Alex Robins

Mary Jane Jacob, the author of Dewey for Artists, is neither a philosopher nor an artist, but a renowned curator who came to the writings of Dewey in the course of her work. For many years, Jacob has organized exhibitions championing artists who make social practice art, including Rirkrit Tiravanija, Thomas Hirschhorn, and Theaster Gates, to name a few who appear in this book. Their art is not primarily about making objects but is instead about producing social interactions between people. It is Jacob's conviction that Dewey's writings help explain the aesthetic and political value of this kind of art making.The title, Dewey for Artists, is a bit misleading as it suggests the book is for all artists, but the...

ABSTRACT In this article, I focus on Charles Sanders Peirce's viability for contemporary art history and criticism. I argue that in order to make sense of Peirce's published remarks on photographs they should be read in light of specific nineteenth-century uses of photography in experimental science. I argue that Peirce's comments on photography are consistent with a realist theory of science. It is only when these remarks are contextualized within a broader scientific project that we may begin to mine Peirce for his art historical value.

Morris Grossman, the author of this captivating collection of essays Art and Morality: Essays in the Spirit of Santayana, was fond of quoting Santayana as saying, “when Peter tells you something about Paul you learn more about Peter than you do Paul.” This aphorism appears several times in this volume, and its emphatic repetition should clue us into Grossman’s approach to expository writing. While the book is ostensibly about figures from the history of philosophy and art in individual essays, its real charm comes from getting a sense for Grossman’s intellectual temperament across the whole volume. One aspect of Grossman’s intellectual character which is favorably displayed portrayed in this book is his...