Eric Chelstrom

The LEGO Movie provides more ways to think about the nature of autonomy and how others can either help or hinder one's development. At the beginning of The LEGO Movie, Emmet Brickowoski is an extreme case of someone who is not autonomous. Emmet is also contrasted with the Master Builders, who are autonomous, making decisions for themselves with confidence and gusto. When Emmet comes into his own as The Special, it is only with the help of others. Emmet begins his development by convincing the Master Builders to follow his plan. Among them, only he has the capacity to really understand others' expectations in a way that will result in a successful plan to stop Lord Business's plot. Wyldstyle experiences a development similar to Emmet's. Her given name is Lucy, and she molds her personality to others' expectations. Wyldstyle's case examines what might be missing in the Master Builders.

In The Expanse, Naomi Nagata, the Roci's XO and engineering marvel, is a person caught between worlds, someone torn in multiple directions by the social situations she finds herself immersed in. Throughout the series, she embodies multiplicitous subjectivity. In Nemesis Games Naomi Nagata experiences the kind of inner conflict of the self that can occur in moving between worlds. Internal conflict illuminates the multiple worlds Naomi inhabits. Just as one can travel between Earth and Mars, “one can ‘travel’ between these [social] ‘worlds.’” Unlike places such as Earth and Mars, with worlds in the social sense, “one can inhabit more than one of these ‘worlds’ at the very same time.” In framing spaces of meaning, the establishment of borders between worlds creates borderlands.

I endeavor to explore Farber’s work leading into the Foundation in order to construct an understanding both of his idiosyncratic interpretation of Husserl, and of what lead to Farber’s break with phenomenology. A great irony of Farber’s career may turn out to be that a scholar so deeply bothered by presuppositions and so committed a methodological pluralist may have discarded phenomenology because of his own philosophical commitments, a fact noted by Farber’s former student, Sang-Ki Kim. In an essay in Farber’s memory, Kim questions whether Farber himself was subject to the limitations and prejudices inherent in his commitments to scientific Marxism and naturalism. Farber’s pervasive interests in naturalism are likely influenced, in part, by consideration for the cancer research of his brother, Sidney. This work will first examine Farber’s attitudes towards metaphysics and naturalism. Second, it will turn to an examination of his interests in logic – which largely prompted his interests in phenomenology. Farber’s methodological pluralism is driven in part by his understanding of logic and in part his other interests. Further disagreements with Husserl will be reappraised in the concluding section of the essay.

The Analysis of Wonder is a stimulating and worthy introduction to the difficult and unique thought of Nicolai Hartmann. In this venue, the focus is upon criticisms of Cicovacki’s book. The opportunity to elicit further clarification and argumentation from Cicovacki should be fruitful. Hartmann’s philosophy is truly unique in nature and vast. As such, it is worth noting at the outset that, given the nature of Cicovacki’s book and a lack of deeper familiarity with Hartmann’s philosophy, the concerns raised herein may very well be issues in Hartmann that Cicovacki is replicating. The criticisms addressed herein present five sets of worries related to The Analysis of Wonder. The first three may be relatively minor concerns having to do with what is meant by the rediscovery of the world; Cicovacki’s criticisms of post-modernism and existentialism; and Cicovacki’s use of Arendt as a way of framing Hartmann’s value to contemporary philosophy and beyond. The latter two sets of worries are more substantive. They involve Hartmann’s account of the importance of a loving attitude and Hartmann’s theory of personality. Again, these are presented in the spirit of an invitation to dialogue more about Hartmann, a figure who Cicovacki represents well in The Analysis of Wonder.

Our world can be a bewildering place. The sense of awe and wonder at the states of affairs in which we find ourselves immersed give rise to philosophical questions. Philosophical reflection is a critical attempt to come to grips with our place in the world and the various problems we encounter in respect to the complexities encountered in everyday life. In the most basic terms, phenomenology is the study of the structures and relations of phenomena. Phenomenology begins from a descriptive analysis of our experiences of the world. It grants precedent to the first person perspective-how phenomena appear to consciousness. There are any number of problems related to the plenitude of kinds of experiences which confront us through the course of our lives, in addition to the structure of consciousness itself. This volume presents a variety of views on a number of the phenomena of our everyday lives, offering positions on such things from the nature of consciousness to the structures of religious or political experiences. Its appeal, however, should not be limited to philosophers alone-given that all persons can relate to the subject matter of the essays. For instance, one author asks, "what is friendship?" The present work may also be understood as a gesture toward bridging the division between the valuable insights of continental and analytic philosophical traditions. The authors include a combination of established academics, such as Jeffrey Wattles-the best-selling author of The Golden Rule-and young scholars from varied philosophical backgrounds. This collection is divided into four sections: (I) Foundational Elements of Experience; (II) The Experiencing Subject: What is it to be a Subject?; (III) Amongst Others: The Social World; and (IV) Social Objects and Institutions. Each section represents a level of experience, from the most basic structures of experience, to the subject's experience of the world and objects in it, to experiences and interactions with others, ending at the results of the codifications of certain social practices and beliefs. The sections treat their respective topics principally, even if they share material with other essays. Our experiences of the life-world, the world of human praxis, contain a multiplicity of elements; the divisions of this work are meant to demarcate various types of phenomena, not to offer any definitive thesis regarding a hierarchy or structure of relations.

One of the more ambitious and yet fruitful attempts in recent years to untangle general questions about the nature of aesthetic phenomena and their socially constituted nature rests in Lambert Zuidervaart’s critical hermeneutical theory of artistic truth. In this paper, I explore one part of Zuidervaart’s project, namely his conception of “aesthetic validity as a horizon of imaginative cogency.” I seek to develop Zuidervaart’s conception by bringing his thesis into dialogue with phenomenological analyses of “horizon” and the collective intentional approach to institutional and social objects. Zuidervaart relies primarily on Gadamer’s view of horizon, but does not offer very much by way of clarification as to exactly what a horizon is. Phenomenological analysis of horizon should serve to add content to the idea of horizon. I contend that the Husserlian notion is both more informative and has more utility for Zuidervaart’s project.