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    Hyper naturalism and simulacra in Stonehenge art
    with Andrew Taylor and Ertu Unver
    Unver and Taylor have explored digitally a methodology that has interested makers and observers for decades. In the 1930’s Walter Benjamin in his seminal discussion of Art in the Age of Mechanical Reproduction worried about the destruction of authenticity and aura that reproductions of the real created for the viewer, whilst acknowledging that this reproduction allowed artefacts to be dislocated from their original ritual purposes and therefore making the once scared more accessible. In 1977 Rol…Read more