Alfredo Mac Laughlin

This work explores the philosophical implications of moral conversion: the fact that, at some point in their lives, people may change their deep-seated convictions, attitudes and patterns of action regarding moral matters in rather unexpected and surprising ways. The fact of moral conversion and the common characteristics of the process are established through the analysis of a compilation of stories of moral conversion from various sources and settings. This analysis yields the definition of conversion as an “existential change” in the person, and six classes of moral conversion are identified. Turning to the philosophical implications of moral conversion, the work examines its possible bearing, first, on the free choice/determinism debate, proposing that a study of moral conversion is of interest to this discussion because the unpredictability of moral conversion challenges determinism, and because during the process the subject often undergoes certain experiences that may be revealing of free choice. Second, the work examines the implications of moral conversion for the debate on internalism and externalism, proposing that the fact of moral conversion supports an internalist view of morality, i.e., that the intelligible content of moral norms, as understood by the moral agent, is one of the central operative factors in the agent’s adopting (and then living by) the new moral standards.

J. R. R. Tolkien’s four functions of fantasy stories, as developed in his Andrew Lang lecture “On Fairy Stories” (1939), have become a key conceptual tool for discussing human beings’ attraction to fantasy stories, particularly when attempting to push the analysis beyond the literary into the aesthetic, and beyond the aesthetic into the existential. Applying this interpretive key to an analysis of the expanding genre of post-apocalyptic fiction reveals that post-apocalyptic stories, despite superficial differences, are surprisingly close to fairy stories in their aesthetic core and orientation, and that post-apocalyptic stories are well-suited to fulfill—albeit with their own distinctive aesthetic feel—the functions of Enchantment, Recovery, Escape and Consolation. Furthermore, in exploring the function of Consolation, a number of motifs come to surface that suggest the presence of a religious dimension common to many of the most celebrated exponents of the genre.

This paper expands on the notion of "moral conversion" (advanced by Bernard Lonergan but underdeveloped in his work) by developing a typology that uses two "cross-hatching" criteria. First, it distinguishes between moral conversions that have to do with a person's relation to moral obligation, good and evil, and between moral conversions that have to do with how a person regards the question of happiness and the meaning of life. Secondly, it distinguishes between conversions regarding the _content_ (what is good/evil or the meaning of life?), regarding _attitude_ (becoming committed to doing good or to the meaning-seeking process), and regarding _coherence_ (conforming one's actual life to what is understood to be right/wrong or meaning-giving). Combining both criteria leaves us with six types of moral conversion. Each type is then illustrated and supported with concrete real-life narratives. I conclude with an attempt at a definition of moral conversion that includes all types. The article is a summary of Chapter 5 of my dissertation (2008) "Narratives of Hope: A Philosophical Study of Moral Conversion."