David Johnson

In two passages from Xenophon’s Memorabilia, Socrates refutes Aristippus, first by a rather brutal brand of Realpolitik, then by refusing to answer Aristippus’ questions about the good and the beautiful. This article argues that the nasty politics that emerge in Memorabilia 2.1 are not Socratic, but rather the natural consequence of Aristippean hedonism. Political considerations of another sort drive Socrates’ tactics in Memorabilia 3.8, where his evasive manoeuvres are driven by his desire to avoid a direct confrontation with hedonism. ocrates’ own views are hedonistic in some sense, as revealed by his otherwise irrelevant discussion of pleasing home plans and altar sites at the end of 3.8, but Socrates does not wish to reveal as much to companions lacking his self-control. Socrates’ treatment of Aristippus has as much to do with politics as with pleasure.

Xenophon's Socratic Works demonstrates that Xenophon, a student of Socrates, military man, and man of letters, is an indispensable source for our understanding of the life and philosophy of Socrates. David M. Johnson restores Xenophon's most ambitious Socratic work, the Memorabilia, to its original literary context, enabling readers to experience it as Xenophon's original audience would have, rather than as a pale imitation of Platonic dialogue. He shows that the Memorabilia, together with Xenophon's Apology, provides us with our best evidence for the trial of Socrates, and a comprehensive and convincing refutation of the historical charges against Socrates. Johnson's account of Socrates' moral psychology shows how Xenophon's emphasis on control of the passions can be reconciled with the intellectualism normally attributed to Socrates. Chapters on Xenophon's Symposium and Oeconomicus reveal how Xenophon used all the literary tools of Socratic dialogue to defend Socratic sexual morality and debate the merits and limits of conventional elite values. Throughout the book, Johnson argues that Xenophon's portrait of Socrates is rich and coherent, and largely compatible with the better-known portrait of Socrates in Plato. Xenophon aimed not to provide a rival portrait of Socrates, Johnson shows, but to supplement and clarify what others had said about Socrates. Xenophon's Socratic Works thus provides readers with a far firmer basis for reconstruction of the trial of Socrates, a key moment in the history of Athenian democracy, and for our understanding of Socrates' seminal impact on Greek philosophy. This volume introduces Xenophon's Socratic works to a wide range of readers, from undergraduate students encountering Socrates or ancient philosophy for the first time to scholars with interests in Socrates or ancient philosophy more broadly. It is also an important resource for readers interested in Socratic dialogue as a literary form, the trial of Socrates, Greek sexual morality, or Greek social history.

_Socrates and Alcibiades: Four Texts _gathers together translations our four most important sources for the relationship between Socrates and the most controversial man of his day, the gifted and scandalous Alcibiades. In addition to Alcibiades’ famous speech from Plato’s Symposium, this text includes two dialogues, the Alcibiades I and Alcibiades II, attributed to Plato in antiquity but unjustly neglected today, and the complete fragments of the dialogue Alcibiades by Plato’s contemporary, Aeschines of Sphettus. These works are essential reading for anyone interested in Socrates’ improbable love affair with Athens’ most desirable youth, his attempt to woo Alcibiades from his ultimately disastrous worldly ambitions to the philosophical life, and the reasons for Socrates’ failure, which played a large role in his conviction by an Athenian court on charges of impiety and corrupting the youth. Focus Philosophical Library translations are close to and are non-interpretative of the original text, with the notes and a glossary intending to provide the reader with some sense of the terms and the concepts as they were understood by Plato’s immediate audience.