Brian Treanor

This edited collection responds to Richard Kearney's recent work on touch, excarnation, and embodiment, as well as his broader work in carnal hermeneutics, which sets the stage for his return to and retrieval of the senses of the lived body. Here, fourteen scholars engage the breadth and depth of Kearney's work to illuminate our experience of the body. The essays collected within take up a wide variety of subjects, from nature to non-human animals to our experience of the sacred and the demonic, from art's account of touching to the political implications of various types of embodiment. Followed by an inspired new reflection from Kearney himself, in which he lays out his vision for "anacarnation," this volume is an important statement about the centrality of touch and embodiment in our experience, and a reminder that, despite the excarnating tendencies of contemporary life, the lived body remains a touchstone for wisdom in our increasingly complicated and fragile world. Written for scholars and students interested in touch, embodiment, phenomenology, and hermeneutics, this diverse and challenging collection contributes to a growing field of scholarship that recognises and attempts to correct the excarnating trends in philosophy and in culture at large.

See the external link on this entry for a "widget" supplied by Bloomsbury, which will give you access to the first chapter. Today, we find ourselves surrounded by numerous reasons to despair, from loneliness, suffering and death at an individual level to societal alienation, oppression, sectarian conflict and war. No honest assessment of life can take place without facing up to these facts and it is not surprising that more and more people are beginning to suspect that the human story will end in tragedy. However, this focus on despair does not paint a complete and accurate picture of reality, which is also inflected with beauty and goodness. Working with examples from poetry and literature, including Virginia Woolf and Jack Gilbert and the films of Terrence Malick, Melancholic Joy offers an honest assessment of the human condition. It unflinchingly acknowledges the everyday frustrations and extraordinary horrors that generate despair and argues that the appropriate response is to take up joy again, not in an attempt to ignore or dismiss evil, but rather as part of a “melancholic joy” that accepts the mystery of a world both beautiful and brutal.

Continental philosophy has long been concerned with the question of transcendence, a fact attributable in part to the historical significance of phenomenology and the legacy of debates surrounding transcendental idealism, the epoche, the status of the world and of other people, and, at least for some philosophers, the question of God. The question takes different forms in Husserl, Heidegger, Merleau-Ponty, Sartre, Levinas, Derrida, Marion, and others working in this tradition, but it remains an abiding concern for each of them. Over time the persistence of this issue has formed a body of work that constitutes a kind of center of gravity—one among several—that characterizes continental thinking. Keywords: Immanence, transcendence, wilderness, abstraction, Henry David Thoreau, Henry Bugbee, Annie Dillard.

Philosophy, by and large, tends to dwell on what might be called the woeful nature of reality—finitude, suffering, loss, death, and the like. While these topics are no doubt worthy of philosophical concern, undue focus on them tends to obscure other facets of our experience and of reality, giving philosophy a temperament that could justifiably be called melancholic. Without besmirching the value of such inquiry, this paper suggests that philosophers have largely ignored the experience of joy and, consequently, missed its distinctive contributions to our understanding of the meaningfulness of life and the goodness of being. Traditional accounts of the problem of evil are rooted in what John D. Caputo calls “strong theology,” which tends to construe evil as a problem to which God should supply the answer or solution. However, if we call into question traditional accounts of omnipotence, evil ceases to be a problem, and we become free to engage it as part of what Gabriel Marcel calls “the mystery of being.” Thus liberated, we are free to assess more clearly phenomena missed by melancholic accounts of being, among them the experience of joy, attested to in diverse forms of philosophy, literature, memoir, and elsewhere.

It is increasingly clear that virtue ethics has an important role to play in environmental ethics. However, virtue ethics—which has always been characterized by a degree of ambiguity—is faced with substantial challenges in the contemporary “postmodern” cultural milieu. Among these challenges is the lure of relativism. Most virtue ethics depend upon some view of the good life; however, today there is no unambiguous, easily agreed-upon account of the good life. Rather, we are presented with a bewildering variety of conflicting accounts of the good life. Narrative—in particular Paul Ricoeur’s account of narrative identity—has much to contribute to virtue ethics, including resources that can help us respond to the chal­lenges presented by the postmodern context. Narrative constitutes an “ethical laboratory” by providing us with an “as if” experience through which we can try out various ethical alternatives. Two sorts of environmental narratives, working in concert, further help to limit relativist objections: (1) narratives of environmental survival (which identify dispositions, such as simplicity, necessary for our long-term survival) and (2) narratives of environmental flourishing (which make a virtue of necessity by pointing out those dispositions necessary for our survival often contribute to our flourishing beyond mere survival)

"Every other is truly other, but no other is wholly other." This is the claim that Aspects of Alterity defends. Taking up the question of otherness that so fascinates contemporary continental philosophy, this book asks what it means for something or someone to be other than the self. Levinas and those influenced by him point out that the philosophical tradition of the West has generally favored the self at the expense of the other. Such a self-centered perspective never encounters the other qua other, however. In response, postmodern thought insists on the absolute otherness of the other, epitomized by the deconstructive claim "every other is wholly other." But absolute otherness generates problems and aporias of its own. This has led some thinkers to reevaluate the notion of relative otherness in light of the postmodern critique, arguing for a chiastic account that does justice to both the alterity and the similitude of the other. These latter two positions--absolute otherness and a rehabilitated account of relative otherness--are the main contenders in the contemporary debate.The philosophies of Emmanuel Levinas and Gabriel Marcel provide the point of embarkation for coming to understand the two positions on this question. Levinas and Marcel were contemporaries whose philosophies exhibit remarkably similar concern for the other but nevertheless remain fundamentally incompatible. Thus, these two thinkers provide a striking illustration of both the proximity of and the unbridgeable gap between two accounts of otherness.Aspects of Alterity delves into this debate, first in order understand the issues at stake in these two positions and second to determine which description better accounts for the experience of encountering the other.After a thorough assessment and critique of otherness in Levinas's and Marcel's work, including a discussion of the relationship of ethical alterity to theological assumptions, Aspects of Alterity traces the transmission and development of these two conceptions of otherness. Levinas's version of otherness can be seen in the work of Jacques Derrida and John D. Caputo, while Marcel's understanding of otherness influences the work of Paul Ricoeur and Richard Kearney.Ultimately, Aspects of Alterity makes a case for a hermeneutic account of otherness. Otherness itself is not absolute, but is a chiasm of alterity and similitude. Properly articulated, such an account is capable of addressing the legitimate ethical and epistemological concerns that lead thinkers to construe otherness in absolute terms, but without the "absolute aporias" that accompany such a characterization.

This paper takes up Richard Kearney's work The God Who May Be, specifically in the context of postmodern debates concerning epistemological claims regarding the other. Kearney's hermeneutics of religion attempts to forge a middle path between ontotheological philosophies of religion and various quasi-religious manifestations of postmodernism; however, my main concern is to address certain points of disagreement between Kearney and proponents of a deconstructive "religion without religion" principally Jacques Derrida and John D. Caputo. The main issue at stake is just how other God is, which is itself a specific case of a broader question concerning otherness per se. Caputo et al. claim that religious assertions about God are fundamentally undecidable, which means that they are "infinitely translatable" and "substitutable," that we can never tell what is a translation of what, but the ultimate point is that it "does not matter" The undecidable nature of religious claims includes the very claim that religion is a discourse about God, which is why deconstructive religion without religion is a messianic hope for "the impossible" devoid of any content. Kearney objects that such radical undecidability leaves us lost in the desert ofkhora with no way to distinguish, even imperfectly and provisionally, between God and Satan, good and evil, the widow and the terrorist. In this paper I claim that Kearney succeeds in finding this via tertia between the Scylla of dogmatism and the Charybdis of complete indeterminacy by thinking God in two important ways: as persona-prosopon (which avoids confusing God with khora or monstrosity) and as posse (which keeps us from dogmatism). /// O presente artigo toma em particular consideração a obra de Richard Kearney The God Who May Be, especificamente no contexto dos debates pós-modernos acerca do estatuto epistemológico da alteridade. A abordagem hermeneutica que Kearney faz da religião procura estabelecer um caminho médio entre as filosofias ontoteológicas da religião e várias manifestações quase-religiosas do pós-modernismo. O autor do artigo, contudo, pretende estabelecer alguns pontos de desacordo entre Kearney e os defensores da "religião sem religião" típica do movimento da desconstrução, tendo em vista, sobretudo, as aportações de Jacques Derrida e de John D. Caputo. Em questão está especificamente a alteridade de Deus, ou seja, um caso específico da questão mais alargada acerca da alteridade em si mesma. Caputo, por exemplo, defende que as asserções religiosas sobre Deus são fundamentalmente indecidíveis, o que significa que elas são "infinitamente traduzíveis "e "substituíveis ", enfim, que nós nunca sabemos o que pwpriamente é tradução de quê, sendo que, no fundo, a questão em si mesma "não importa". O carácter indecidível das propostas religiosas inclui a ideia de que a religião constitui um discurso sobre Deus, razão pela qual a desconstrutora "religião sem religião "constitui uma esperança messiânica pelo "impossível" desprovida de qualquer conteúdo. Kearney objecta que uma tal indecidibilidade radical nos deixa perdidos no meio do deserto da Chora sem capacidade de distinguir, ainda que imperfeita e provisoriamente, entre Deus e Satanás, entre o bem e o mal, entre a viúva e o terrorista. Assim, o autor do artigo defende que Richard Kearney é bem sucedido em sua busca de uma via tertia entre a Cila do dogmatismo e a Caríbdis da completa indeterminação graças ao seu modo de pensar Deus por dois caminhos distintos: como pessoa-prosopon (o que impede confundir Deus com Chora ou monstruosidade) e como posse (o que nos resguarda do dogmantismo).

This paper examines the postmodern question of the otherness of the other from the perspective of Gabriel Marcel’s philosophy. Postmodernity—typified by philosophical movements like deconstruction—has framed the question of otherness in all-or-nothing terms; either the other is absolutely, wholly other or the other is not other at all. On the deconstructive account, the latter position amounts to a kind of “violence” against the other. Marcel’s philosophy offers an alternative to this all-or-nothing model of otherness. His thought can satisfy the fundamental (and legitimate) ethical and philosophical concerns of postmodern thinkers without resorting to the paroxysmal hyperbole that characterizes philosophies of absolute otherness. Moreover, Marcel’s critique of the “spirit of abstraction” offers a unique perspective on what might motivate such paroxysmal hyperbole.

It is increasingly clear that virtue ethics has an important role to play in environmental ethics. However, virtue ethics—which has always been characterized by a degree of ambiguity—is faced with substantial challenges in the contemporary “postmodern” cultural milieu. Among these challenges is the lure of relativism. Most virtue ethics depend upon some view of the good life; however, today there is no unambiguous, easily agreed-upon account of the good life. Rather, we are presented with a bewildering variety of conflicting accounts of the good life. Narrative—in particular Paul Ricoeur’s account of narrative identity—has much to contribute to virtue ethics, including resources that can help us respond to the chal­lenges presented by the postmodern context. Narrative constitutes an “ethical laboratory” by providing us with an “as if” experience through which we can try out various ethical alternatives. Two sorts of environmental narratives, working in concert, further help to limit relativist objections: narratives of environmental survival and narratives of environmental flourishing.

This dissertation opens, or perhaps re-opens, a dialogue between the work of Emmanuel Levinas and that of Gabriel Marcel. These two thinkers, each in his own way a philosopher of "the other," both provide us with descriptions of the intersubjective relationship. However, the remarkable similarity of these descriptions is matched by a frustrating incompatibility. The remarkable similarity manifests itself in the emphasis both philosophies place on the unique and in some sense inviolable position of the other person with respect to the self and, further, in advocating the service of the other by the self. The incompatibility is the result of two entirely different, seemingly contradictory, accounts of the nature of the other person: Levinas insists the other person is absolutely other, while Marcel maintains this otherness in only relative. ;Following a short introduction, chapters two and three provide a foundation for the later chapters by offering a summary of the work of Levinas and Marcel respectively. Chapters four and five look critically at Marcel and Levinas in turn, identifying problems or ambiguities in their thought, and investigate the extent to which the points of opposition between them are insurmountable obstacles to a reconciliation. These chapters examine both the concrete and pragmatic implications of each thinker's philosophy and the transcendental positions that condition these implications. Chapter six, based on the preceding four chapters, attempts to ascertain why what appear to be responses to similar callings have resulted in dissimilar philosophies. The obstacle that ultimately prevents the harmonization of these two philosophies is a different understanding of "otherness," which is itself in no small part the result of different understandings of how one relates to God. Finally, the concluding chapter offers some brief thoughts on how this dialogue might proceed from here, given the similar inspiration, the parallel exposition and, yet, the fundamental incompatibility of these two thinkers