Alger Sans Pinillos

Debido al actual auge de la medicina y de la investigación biomédica y farmacéutica, la filosofía de la medicina se ha posicionado rápidamente entre las ramas filosóficas más relevantes e influyentes del mundo. La innovación en tratamientos y técnicas que se han desarrollado han abierto nuevas cuestiones teóricas y éticas. Mientras que los primeros comprenden cuestiones relacionadas con la metafísica y la epistemología de las ciencias de la salud, los segundos atañen a la ética médica. Aunque independientes entre sí, existe un inevitable acercamiento entre ambas perspectivas por el impacto social que implica la salud. La práctica médica está inherentemente imbuida de cuestiones normativas que hacen imposible un análisis epistemológico y metafísico sin atender a las cuestiones morales que inevitablemente surgen en el curso de la investigación. Por el contrario, la reflexión moral sobre cuestiones médicas suele ser infructuosa sin un análisis de los conceptos cruciales involucrados en las ciencias de la salud y una reflexión detallada sobre la práctica médica. Esta dependencia mutua entre cuestiones epistemológicas, metafísicas y morales queda, creemos, claramente ilustrada en los artículos y discusiones contenidos en este número especial de la revista Euphyía.

This article presents silence as a cognitive tool to comprehend the environment. Two dimensions of silence are addressed: a natural mechanism and human beings' social and cultural construction. There is a link between these two dimensions because, on the one hand, agents' cognitive strategies based on silence influence how meanings and uses of silence have been constructed. The meanings of silence we use are contextual shapers of silence-based cognitive strategies. Silence is analyzed as a resource for coping with ambiguity: situations perceived as uncertain provoke doubt and confusion because they can be understood differently or suggest different interpretations. These situations can occur in the face of epistemic disruption. The consequence is a transfer of the ambiguity property of these situations to the usual ways of relating to the world and people. The cognitive approach is based here on a semiotic-hermeneutic interpretation of silence from a phenomenological perspective. This accounts for a paradox: even if silence does not exist (the world is acoustic), it is real. The silence experience is a non-inferential cognitive capacity located at the base of perception: a stimulus that suggests a particular gesture as an action different from the usual one to deal with the environment.

This work focuses on the virtual museum, understood as the digital transformation of the traditional museum. First, the main conceptualizations of the virtual museum in the specialized literature are reviewed, and based on them, we propose a basic definition. Furthermore, we argue in favor of the insufficiency of the dataist perspective in the study of epistemic injustice associated with the virtual museum. Finally, the exclusion related to the participation and interaction between a museum’s visitors and the institution is analyzed. Este trabajo se centra en el museo virtual entendido como la transformación digital del museo tradicional. En primer lugar, se revisan las principales conceptualizaciones del museo virtual en la literatura especializada y, a partir de las mismas, se propone una definición básica. Asimismo, se presentan argumentos que muestran la insuficiencia de la perspectiva dataísta en el estudio de la injusticia epistémica relativa al museo virtual. Finalmente, se analiza la exclusión relativa a la participación y la interacción entre las visitantes de un museo (tanto virtual como físico) y la propia institución.

Design has usually been linked to art and applied in scenarios related to everyday life. Even when design has, on occasion, made its way into the world of academia, it has always been closely linked to art and scenarios related everyday life. At last, however, the idea of design has reached the field of epistemology: an area within the very heart of philosophy that has always focused, in theory, on the foundations of knowledge. Consequently, design is being studied from different approaches interested in the foundation of knowledge, theoretical and practical. This is one of the reasons why abduction and pragmatism have been considered relevant from a design perspective. This paper first shows the main features of abduction and pragmatism, describes their evolution and considers their mutual implications. Second, the epistemology of design is analysed considering its most relevant characteristics. Third, the connection between abduction and, on the one hand, pragmatism and, on the other, design epistemology is addressed. Finally, the role of abductive inference in grounding a real epistemology for design theory from the naturalised cognitive perspective of abduction is outlined. The central proposition is that this approach is essential as a methodological innovation, as it allows us to analyse both the inquiry process and the design process as interdependent when dealing with practical problems of a social and cultural nature. This approach allows us to analyse how human actions determine changes in the theoretical framework from which we make our inquiry. In short, the world is an open-ended project that humans design through our daily inquiry.

Many parts of the contemporary philosophical debate have been built on the radicalization of conclusions derived from the acceptance of a certain set of classical dichotomies. It also discusses how pragmatism and abduction are currently presented to solve the problems arising from these dichotomies. For this reason, the efforts of this article have been directed to analyze the impact of this fact on the philosophy of science and logic. The starting point is that accepting abduction implies, in many ways, accepting the foundations of pragmatism. Also, that the analysis of such problems from pragmatism and the particular use of abduction dissolve the dichotomies and, with it, also modify the philosophical problems related to them. Therefore, I propose to understand abduction as the right conceptual device to review the problems and debates of the twentieth century’s epistemology from a pragmatic perspective. In doing so, the aim is to propose that the current use of abduction in contemporary debates may imply a change of the philosophical perspective.

What role does language play in the process of building worldviews? To address this question, in the first section of this paper we will clarify what we mean by worldviews and how they differ, in our perspective, from cosmovisions. In a nutshell, we define worldviews as the biological interpretations agents create of the world around them and cosmovision the more general cultural-based reflections on it. After presenting our definition for worldview, we will also present the multi-shaped viewpoint that frames our analysis, adopting three concepts that can help us explain how agents construct and develop their worldviews: saliences, pregnances, and abduction. While the notions of saliences and pregnances will explain how agents recognize anomalies in their worldview, the concept of abduction will help us discuss how they can learn to approach, explain, and use these anomalies to get new skills and abilities. This other point will lead us to discuss the role of language in this process, which will be describe as an artifact that permits the agent to use abduction to “normalize” and exploit anomalies, being now the ultimate artifact to build, develop, and update their worldviews.

In this article I try to show that the epistemological component of abductions is creativity and, to do so, I will use an analysis of Thagard's concept of projected-truth as well as reflections on Łukasiewicz's creativity. In the third part I present a real case, using Thagard's theory and introducing Hanson, to make the transition from logical and computational discourse to philosophy of science. At the end I will address one of the current challenges in order to explain creativity namely the necessary and absolute interaction of each thinking subject, and therefore creative in action, with everything around him. To do this, I intend to introduce Feyerabend into the debate, which cleverly analyzes and dismantles the individualist idea of creation