Guenter Zoeller

The paper assesses Martin's recent logico-phenomenological account of judgment that is cast in the form of an eclectic history of judging, from Hume and Kant through the 19th century to Frege and Heidegger as well as current neuroscience. After a preliminary discussion of the complex unity and temporal modalities of judgment that draws on a reading of Titian's "Allegory of Prudence" (National Gallery, London), the remainder of the paper focuses on Martin's views on Kant's logic in general and his theory of singular existential judgment in particular. The paper argues against Martin's key claims of the primacy of formal logic over transcendental logic and of the synthetic nature of judgment in Kant. It also takes issue with each of the four interpretations of singular existential judgment in Kant offered by Martin: existence as logical predicate, as copula, as thesis and as logical subject

This paper examines the relation between intuition and concept in Kant in light of John McDowell's neo-Kantian position that intuitions are concept-laden.2 The focus is on Kant's twofold pronouncement that thoughts without content are empty and that intuitions without concepts are blind. I show that intuitions as singular representations are not instances of passive data intake but the result of synthetic unification of the given manifold of the senses by the power of the imagination under the guidance of the understanding. Against McDowell I argue that the amenability of intuitions to conceptual determination is not due some pre-existing, absolute conceptuality of the real but to the "work of the subject."3 On a more programmatic level, this paper seeks to demonstrate the limitations of a selective appropriation of Kant and the philosophical potential of a more comprehensive and thorough consideration of his work. Section 1 addresses the unique balance in Kant's philosophy between the work on particular problems and the orientation toward a systematic whole. Section 2 outlines McDowell's take on the Kantian distinction between intuition and concept in the context of the Kant readings by Sellars and Strawson. Section 3 exposes McDowell's relapse into the Myth of the Given. Section 4 proposes a reading of Kant's theoretical philosophy as an epistemology of metaphysical cognition. Section 5 details Kant's original account of sensible intuition in the Inaugural-Dissertation of 1770. Section 6 presents the transition from the manifold of the senses to the synthesis in the imagination and the unification through the categories in the Critique of pure reason . Section 7 addresses Kant's formalism in epistemology and metaphysics.Esse artigo examina a relação entre intuição e conceito em Kant à luz da posição neokantiana de John McDowell de que intuições estão conceitualmente "carregadas". 1 O foco é sobre o duplo pronunciamento de Kant, segundo o qual pensamentos sem conteúdo são vazios e intuições sem conceitos são cegas. Mostro que intuições como representações singuares não são casos de introdução passiva de dados, mas o resultado da unificação sintética do múltiplo dado dos sentidos pelo poder da imaginação sob a orientação do entendimento. Contra McDowell, defendo que a amabilidade das intuições para com a determinação conceitual não é devida a alguma conceitualidade pré-existente, absoluta do real, mas ao "trabalho do sujeito".2 Num nível mais programático, o presente artigo visa demonstrar as limitações de uma apropriação seletiva de Kant e o potencial filosófico de uma análise mais abrangente e aprofundada de sua obra. A seção 1 aborda o equilíbrio único na filosofia de Kant entre o trabalho com problemas particulares e a orientação em direção a um todo sistemático. A seção 2 descreve a posição de McDowell acerca da distinção kantiana entre intuição e conceito no contexto das leituras de Kant por Sellars e Strawson. A seção 3 expõe a reincidência de McDowell no "mito do dado". A seção 4 propõe uma leitura da filosofia teórica de Kant como uma epistemologia do conhecimento metafísico. A seção 5 detalha a explicação original de Kant sobre a intuição sensível na "Dissertação de 1770". A seção 6 apresenta a transição do múltiplo dos sentidos para a síntese na imaginação e para a unificação por meio das categorias na Crítica da razão pura . A seção 7 aborda o formalismo de Kant na epistemologia e na metafísica

This article features the contributions of Fichte and Schopenhauer to a philosophical account of action against the background of Kant's earlier and influential treatment of the topic. The article first presents Kant's pertinent contributions in the areas of general epistemology and metaphysics, general practical philosophy, the philosophy of law and ethic. Then the focus is on Fichte's further original work on the issue of action in those same areas. Finally, the article turns to Schopenhauer's radical revision of the Kantian and Fichtean affirmative accounts of acting and willing through the correlated introduction of the irrational will, the self-negated will and ethical inaction.

This chapter reports the biography of Arthur Schopenhauer and explores his particular thoughts on musical philosophy. Schopenhauer was born on February 22, 1788. With his philosophy in general, and more specifically with his philosophy of art, Schopenhauer has probably exercised a greater effect on artists and musicians than any other thinker or writer. His reflections on music were contributions that either focused on the metaphysical significance of the art form or made factual and normative statements about the factors and forms of musical composition. Schopenhauer's theory of redemption through art and of music's closeness to metaphysical origins was warmly received by Europe's cultivated bourgeoisie.

The contribution examines the aesthetic aspect of cognition in Kant by exploring the central function of the power of the imagination (Einbildungskraft) in Kant’s critical epistemology, first featured in the Critique of Pure Reason (1781; 1787) and revisited in the Critique of the Power of Judgment (1790). First, the focus will be on the relationship between the power of the imagination and the two main sources of (theoretical) cognition in Kant, viz., sensibility and the understanding. Second, special attention will be devoted to the distinction between schema and symbol, as alternative products of the power of the imagination in the service of rendering discursive concepts intuitive – with schemata serving to make sensible the concepts of the understanding (Verstand) and symbols suited to provide intuitional counterparts to the concepts of reason (Vernunft).

The essay examines Kant’s Enlightenment conception of metaphysics as a science to be kept free of ideological prejudice and extrarational cognitive resources and to be established under the conditions of public, intersubjectively valid discourse. I analyze Kant’s self-interpretation of his transcendental philosophy as “metaphysics of metaphysics” and argue for the extensional partial identity of the critique of metaphysics and the metaphysics so rendered possible. In particular, I identify the “future metaphysics” envisioned by Kant as the “metaphysics of nature in general” or the “physiology of pure reason,” which was projected by Kant but never carried out by himself and is not to be confused with the “metaphysics of material nature” presented by Kant in his Metaphysical Principles of Natural Science. I further show how in Kant the “restriction” of the understanding and its pure concepts to sensible intuition is counterbalanced by the “bounding” of sensibility and its formal conditions to the appearances, at the exclusion of the “empty space” of the non-sensory. In drawing on Kant’s distinction between “limit” and “boundary”, I establish the precise position of critical metaphysics “on the boundary” of the world of sense and the world of the understanding. In concluding, I argue that for Kant a “future metaphysics that will be possible as science” is restricted to transcendental philosophy, at the exclusion of the theoretical cognition of the supersensible, which is thereby delegated forever to the object domain of practically based rational but non-scientific belief or faith.

Minds, Ideas and Objects is a collection of conference papers on the topic of seventeenth- and eighteenth-century theories of ideas or “sensory experience, thought, knowledge and their objects.” At least half the twenty-three papers are by well-known historians of philosophy who seldom disappoint, and there is some equally thought-provoking work among the rest. Some papers say little that is surprising, and some, including good ones, fail to convince, but few are weak. It is perhaps to be expected that coverage of the period is uneven, but chance has played some odd tricks, giving us one paper each on Leibniz and Hume and none on Spinoza, whereas Berkeley excites the attention of six contributors, one more even than Kant. Most philosophers discussed are narrowly canonical, with just a page on Cudworth and only four even on Reid, but there are a couple of welcome articles on the vastly rewarding, until recently seldom studied Arnauld-Malebranche debate. Günter Zöller’s “The Austrian Way of Ideas,” summarizing the views on intentionality of Brentano and his pupils, Twardowski, Meinong, and Husserl, reminds us of the close continuities between early-modern and twentieth-century concerns.

306 JOURNAL OF THE HISTORY OF PHILOSOPHY 34:2 APRIL ~996 exposition of Siris but also in the way he is able to tie it thematically to the earlier periods of Berkeley's life. Much of the content of this book has already appeared in articles published by Berman within the past twenty-odd years. Yet, since some this material resides in journals difficult of access without an excellent library, the volume is a welcome addi- tion to the Berkeley literature. In the enormous wake of his mentor, A. A. Luce, Berman has carefully and skillfully plotted his own course, presenting us with a bal- anced and compelling account of Ireland's greatest philosopher, one in which the man is a more sympathetic and fallible figure that that presented in either Luce's portrait of the "good bishop"--"the man with vision but in no sense a visionary" --or Yeats's sketch of a darker and more devious character. While Berman's Berkeley is one who "united the incompatible virtues of worldly wisdom and childlike inno- cence," and had "a delicate sense of what was required if the world was to be changed" , Berman does not hesitate to examine Berkeley "at his worst: in his biblical endorsement of slavery; his approval of kidnapping for the sake of converting the American Indians; in his theological rejection of all rebellion, no matter how tyrannical the ruler; [and] in his intolerant attitude to free-thinkers" . Even for those who will be dissatisfied with..

In her recent study, Kant's Organicism.Epigenesis and the Development of Critical Philosophy, Jennifer Mensch employs the technical term "organicism" to designate both Kant’s thinking about organisms and his thinking about other matters–chiefly among those transcendental cognition –in terms of his thinking about organisms. The article places Mensch's organicist reading of Kant into the wider context of recent and current work on Kant as a natural historian and its repercussion for understanding the critical core of Kant’s philosophy. To that end, the article addresses the methodological function of conceptual metaphors in general and of biological metaphors in particular in Kant. The article proceeds in three steps, first focusing on an alleged anthropological turn in recent work on Kant, then addressing the distinction between schematism and symbolism in Kant’s critical epistemology and concluding with a consideration of the possibilities and limitations inherent in an organicist reading of Kant.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Hegel’s Idea of a “Phenomenology of Spirit” by Michael N. ForsterGünter ZöllerMichael N. Forster. Hegel’s Idea of a “Phenomenology of Spirit.” Chicago: University of Chicago Press, 1998. Pp. xi + 661. Paper, $30.00.Hegel’s Phenomenology of Spirit (1807) has remained an enigmatic and controversial work. Typically it has been studied and appropriated selectively, by focusing on a few topics or sections of this immense opus. There are also several commentaries on all or part of the work that immerse the reader in plenty of detail, but often with insufficient attention paid to the work’s overall design. Forster’s book is thematically focused but has sufficient scope to provide the reader with an overall orientation about the Phenomenology. Moreover, it is written in a clear, accessible language, with plenty of genuinely philosophical material to balance the more narrowly exegetical aspects of the study. Forster’s work stands in the tradition of a number of German and French studies that seek to unravel the “genesis and structure” (Hyppolite) of the Phenomenology as a key to understanding and assessing the import of Hegel’s singular work. Forster discusses those earlier readings, subjects them to a thorough critique, and develops original positions on a number of key issues in scholarship on the Phenomenology.The entire first half of the book (Parts One and Two) is concerned with the “official project of the Phenomenology,” which Forster reconstructs as three sets of philosophical tasks. First are the pedagogical tasks designed to introduce the reader to the superior viewpoint of Hegel’s system and its ability to overcome the ills specific to modern culture. In particular, Hegel is shown to further advance Herder’s and Schiller’s philosophical project of replacing the multiple, unreconciled dualisms of the modern intellectual and moral outlook with a unified, monistic account of natural and social reality. In a strong interpretive move, Forster attributes a naturalism of sorts to Hegel’s integrationist account of mind and body or self and world.Second are the epistemological tasks designed to justify the cognitive claims of Hegel’s [End Page 541] system (“science”) against those of all other philosophical and popular viewpoints. In particular, Forster shows Hegel’s indebtedness to the ancient (Pyrronic) skeptical strategy of equipollence, i.e., the method of setting into opposition equally strong arguments on both sides of any issue and thereby producing an equal balance of justification on all sides of the issue. Of all possible viewpoints only Hegel’s own, which is not subject to any external opposition, eludes the scope of the method of equipollence.The third, specifically metaphysical set of tasks of the Phenomenology centers around the work’s social and (on Forster’s reading) naturalist conceptions of God, meaning and truth, in which transcendent warrants are replaced by communal consensus. Forster concludes the first half of his study with a detailed consideration of the relation between the Phenomenology and Hegel’s system proper. He stresses that the work is only the “appearance” (Erscheinung) of the philosophical science itself and that it remains systematically independent of the latter.Part Three examines the role of history and historicism in the Phenomenology. Forster distinguishes between teleological or normative historicism and intellectual or descriptive historicism, and limits his investigation to the latter as the philosophically defensible of the two enterprises. He argues extensively for a one-to-one correlation between the various “shapes of consciousness” to be found in the core of the Phenomenology (from the chapter on Consciousness through the chapter on Reason) and specific periods in human history. This chronological history of consciousness is shown to be supplemented by two further accounts of the history of consciousness (in the chapter on Spirit and in the chapters on Religion and Absolute Knowledge, respectively), in which the first history’s focus on individual consciousness is enlarged to include supra-individual mind (“spirit”).In Part Four Forster explains the tripling of the history of consciousness with a shift in the plan of the Phenomenology, away from the more limited project of the original or “Ur-Phenomenology”—to lead individual consciousness to the viewpoint of (Hegelian) science—to the more ambitious goal...