Alexander Nehamas

Nietzsche often gives the impression that all human beliefs are false. Some scholars, like Maudemarie Clark, believe that such a “falsification thesis” is unacceptable and try to limit Nietzsche's commitment to it, claiming that he abandons it in his very last works. Others, like Lanier Anderson and Nadeem Hussain, take it in ways that make it true and locate it in all. I argue that the view that is common to both approaches—that Nietzsche held that thesis in the first place—is unjustified. To that end, I interpret the texts where these scholars claim to find the thesis in a way that shows that they do not commit Nietzsche to it, and I offer some reasons for thinking that this is a more fruitful way of interpreting his views on the importance of truth—and falsehood—and their function in the economy of human life.

ABSTRACT In response to criticisms advanced by Christopher Janaway and Robert Pippin, I offer a rudimentary account of Nietzsche's “drives.” They are not mysterious: they stand for the different sets of motives, often in conflict, with which we are all faced. The strongest among them speak with the voice of the subject and try to get the rest to follow their lead. Such “subjugation,” whether within one or between different persons, often results not in the other's destruction but in its improvement. Moreover, no drives are immune to change. Nietzsche likens their unification, which results in one's becoming an “individual,” to the unity of works of art. Aesthetic values being essentially social, unification depends not just on its agent but also on its reception by an audience. I end by arguing that “the eternal recurrence” forbids our imagining that our life could ever have been different in any significant respect.

In September 2017 Alexander Nehamas kindly accepted our invitation to have a meeting in Athens in order to discuss several issues of philosophical interest; with his latest publication On Friendship as a starting point we soon moved over to a multitude of topics Nehamas has so far dealt with. The whole conversation spirals around the probably most challenging and demanding issue as far as practical philosophy is concerned – yet one every moral agent needs to provide an adequate answer to during his lifetime: Values. Do they exclusively belong to the domain of morality? Nehamas claims that “although moral values […] are important […], they are not the only values that determine whether a life is or is not worthwhile”. This view inevitably shifts the focus from individual values - even fundamental ones such as friendship, art and truth- to the real issue: What is a good life, after all?

In this reply, I defend my views on Nietzsche's “falsification thesis” and his perspectivism against Maudemarie Clark's recent criticisms, which appeared in The Journal of Nietzsche Studies 49.1. I begin by amplifying my interpretation of Gay Science 110 and 111, which, I argue, show that the falsification thesis is absent from The Gay Science. I then turn to perspectivism and argue that, contrary to Clark's claims, perspectivism never involves the falsification of the views to which it applies. It is therefore unnecessary to apply perspectivism, as Clark does, only to value-imbued viewpoints and not to empirical knowledge or the natural sciences. Perspectivism, as Nietzsche, I believe, makes clear, applies to every aspect of human knowledge.

In this astonishingly rich volume, experts in ethics, epistemology, philosophy of mind, political theory, aesthetics, history, critical theory, and hermeneutics bring to light the best philosophical scholarship on what is arguably Nietzsche's most rewarding but most challenging text. Including essays that were commissioned specifically for the volume as well as essays revised and edited by their authors, this collection showcases definitive works that have shaped Nietzsche studies alongside new works of interest to students and experts alike. A lengthy introduction, annotated bibliography, and index make this an extremely useful guide for the classroom and advanced research

Nietzsche sometimes writes as if we are not in control—at least not in conscious control—of our actions. He seems to suggest that what we actually do is independent of our intentions. It turns out, though, that his understanding of both intention and action differs radically from most contemporary treatments of the issue. In particular, he denies that our actions are caused by their intentions, whose role is hermeneutical in a sense that this essay develops. How then is responsibility to be assigned, since its moral variety, at least, depends, on several views, on the intention with which an action is performed? Nietzsche, of course, is not interested in making attributions of moral responsibility. Still, his views on the relationship between an individual action, its intention, other actions by its agent, and the agent's character, as this essay presents them, provide a reasonable account of action generally and a different, broader account of responsibility for oneself.

Problems with representing friendship in painting and the novel and its more successful displays in drama reflect the fact that friends seldom act as inspiringly as traditional images of the relationship suggest: friends' activities are often trivial, commonplace and boring, sometimes even criminal. Despite all that, the philosophical tradition has generally considered friendship a moral good. I argue that it is not a moral good, but a good nonetheless. It provides opportunities to try different ways of being, and is crucial to the processes through which we establish our individuality

For much of its history, philosophy was not merely a theoretical discipline but a way of life, an "art of living." This practical aspect of philosophy has been much less dominant in modernity than it was in ancient Greece and Rome, when philosophers of all stripes kept returning to Socrates as a model for living. The idea of philosophy as an art of living has survived in the works of such major modern authors as Montaigne, Nietzsche, and Foucault. Each of these writers has used philosophical discussion as a means of establishing what a person is and how a worthwhile life is to be lived. In this wide-ranging, brilliantly written account, Alexander Nehamas provides an incisive reevaluation of Socrates' place in the Western philosophical tradition and shows the importance of Socrates for Montaigne, Nietzsche, and Foucault. Why does each of these philosophers—each fundamentally concerned with his own originality—return to Socrates as a model? The answer lies in the irony that characterizes the Socrates we know from the Platonic dialogues. Socratic irony creates a mask that prevents a view of what lies behind. How Socrates led the life he did, what enabled or inspired him, is never made evident. No tenets are proposed. Socrates remains a silent and ambiguous character, forcing readers to come to their own conclusions about the art of life. This, Nehamas shows, is what allowed Montaigne, Nietzsche, and Foucault to return to Socrates as a model without thereby compelling them to imitate him. This highly readable, erudite study argues for the importance of the tradition within Western philosophy that is best described as "the art of living" and casts Montaigne, Nietzsche, and Foucault as the three major modern representatives of this tradition. Full of original ideas and challenging associations, this work will offer new ways of thinking about the philosophers Nehamas discusses and about the discipline of philosophy itself.