•  40
    Heraclitus uses paradoxical language to present the relationship between opposites in his worldview. This mode of expression has generated much controversy. Some take the paradoxes as evidence of a contradictory identity of opposites (Barnes), while others propose a dynamic union through transformation without identity that avoids the contradiction (Graham). By examining B88 and B62, I seek to identify the stronger and weaker points of such readings. The contradictory identity reading thwarts th…Read more
  •  102
    A Routine to Develop Inferencing Skills in Primary School Children
    In Marella A. Mancenido-Bolaños, C. Alvarez-Abarejo & L. Marquez (eds.), Cultivating Reasonableness in Education, Springer. pp. 95-117. 2023.
    The chapter presents the prototyping of a thinking routine designed to foster good inference habits in children ages 6 to 11. The prototyping was developed at Ninho, an educational project for children from underprivileged households in Brazil. The thinking routines by Ritchhart and colleagues (2006) served as our starting point. Following a Virtue Education (VE) approach, we supposed that the repeated application would conduce to habituation. In addition, to increase peer-to-peer interactions, …Read more
  •  3
    Resenha de Reis, M. C. G. Cartas & Máximas Principais, “Como um deus entre os homens” (2020)
    Archai: Revista de Estudos Sobre as Origens Do Pensamento Ocidental 32. 2022.
  •  825
    In Metaphysics Γ, Aristotle argues against those who seem to accept contradictions. He distinguishes between the Sophists, who deny the principle of non-contradiction through arguments, and the Natural Philosophers, whose physical investigations lead to the acceptance of objective contradictions. Heraclitus’ name appears throughout the discussion. Usually, he is associated with the discussion against the Sophists. In this paper, I explore how the discussion with the Natural Philosophers may illu…Read more
  • In the Cratylus, Plato criticizes the traditional rendering of Hades’ name as the ‘in-visible’ while in the Phaedo he endorses it. Despite this conflict, in both cases, the etymologies are used to oppose the negative characterization of this god by the tradition, just as prescribed in the Republic. Furthermore, both dialogues convey a similar description of Hades as an intellectual realm. Thus, there is an underlying conceptual coherence and a use of conflicting etymologies serving the same prac…Read more
  •  16
    Scholarship in Process. A Reconstruction of Vlastos’ Method of Research into the History of Philosophy
    Elenchos: Rivista di Studi Sul Pensiero Antico 40 (2): 445-468. 2019.
    The paper attempts to reconstruct Vlastos’ method of research into the history of philosophy using his Degrees of Reality as a case study. To do so, I rely on the extensive materials available in the Vlastos Archive. Through the palimpsest of superimposed revisions in his documents as well as the letters exchanged with his colleagues, I will go through the gestation of a whole new perspective in dealing with Plato’s conception of the reality of abstract objects. Furthermore, the focus on the pro…Read more
  •  12
    The role of sensation in knowledge according to Heraclitus: part two: indirect use of sensation
    Archai: Revista de Estudos Sobre as Origens Do Pensamento Ocidental 13 61-69. 2014.
  •  17
    The role of sensation in knowledge according to Heraclitus: first part: direct use of sensation
    Archai: Revista de Estudos Sobre as Origens Do Pensamento Ocidental 12 41-50. 2014.
    Dividido em duas partes o artigo tem o objetivo de determinar qual a função das sensações no processo de conhecimento prescrito por Heráclito. Essa primeira parte é dedicada ao uso direto dos sentidos, aquele sem nenhum tipo de mediação entre a coisa percebida e quem a percebe. Após o exame de fragmentos abordando principalmente os sentidos do olfato, paladar e tato são encontrados os requisitos para obtenção de uma sensação direta apropriada. Tudo começa na coisa percebida que para ser reconhec…Read more
  •  5
    The role of sensation in knowledge according to Heraclitus: first part: direct use of sensation
    Archai: Revista de Estudos Sobre as Origens Do Pensamento Ocidental 12 41-50. 2014.
  •  8
    The role of sensation in knowledge according to Heraclitus: first part: direct use of sensation
    Archai: Revista de Estudos Sobre as Origens Do Pensamento Ocidental 12 41-50. 2014.
  •  5
    The role of sensation in knowledge according to Heraclitus: part two: indirect use of sensation
    Archai: Revista de Estudos Sobre as Origens Do Pensamento Ocidental 13 61-69. 2014.
  •  832
    Em nome do Hades, Platão e as etimologias contra o medo da morte
    Revista Ética E Filosofia Política 2 (19): 94-115. 2016.
    The article starts with two uses presented by Plato concerning the etymology of Hades' name. In the Phaedo, he follows the tradition and interprets the name as the 'in-visible'. In the Cratylus, on the other hand, he proposes a new reading of Hades as the 'all-knowing'. Despite this inconsistency, there is an anterior coherence in regard to the project of extinguishing the fear of death in the tradition. To understand these differences and similarities we recur to the Republic. In this dialogue,…Read more
  •  16
    Como usar a linguagem para precisar o movimento: uma disputa entre Platão e Heráclito
    Archai: Revista de Estudos Sobre as Origens Do Pensamento Ocidental 15 97-104. 2015.
    A proposta do texto é delinear como Heráclito e Platão lidaram com o problema de usar a linguagem para falar do movimento. A perspectiva ontológica de que eles partem é quase oposta. Heráclito vê o mundo como movimento contínuo enquanto, para Platão, o que está em movimento participa, em alguma medida, das Ideias estáticas. É deste ponto de vista que no Teeteto Sócrates encarrega os Heraclitianos de criarem um novo discurso caso queiram falar da sua concepção de mundo. A observação tem um tom cr…Read more
  •  37
    Heraclitus' Bow Composition
    Classical Quarterly 63 (2): 473-490. 2013.
    This article aims to throw light on a recurrent structural feature of Heraclitus' style that, it will be argued, serves as a tool to enrich interpretation of his fragments. Named after the bow image used by the philosopher in B51, the ‘bow composition’ will be presented as a narrative technique developed by Heraclitus to reveal his conception of the world. In B51 we read: οὐ ξυνιᾶσιν ὅκως διαϕερόμενον ἑωυτῶι ὁμολογέει· παλίντροπος ἁρμονίη ὅκωσπερ τόξου καὶ λύρης (‘They don't understand how what …Read more