Gabriel Giorgi

The Handbook of Latin American Environmental Aesthetics offers a comprehensive overview of Latin American aesthetic and conceptual production addressing the more-than-human environment at the intersection between art, activism, and critique. Fields include literature, performance, film, and other audiovisual media as well as their interactions with community activisms. Scholars who have helped establish environmental approaches in the field as well as emergent critical voices revisit key concepts such as ecocriticism, (post-)extractivism, and multinaturalism, while opening new avenues of dialogue with areas including critical race theory and ethnicity, energy humanities, queer-*trans studies, and infrastructure studies, among others. This volume both traces these genealogies and maps out key positions in this increasingly central field of Latin Americanism, at the same time as they relate it to the environmental humanities at large. By showing how artistic and literary productions illuminate critical zones of environmental thought, articulating urgent social and material issues with cultural archives, historical approaches and conceptual interventions, this volume offers cutting-edge critical tools for approaching literature and the arts from new angles that call into question the nature/culture boundary.

"Zones of Exception: Biopolitical Territories of the Neoliberal Era" explores the biopolitical in Roberto Esposito together with the notion of exception in Giorgio Agamben to think diverse scenarios of social, economic, and cultural conflict of the neoliberal era. Focusing on the Argentine piqueteros and the clandestini at the Centers of Temporary Permanence in Italy, we discuss how the economic rationality of neoliberal rule both produces "bare life" and is haunted by its disruption, in ways that neoliberalism can't fully contain. This dislocation, its paradoxical and unstable nature between bodies and territories, may become the instance of an actual or potential resistance