Bilge Akbalik

This dissertation engages critically with the metaphysical implications of the respective transcendentalisms of Husserl, Deleuze, and Kant in an attempt to disclose their largely untapped resources for a renewed consideration of the ability of science to grasp reality as it is in-itself. Chapter 1 examines the metaphysical implications of Husserl’s critique of natural scientific objectivity in his later transcendental philosophy in connection to his early formulations of phenomenological objectivity around the axis of the distinction between metaphysics as the science of real Being and formal ontology as the science of Being in the most universal sense. I argue that Husserl’s phenomenological metaphysics constitutes a framework in which the ideal Being of the transcendental dimension of experience operates as the condition for the possibility of natural scientific objectivity. Chapter 2 scrutinizes Deleuze’s characterization of intensity as a transcendental concept rather than a scientific one against the background of his metaphysics of difference and his critique of the shortcomings of Kant’s transcendental idealism for addressing the transcendental conditions for the genesis of real experience. Through a reading of Deleuze’s metaphysics of difference and intensity in connection to his confinement of the creative productivity of scientific thought to a plane of reference, I argue that the creativity apropos to the scientific engagement with material reality necessitates that such creativity is conditioned by the same transcendental considerations operative in a metaphysics of difference at a broad scale. Against the backdrop of Husserl’s and Deleuze’s respective criticisms of the inadequacy of Kant’s transcendental idealism for articulating the material component of experience, Chapter 3 studies Kant’s later iv conception of ether as the simultaneously empirical and transcendental condition for the possibility and unity of experience. Through an examination of Kant’s renewed understanding of materiality as the necessary and sufficient condition for scientific objectivity in connection with the problematic objectivity of the transcendental ideas created by pure reason in Kant’s Critical philosophy, I suggest that Kant’s later articulation of materiality on transcendental grounds simultaneously addresses the objectivity and the creativity pertinent to the encounter of scientific Thought with material/physical reality.

The objective of my comments is to draw attention to the complex relationship between the juridico-political model of sovereignty and disciplinary power in Foucault's work. I suggest that Elden's reading of Foucault and Shakespeare opens up new ways to understand contemporary forms of governmentality through a genealogy of political ceremony and theatricality. More specifically, my comments seek to show that an examination of the ceremoniality of coup d'État in connection with what Foucault calls the “democratization of sovereignty” is potentially fruitful for examining modern forms of the government of civil society and counter-conduct.

This essay engages with several themes from Michel Foucault’s texts in order to examine the intricate connection between the normalizing power of medical discourse and its implicit ontological and epistemological commitments. I argue that medical discourse is inherently a medico-ethical discourse and its normalizing power is sustained through its being situated within a discourse on truth that allegedly establishes medical discourse as objective and scientific. In this context, in order to account for the non-coercive normalizing power of the medical sciences, I claim that medical sciences can authorize themselves as objective only on the basis of a metabody, rather than real bodies. Through an appeal to the metabody, normal and abnormal are instituted as objective evaluations, and medical scientific discourse renders ethical normativity and epistemological normativity virtually indistinguishable