Uxbridge, London, United Kingdom of Great Britain and Northern Ireland
  •  72
    According to Jean-Luc Nancy the essential condition for the existence of sense is the 'otherness' of our being-together. For John Cassavetes being-together makes sense only there where it escapes sense. It will be shown that in fact that both propositions derive from a qualitative distance at the heart of our being-together. This qualitative distance triggers the circulation of sense and leaves sense always open. It is in this way that being-together responds of sense absolutely (responding to i…Read more
  •  43
    Despite considerable differences, Stanley Cavell and Jean-Luc Nancy share the demand for a renewal of thinking produced through and with the concept of the world. Their articulation of the legacy bequeathed by Heidegger and Wittgenstein begins with an understanding of the world in excess of knowledge and insists on this impossible mastery as the most productive incentive for thinking. Inasmuch as philosophy has understood itself as producer of worldviews, systems and principle, philosophy has co…Read more
  •  24
    With a foreword by Jean-Luc Nancy Philosophy and the Patience of Film presents a comparative study of the work of Jean-Luc Nancy and Stanley Cavell. It discusses the effect of their philosophical engagement with film, and proposes that the interaction between philosophy and film produces a power of patience capable of turning our negation of the world into a relation with it. Through detailed readings of cinematic works ranging from Hollywood classics to contemporary Iranian cinema, this book d…Read more
  •  22
    Jean-Luc Nancy and the Thinking of Otherness is the first book in English to provide a sustained account of the relationship between Nancy, Levinas and Heidegger.
  •  19
    Exactitude and Partiality. Merleau-Ponty and Nancy on Cinema
    Chiasmi International 19 201-221. 2017.
    While it is possible, as Vivian Sobchack and others show, to illuminate film through Merleau-Ponty’s philosophy, it is more difficult to find within Merleau-Ponty’s work a coherent and systematic reflection on cinema. This absence is seldom interrogated. This article addresses what this absence might reveal by analyzing the reasons why Merleau-Ponty stopped short of an explicit discussion of film. The argument builds on these analyses to show how what Merleau-Ponty found problematic about cinema…Read more