Cora Diamond

Wittgenstein gives voice to an aspiration that is central to his later philosophy, well before he becomes later Wittgenstein, when he writes in §4.112 of the Tractatus that philosophy is not a matter of putting forward a doctrine or a theory, but consists rather in the practice of an activity – an activity he goes on to characterize as one of elucidation or clarification – an activity which he says does not result in philosophische Sätze, in propositions of philosophy, but rather in das Klarwerden von Sätzen, in our attaining clarity in our relation to the sentences of our language that we call upon to express our thoughts.1 To say that early Wittgenstein already aspired to such a conception of philosophy is not to gainsay that to aspire to practice philosophy in such a manner and to succeed in doing so are not the same thing. It is therefore not to deny that, by Wittgenstein’s later lights, the Tractatus is to be judged a work that is marked by forms of failure tied to its having failed fully to live up to such an aspiration. But if it is thus to be judged, then it is to some degree a failure even by Wittgenstein’s own earlier lights. This means that if one wants to understand the fundamental turn in Wittgenstein’s thinking as he moves from his earlier to his later philosophy, and why it is that he wanted the Tractatus to be published and read together with Philosophical Investigations, one needs to understand what sort of failure this is – and that requires coming to terms with the Tractatus’s own understanding of what sort of work it was trying to be. We think that readers of the Tractatus – be they admirers or detractors of Wittgenstein – have, on the whole, failed to do this.

I am concerned in this paper with a range of phenomena, which, in the first four sections of the paper, I shall suggest by some examples. In the last three sections, I try to connect the topic thus indicated with the thought of Stanley Cavell. First example: a poem of Ted Hughes’s, from the mid-50s, called “Six Young Men.” […] What Hughes gives us is a case of what I want to call the difficulty of reality. That is a phrase of John Updike’s, which I want to pick up for the phenomena with which I am concerned, experiences in which we take something in reality to be resistant to our thinking it, or possibly to be painful in its inexplicability, difficult in that way, or perhaps awesome and astonishing in its inexplicability. We take things so. And the things we take so may simply not, to others, present the kind of difficulty – of being hard or impossible or agonizing to get one’s mind round.

Dans son Introduction au Tractatus de Wittgenstein, Elizabeth Anscombe considérait que le livre avait le défaut d’exclure la proposition « “Quelqu’un” n’est pas le nom de quelqu’un » qu’elle considérait comme évidemment vraie. Ce n’est pas une proposition bipolaire et sa négation n’est pas intelligible. J’examine la question de savoir si elle a raison de dire que le Tractatu s exclut de telles propositions, et je considère son exemple en relation avec d’autres propositions qui, du moins en théorie, n’ont pas de négation intelligible. En considérant le cas particulier de la réponse de Frege à Benno Kerry sur le concept de ‘cheval’, j’essaie de développer une approche de la place que donne la philosophie de Wittgenstein à certains types de proposition qui n’ont pas de négation intelligible.

_Philosophy and Animal Life_ offers a new way of thinking about animal rights, our obligation to animals, and the nature of philosophy itself. Cora Diamond begins with "The Difficulty of Reality and the Difficulty of Philosophy," in which she accuses analytical philosophy of evading, or deflecting, the responsibility of human beings toward nonhuman animals. Diamond then explores the animal question as it is bound up with the more general problem of philosophical skepticism. Focusing specifically on J. M. Coetzee's _The Lives of Animals_, she considers the failure of language to capture the vulnerability of humans and animals. Stanley Cavell responds to Diamond's argument with his own close reading of Coetzee's work, connecting the human-animal relation to further themes of morality and philosophy. John McDowell follows with a critique of both Diamond and Cavell, and Ian Hacking explains why Cora Diamond's essay is so deeply perturbing and, paradoxically for a philosopher, he favors poetry over philosophy as a way of overcoming some of her difficulties. Cary Wolfe's introduction situates these arguments within the broader context of contemporary continental philosophy and theory, particularly Jacques Derrida's work on deconstruction and the question of the animal. _Philosophy and Animal Life_ is a crucial collection for those interested in animal rights, ethics, and the development of philosophical inquiry. It also offers a unique exploration of the role of ethics in Coetzee's fiction.

Hilary Putnam has argued against philosophical theories which tie the content of truth-claims closely to the available methods of investigation and verification. Such theories, he argues, threaten our idea of human communication, which we take to be possible between people of different cultures and across periods of time during which methods of investigation change dramatically. Putnam rejects any reading of Wittgenstein which takes him to make a close tie between meaning and method of verification. What strands in Wittgenstein's thought appear to lend support to such a reading? Can we do justice to the role which method of verification does have for Wittgenstein while retaining our hold on the idea that communication between people is possible despite substantial differences in methods of verification and investigation? Thus it is as if the proof did not determine the sense of the proposition proved; and yet as if it did determine it. But isn't it like that with any verification of any proposition?

Whether one is reading Wittgenstein's Tractatus or his later writings, one must be struck by his insistence that he is not putting forward philosophical doctrines or theses; or by his suggestion that it cannot be done, that it is only through some confusion one is in about what one is doing that one could take oneself to be putting forward philosophical doctrines or theses at all. I think that there is almost nothing in Wittgenstein which is of value and which can be grasped if it is pulled away from that view of philosophy. But that view of philosophy is itself something that has to be seen first in the Tractatus if it is to be understood in its later forms, and in the Tractatus it is inseparable from what is central there, the distinction between what can be said and what can only be shown.

I start from Hans Sluga's paper “Truth before Tarski”, in which he argues that the establishing of Tarski's approach to truth brought loss as well as gain to analytic philosophy: what was lost was our understanding of the problem of truth. To recover what was lost, he says, we must examine the variety of pre‐Tarskian views. My paper picks up that task and focuses on Wittgenstein's Tractatus. I interweave ideas borrowed from Thomas Ricketts, P. T. Geach, Warren Goldfarb, Peter Hylton, and Juliet Floyd, and thereby try to explain the relation between Wittgenstein's conception of sense and his view of truth.

Publisher's description: The realistic spirit, a nonmetaphysical approach to philosophical thought concerned with the character of philosophy itself, informs all of the discussions in these essays by philosopher Cora Diamond. Diamond explains Wittgenstein's notoriously elusive later writings, explores the background to his thought in the work of Frege, and discusses ethics in a way that reflects his influence. Diamond's new reading of Wittgenstein challenges currently accepted interpretations and shows what it means to look without mythology at the coherence, commitments, and connections that are distinctive of the mind.

Wittgenstein suggérait que les raisons en éthique sont comme les raisons en philosophie ou en esthétique. Elles « attirent votre attention sur une chose » ; « elles juxtaposent les choses » ; parfois, elles les dissocient. De telles raisons peuvent changer l’Anschauungsweise de quelqu’un, sa façon de voir les choses. Cet essai a pour objet la façon dont le concept d’injustice affecte le traitement que nous réservons aux animaux. Il a pour objet une manière de dissocier les choses et une manière de les juxtaposer : la dissociation de la justice et des droits, et la juxtaposition de nous-mêmes et des animaux en tant qu’êtres envers lesquels on peut se conduire de façon juste ou injuste.

Wittgenstein gives voice to an aspiration that is central to his later philosophy, well before he becomes later Wittgenstein, when he writes in §4.112 of the Tractatus that philosophy is not a matter of putting forward a doctrine or a theory, but consists rather in the practice of an activity – an activity he goes on to characterize as one of elucidation or clarification – an activity which he says does not result in philosophische Sätze, in propositions of philosophy, but rather in das Klarwerden von Sätzen, in our attaining clarity in our relation to the sentences of our language that we call upon to express our thoughts.1 To say that early Wittgenstein already aspired to such a conception of philosophy is not to gainsay that to aspire to practice philosophy in such a manner and to succeed in doing so are not the same thing. It is therefore not to deny that, by Wittgenstein’s later lights, the Tractatus is to be judged a work that is marked by forms of failure tied to its having failed fully to live up to such an aspiration. But if it is thus to be judged, then it is to some degree a failure even by Wittgenstein’s own earlier lights. This means that if one wants to understand the fundamental turn in Wittgenstein’s thinking as he moves from his earlier to his later philosophy, and why it is that he wanted the Tractatus to be published and read together with Philosophical Investigations, one needs to understand what sort of failure this is – and that requires coming to terms with the Tractatus’s own understanding of what sort of work it was trying to be. We think that readers of the Tractatus – be they admirers or detractors of Wittgenstein – have, on the whole, failed to do this.

In “The Human Prejudice”, Bernard Williams discusses our treating human beings differently in our moral thinking from the ways we treat other creatures. He criticises the idea that this expresses a prejudice, speciesism, analogous to racism and sexism. His essay has been misunderstood by some of its critics, including Peter Singer and Jeff McMahan. My essay sets out several questions one may have about Williams's essay, and explains how they can be answered. I make clear the connections between “The Human Prejudice” and some main elements in Williams's thinking about ethics, including his criticisms of moral theory.

Reading Wittgenstein with Anscombe, Going On To Ethics is a collection of seven essays, divided into three parts. The essays bring out connections between Wittgenstein's thinking and questions of continuing interest in the philosophy of language, logic, and ethics. A dialogue with Anscombe runs through the essays, which take up questions about how we should respond to thinking that has miscarried or gone off the rails. The main issues discussed in this book concern how we are to understand thoughts, forms of words, and uses of language that seem crucially important to our understanding or self-understanding, but cannot fit in the template we instinctively bring to bear on questions about how language and thought are related to reality. The book presents Wittgenstein as a responsive philosopher, and it does this through a continuing dialogue with Anscombe.

There is a famous quip of F.P. Ramsey's, which is my second epigraph. According to a widespread legend, the quip is a criticism of Wittgenstein's treatment in the Tractatus of what cannot be said. The remark is indeed Ramsey's, but he didn't mean what he is taken to mean in the legend. His quip, looked at in context, means something quite different. The legend is sometimes taken to provide support for a reading of the Tractatus according to which the nonsensical propositions of the book were intended to convey what cannot be said. But, since the legend has no basis in reality, it provides no evidence in favor of any such reading of the Tractatus. The quip has great interest if it is read in the context of Ramsey's discussion of generality; it is closely related to issues of importance in the development of Wittgenstein's thought.