•  2
    CHAPTER 14 Curated Panel: ‘Art as Laboratory for Modes of Being-With’
    with Marie-Luise Angerer, Irina Kaldrack, Martina Leeker, Taru Leppänen, Heidi Fast, Žilvinė Gaižutytė-Filipavičienė, Basia Nikiforova, Nevena Dakovic, Neda Radulovic, and Helen Palmer
    In Felicity Colman & Iris van der Tuin (eds.), Methods and Genealogies of New Materialisms, Edinburgh University Press. pp. 298-326. 2024.
  •  1
    Introduction: New Materialisms: Quantum Ideation across Dissonance
    with Vera Bühlmann and Iris van der Tuin
    In Felicity Colman & Iris van der Tuin (eds.), Methods and Genealogies of New Materialisms, Edinburgh University Press. pp. 1-26. 2024.
  •  4
    Methods and Genealogies of New Materialisms (edited book)
    Edinburgh University Press. 2024.
  • Paulvlrlllo
    In Film, Theory and Philosophy: The Key Thinkers, Acumen Publishing. pp. 201-211. 2009.
  • Cinema movement-image-recognition-timee
    In Charles J. Stivale (ed.), Gilles Deleuze: Key Concepts, Routledge. pp. 141-156. 2005.
  •  48
    How often does an interest or pleasure in your life become something that has to be managed, given a hierarchical position amongst other tasks, and thus becomes a chore alongside other chores? When content and possibility are stripped by scheduling and the demands of capitalist required labour mean that free play or time required for speculative and/or creative thought is removed in the interests of deadlines, what happens to the compassionate, generous and intimate functioning of thought and li…Read more
  •  5
    Modality
    Philosophy Today 63 (4): 983-998. 2019.
    Modal logics support philosophy, providing means to organise information, and to think and act in response to abstract concepts and to real conditions. In its organisation, the modal is generative of the ethics of any given system. Feminist new materialist practices require us to consider ethics when generated by technological rather than theological modalities.
  •  13
    Digital Feminicity: Predication and Measurement, Materialist Informatics and Images
    Journal of Art, Science, and Technology 14 7-17. 2014.
    “Feminicity” is the term for a predicate register that enables feminist work be accounted for as relational “active-points” that collectively can be seen through what they have achieved. But going further, it marks where those active-points contribute to the dynamic field of feminist epistemologies and where change occurs. This article contributes to my larger project’s discussion of this concept. Broadly, feminicity argues that the active-points of feminist practices need to be understood withi…Read more
  •  18
    Film Theory: Creating a Cinematic Grammar
    Columbia University Press. 2014.
    Film Theory addresses the core concepts and arguments created or used by academics, critical film theorists, and filmmakers, including the work of Dudley Andrew, Raymond Bellour, Mary Ann Doane, Miriam Hansen, bell hooks, Siegfried Kracauer, Raul Ruiz, P. Adams Sitney, Bernard Stiegler, and Pier Paolo Pasolini. This volume takes the position that film theory is a form of writing that produces a unique cinematic grammar; and like all grammars, it forms part of the system of rules that govern a la…Read more
  •  7
    Digital biopolitics : the image of life
    In S. E. Wilmer & Audrone Zukauskaite (eds.), Resisting biopolitics : philosophical, political and performative strategies, Routledge. pp. 189-201. 2016.
  •  18
    The question of affect emerges in the daily realm of routine, and survival; of your physical and existential existence. No matter what the situation or condition in life, as observed, different systems are reactive and generative, corruptible and powerful, colonisable and subversive; that is to say, all systems are subject to affects as much as they are affective, and generative of positive and negative affects within and of a system. This proposition can be tested against whatever the degree of…Read more
  •  22
    The Power of Memory
    Cultural Studies Review 14 (1). 2008.
    A review of Annette Kuhn and Kirsten Emiko McAllister, _Locating Memory: Photographic Acts_.
  • Cinema
    In Charles J. Stivale (ed.), Gilles Deleuze: Key Concepts, Routledge. 2005.
  •  31
    A creative life
    with Charles J. Stivale
    Angelaki 11 (1). 2006.
  • Affective imagery : Screen militarism
    In Eugene W. Holland, Daniel W. Smith & Charles J. Stivale (eds.), Gilles Deleuze: Image and Text, Continuum. pp. 143--159. 2009.
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    Film, Theory and Philosophy: The Key Thinkers (edited book)
    Acumen Publishing. 2009.
    An ideal introduction for students, Film, Theory and Philosophy brings together leading scholars to provide a clear, detailed overview of the key thinkers who have shaped the field of film philosophy. From continental philosophers to analytical philosophers, film-makers, film reviewers, sociologists, and cultural theorists, the essays reveal how philosophy can be applied to film analysis and how film can be used to illustrate philosophical problems. But most importantly, the essays explore how c…Read more
  •  1
    Affective terrorism
    In Anna Hickey-Moody & Peta Malins (eds.), Deleuzian Encounters: Studies in Contemporary Social Issues, Palgrave-macmillan. 2007.
  •  48
    Gilles Deleuze published two radical books on film: Cinema 1: The Movement-Image and Cinema 2: The Time-Image. Engaging with a wide range of film styles, histories and theories, Deleuze's writings treat film as a new form of philosophy. This ciné-philosophy offers a startling new way of understanding the complexities of the moving image, its technical concerns and constraints as well as its psychological and political outcomes. Deleuze and Cinema presents a step-by-step guide to the key concept…Read more