Alberto Oya

In this paper, I will argue that the main contrast between religious fictionalism and other recently developed fictionalist positions in other non-religious fields of enquiry is the sort of personal and affective relationship said to be felt by the religious person between them and God, the feeling of being in a loving and personal communion with God. I will argue that a realist, non-Meingonian artifactual fictionalist understanding of God, along the lines that philosophers such as Schiffer and Thomasson have already defended on non-religious grounds regarding fictional characters, seems to be the most direct way of preserving the possibility of the religious person standing in an actual relation to God while also maintaining a fictionalist understanding of religious faith. Last, I will argue that conceiving of God in these realist artifactual terms, and despite allowing the possibility of the religious person standing in an actual relation to God, fails to preserve a genuine personal relationship between the concrete religious person and God.

The aim of this chapter is to analyse the concept of love —understood in the broad and Christian-inspired sense of love as agape-charis love— in relation to the animes Dragon Ball and Dragon Ball Z. I first comment on the character of Piccolo —and how his friendship with Son Gohan— leads to him losing all his original villainous traits. I argue that the evolution of the character of Piccolo through his friendship with Son Gohan illustrates the philosophical claim that a loving and giving of oneself to the other —far from being a sign of weakness— is a courageous and self-affirming exercise. The result may move the individual to an inner transformative experience that leads to the enjoyment of a renewed and authentic life that is worth living. I then argue that Son Goku’s respectful attitude towards his opponents is ultimately a loving attitude. Last, I argue that it is the inspiring and loving example of Son Goku that ultimately explains why characters such as Vegeta —who are at first presented as villains— end up losing their villainous traits after fighting against Son Goku.

El objetivo de este artículo es explorar la manera en que Joaquim Xirau y Miguel de Unamuno concibieron el amor. A pesar de que no hay motivos suficientes para concluir una influencia directa y filosóficamente relevante de Unamuno en la obra de Xirau, sí podemos concluir que la forma en que ambos autores concibieron el amor guarda ciertas similitudes. Así, ambos coinciden en concebir la entrega amorosa como un ejercicio de afirmación individual que trae consigo un incremento de la propia singularidad. También, tanto Unamuno como Xirau conciben la entrega amorosa como un acto que, aun surgiendo del propio individuo y no de como es de hecho el mundo, personifica aquello amado, dejando de ser así visto como un mero objeto y mostrándose bajo una forma personal. Y ambos, aunque de un modo distinto, hacen del relato bíblico acerca de la vida y Resurrección de Cristo un aspecto central de sus maneras de entender el amor.

El objetivo de este artículo es clarificar la noción de «vida auténtica» tal y como es descrita por Joan Roura-Parella en su última obra Tema y variaciones de la personalidad (1950). Por «vida auténtica» se entiende una vida autogobernada, que permite al individuo realizar su propia singularidad y, por tanto, preservar su autonomía y dignidad como persona. Una vida dominada por factores ajenos al propio individuo, sean cuales sean éstos, es una vida alienada, que no permite el desarrollo del individuo en tanto la persona que es. Se señala la relevancia filosófica de la propuesta de Roura-Parella, que es la de ofrecer una justificación no-evidencial para una forma de vida cristiana, agapística. De acuerdo con Roura-Parella, una forma de vida basada en la entrega amorosa para con el prójimo está justificada en tanto que ésta es el resultado último de nuestra propia condición natural, constituyendo así un acto de afirmación personal y siendo, por tanto, condición necesaria para gozar de una vida auténtica — «la vida alcanza su hondo sentido al salirse de sí misma para darse a los demás» (Roura-Parella, Tema y variaciones de la personalidad, 1950, p. 229). Se señalan las diferencias y semejanzas de la propuesta de Roura-Parella con respecto a las de Miguel de Unamuno y Joaquim Xirau, autores que fueron cercanos a Roura-Parella y quienes, aunque partiendo de razonamientos distintos a los de Roura-Parella, también concibieron la entrega amorosa para con el prójimo como un acto de afirmación personal.

This book offers a comprehensive and accessible characterisation of the first-person shooter videogame genre. After providing an overview of the history of the first-person shooter videogame genre, Alberto Oya comments on the various defining peculiarities of this genre, namely the first-person perspective, the shooting gaming mechanics, the heroic in-game narrative or background story, and multiplayer gaming. Oya also argues that educators can use first-person shooter videogames to encourage their students to reflect on historical and philosophical issues.

Unamuno saw in his defense of religious faith a response to Nietzsche’s criticisms of the Christian, agapeic way of life. To Nietzsche’s claim that engaging in this way of life is something antinatural and life‐denying, insofar as it goes against the (alleged) natural tendency to increase one’s own power, Unamuno responded that an agapeic way of life is precisely a direct expression of this natural tendency. Far from being something that goes against our natural inclinations, Unamuno says, an agapeic way of life is a life‐affirming exercise, something we are led to given our own natural condition. Hence, the aim of this essay is to comment on Unamuno’s criticism of Nietzsche and to point out the philosophical relevance of Unamuno’s attempt to provide a natural foundation for religious faith when assessing Nietzsche’s criticisms of the possibility of carrying out a Christian, agapeic way of life.

The aim of this chapter is to analyze the movie Fight Club, directed by David Fincher, written by Jim Uhls, and first released in the fall of 1999. The movie is based on the homonym novel by Chuck Palahniuk, published in 1996. I will argue that Fight Club is to be understood in primarily existentialist, nonethical, and nonevidential terms, showing the struggle felt by each and every one of us to find a convincing answer to the question of what (if anything) counts as an authentic life that is worth living. Moreover, I will argue that the movie does not merely illustrate the struggle and the existential angst it engenders; it also advances, if not strictly speaking a theoretical answer grounded in an indisputable philosophical reasoning, then at least a practical way to face it. It is only after positively endorsing the claim that absolutely nothing (whatever it may be) externally imposed on a person can give their life ultimate meaning that a person is free to engage in a conscious, laborious, and exhausting attempt at self-affirmation, a full and positive endorsement of one’s own authenticity.

In this paper I will argue that Unamuno was conceiving of God (and ordinary, non-religious fictional characters more generally) in realist, though non-evidentially grounded, terms. I will point out that this way of conceiving of God allowed Unamuno to claim the actual existence of God (though as a fictional, purely humanly created character) and, with this, the possibility of there being an actual relationship between the concrete religious person and God without having to dispense with his own core claim that religious faith is just a subjective, though natural and thus inevitable, human reaction.

Comix Zone (Sega Technical Institute, 1995) is a two-dimensional scrolling beat ‘em up videogame released in 1995 for the Sega Mega Drive (known as Sega Genesis in North America). Comix Zone has two peculiarities which makes it even today an easily distinguishable videogame. These peculiarities are interrelated. First, Comix Zone imitates the aesthetics and visual settings peculiar to comic books, the aim of which is to join the experience of playing a videogame with that of reading a comic; and second, Comix Zone is ultimately grounded on the philosophical claim that fictional characters are actually existing entities, distinct from, and even colliding with, their creator(s). It is pointed out that this claim on the nature of fictional characters was seriously argued for, and put it into literary practice, by the Spanish philosopher Miguel de Unamuno (1864–1936).

The aim of this paper is to analyze Charles S. Peirce’s so-called “Neglected Argument for the Reality of God”. Peirce formulated the Neglected Argument as a “nest” of three different but sequentially developed arguments. Taken as a whole, the Neglected Argument aims to show that engaging in a religious way of life, adoring and acting in accordance with the hypothesis of God, is a subjective, non-evidentially grounded though naturally founded human reaction, and that it is this (alleged) natural foundation that makes it reasonable to accept the hypothesis of God as it being actually true, thereby grounding a properly religious way of life. I argue that Peirce’s Neglected Argument lacks of any serious apologetic force since it fails to justify, on independent, non-question-begging grounds, the claim that we are all naturally (and thus inevitably) lead to formulate, and later adore and act in accordance with, the hypothesis of God.

In a paper published recently in this journal, Buben attempted to show the philosophical relevance of Unamuno’s philosophical works when addressing the current debate on whether an endless existence would be something desirable—a debate which is nowadays commonly known as “The Makropulos Debate” since it was Bernard Williams’s “The Makropulos Case: Reflections on the Tedium of Immortality” that aroused interest in this question among contemporary analytic philosophers. Unfortunately, Buben’s paper fails to capture or even outline the reasoning behind Unamuno’s claim that we all naturally long for an endless existence —and consequently it also fails to clarify how Unamuno’s position may contribute to the current philosophical debate on the question as to whether an endless existence would be something desirable. In this paper I will point out that Unamuno’s affirmation that we all, without exception, long for an endless existence is grounded in his metaphysical claim that the most basic and natural inclination of all singular things is to increase their own singularity. In doing so, I will also be showing that Unamuno’s proposal is not philosophically relevant when addressing the current debate on the question as to whether living an endless existence would be something desirable.

Catalan translation, introductory study and notes on W. K. Clifford’s “The Ethics of Belief”. Published in Clifford, W.K. “L’ètica de la creença”. Quaderns de Filosofia, vol. III, n. 2 (2016), pp. 129–150. // Catalan translation, introductory study and notes on William James’s “The Will to Believe”. Published in James, William. “La voluntat de creure”. Quaderns de Filosofia, vol. III, n. 2 (2016), pp. 151–172. [Introductory study published in Oya, Alberto. “Introducció. El debat entre W. K. Clifford i William James”. Quaderns de Filosofia, vol. III, n. 2 (2016), pp. 123–127].

This book provides a coherent and systematic analysis of Miguel de Unamuno’s notion of religious faith and the reasoning he offers in defense of it. Unamuno developed a non-cognitivist Christian conception of religious faith, defending it as being something which we are all naturally lead to, given our (alleged) most basic and natural inclination to seek an endless existence. Illuminating the philosophical relevance this conception still has to contemporary philosophy of religion, Oya draws connections with current non-cognitivist notions of religious faith in general, and with contemporary religious fictionalist positions more particularly. The book includes a biographical introduction to Miguel de Unamuno, as well as lucid and clear analyses of his notions of the ‘tragic feeling of life’, his epistemological paradigm, and his naturally founded religious fictionalism. Revealing links to current debates, Oya shows how the works of Unamuno are still relevant and enriching today

The aim of this essay is to show that Yann Martel’s Life of Pi can be read as illustrating what philosophers usually name as pragmatic arguments for religious belief. Ultimately, this seems to be the reason why, in the short prologue that accompanies the novel, Martel claims Life of Pi to be “a story to make you believe in God”. To put it briefly, these arguments claim that even conceding that the question of whether to believe that God exists or that He does not exist cannot be decided upon the evidence we have, we are still justified to decide to believe in God because of the practical beneficial consequences this belief will bring to us. In Martel’s Life of Pi it is this kind of pragmatic reasoning that originates and what makes the “story with animals” preferable over the “story without animals.” I also point out that these arguments appear more convincing if they are not understood as referring to belief in the ordinary and common usage of the term, as the acceptance as being true the factual claim that the world is such that God does actually exist, but as referring to a subjective, non-truth-dependent way of understanding the world and of relating to it. I show that this is precisely the kind of conception of religious faith that is illustrated by the character of Pi through the novel.

The verifiability principle was the characteristic claim of a group of thinkers who called themselves the Vienna Circle and who formed the philosophical movement now known as logical positivism. The verifiability principle is an empiricist criterion of meaning which declares that only statements that are verifiable by —i.e., logically deducible from— observational statements are cognitively meaningful. This essay is a short introduction to the philosophical movement of logical positivism and its formulation of the verifiability principle. Its primary aim is to provide students of philosophy with an accessible first overview of this philosophical movement. After pointing out some aspects of the philosophical background of logical positivism (section 1), I will comment on the reasoning that lead these authors to formulate the verifiability principle (section 2), and I will analyse the debate about how to understand observational language and how observational statements (the so-called ‘protocol statements’) are verified (section 3). I will also comment on the two main consequences of accepting the verifiability principle: the conception of philosophy as the task of logical analysis and the project of unified science (section 4), and I will explain the different views on ethical language defended by logical positivists (section 5). I will end this essay by identifying the main problems of the verifiability principle and I will explain the core ideas of Carnap’s confirmability criterion, which attempts to resolve these problems (section 6 and 7).

The aim of this paper is to argue against the received view among Unamuno scholars that Miguel de Unamuno was defending a sort of pragmatic argument for religious faith and that his notion of religious faith as “querer creer” (“wanting to believe”) is to be identified with William James’s “the will to believe”. As I will show in this paper, one of the aspects that makes Unamuno’s reasoning philosophically relevant is his ability to formulate a non-pragmatist defense of religious faith without a prior commitment to the truth of any religious or theological statement and grounded in our longing for an endless existence through God’s Salvation.

Unamuno saw in his defense of religious faith a response to Nietzsche’s criticisms of the Christian, agapeic way of life. To Nietzsche’s claim that engaging in this way of life is something antinatural and life-denying, insofar as it goes against the (alleged) natural tendency to increase one’s own power, Unamuno responded that an agapeic way of life is precisely a direct expression of this natural tendency. Far from being something that goes against our natural inclinations, Unamuno says, an agapeic way of life is a life-affirming exercise, something we are led to given our own natural condition. Hence, the aim of this essay is to comment on Unamuno’s criticism of Nietzsche and to point out the philosophical relevance of Unamuno’s attempt to provide a natural foundation for religious faith when assessing Nietzsche’s criticisms of the possibility of carrying out a Christian, agapeic way of life.

Traditionally, miracles have been defined as supernaturally caused events which are outside the scope of scientific explicability. In this paper I will criticize the argument that, when we lack a scientific explanation for an event but it has an adequate explanation in theistic terms, then the most reasonable conclusion is to claim that the event is a miracle. I will defend that this argument would not work unless we had prior independent evidence for God’s existence. Furthermore, I will argue that even within a theistic worldview in which the reality of God were unquestioned, we would not be justified in claiming that an event is a miracle because we would not have sufficient knowledge of God’s intentions and purposes.