Celena Simpson

For a variety of reasons, W.E.B. Du Bois is often heralded as a (pro)feminist figure, and his work is taken up accordingly. This essay is an attempt to more critically engage this assumption through The Black Flame trilogy. In this paper, I make the argument that this work of historical fiction – and the role of women therein – exposes the masculinist structure of Du Bois's vision for racial uplift, wherein black women lack sufficient public agency. From this structure, I derive the conclusion that is disadvantageous to read Du Bois as embodying an exemplary anti-racist feminism.