, in addressing the concept of “I” and the question of self-knowledge in the Critique of Pure Reason, one encounters a paradox, which is essentially a consequence of the doctrine of transcendental idealism. I point to Kant's concept of “I” and its three co-constitutive perspectives. The importance of the concept of subject and its intertwining with the concept of reason is pointed out, as also how these two concepts appear in the text of the Critique of Pure Reaso…Read more
  •  209
    The intersubjective community of feelings: Hegel on music
    Hegel y El Proyecto de Una Enciclopedia Filosófica: Comunicaciones Del II Congreso Germano-Latinoamericano Sobre la Filosofía de Hegel. 2017.
    The purpose of this article is to examine the objective side of subjectivity formation through music. I attempt to show how music is a way to configure subjectivity in its interiority, but in a way that it can be shared between other individual subjectivities. Music has an objective structure, but this structure is the temporal and sonorous interiority of subjectivity. It has as its objective manifestation and consequence the feelings and emotions. These feelings are subjective, and in the level…Read more
  •  53
    The historicity of music in Hegel in face of Schoenberg’s twelve-tone music
    Veritas – Revista de Filosofia da Pucrs 64 (2). 2019.
    In this paper, I consider how it would be possible to think about the historicity of music through Hegel’s thought. I will compare Hegel’s idea with a historical event that is considered relevant in the history of music: Schoenberg’s twelve-tone music, taken here also as a model of immanent negation and Aufhebung of tonal system in music. Furthermore, I will take Schoenberg’s twelve-tone music as an instance and wonder about the role of music and its history in the sociocultural formation (or, i…Read more
  •  5
    Música, sociedade e emancipação: um processo (im)provável para um leitor impossível
    Veritas – Revista de Filosofia da Pucrs 68 (1). 2023.
    Resenha de Em Um com o Impulso, de Vladimir Safatle. O livro trata da emancipação social por meio da estética da arte. O livro parte da crítica da associação tradicional entre autonomia, modernidade, e emancipação social, e divide-se em três partes: a primeira trata da autonomia; a segunda, do sublime; a terceira, da expressão. Soma-se a isto um excerto e a conclusão. A perspectiva geral tem o viés da dialética negativa adorniana vinculada com a psicanálise – viés este bastante conhecido nos tra…Read more