I-Kai Jeng

This paper examines the terms ‘elenchos’ and ‘elenchō’ as they occur in the Sophist in order to reveal a refined view of elenchos as a philosophical method. The explicit discussion of elenchos as a method in 226a6–231b8 must be read together with other passages described by these terms. Once this is done, it shall be seen that there are two types of elenchus employed in several ways. The first type, which I identify with the familiar Socratic elenchus, is used to purge false opinions or to arrive at plausible answers to philosophical difficulties. The second type, which appears to be the Stranger’s own method, is used to positively disclose relations between Forms. On this reading, elenchos is not merely destructive or preparatory for dialectic; it also forms a part of it.

In book X of the Republic, Plato famously reports “a quarrel between poetry and philosophy.” The present essay examines this quarrel in book X, along with other relevant parts of the Republic, by understanding “philosophy” and “poetry” as rival ways of life and rival ways of discourse. The essay first explains why, in Plato’s view, poetic discourse weakens one’s power to reason and is at odds with philosophic discourse. Then it shows how poetic discourse is bound up with a way of life that champions the value of freedom. Such a life forms a contrast with the philosophic life, which is marked more by stability and unity than by freedom. The quarrel, however, is not a simple antagonism. The essay hence concludes by discussing why, despite the opposition between the two, philosophy cannot do without poetry.

In book X of the Republic, Plato famously reports “a quarrel between poetry and philosophy.” The present essay examines this quarrel in book X, along with other relevant parts of the Republic, by understanding “philosophy” and “poetry” as rival ways of life and rival ways of discourse. The essay first explains why, in Plato’s view, poetic discourse weakens one’s power to reason and is at odds with philosophic discourse. Then it shows how poetic discourse is bound up with a way of life that champions the value of freedom. Such a life forms a contrast with the philosophic life, which is marked more by stability and unity than by freedom. The quarrel, however, is not a simple antagonism. The essay hence concludes by discussing why, despite the opposition between the two, philosophy cannot do without poetry.

“Late” Platonic dialogues are usually characterized as proposing a “scientific” understanding of philosophy, where “neutrality” is seen favorably, and being concerned with the honor of things and/or their utility for humans is considered an attitude that should be overcome through dialectical training. One dialogue that speaks strongly in favor of this reading is the Sophist, in which the stance of neutrality is explicitly endorsed in 227b-c. This paper will propose a reading of the Sophist showing that this common view of late Plato is misleading. It will argue for three things. First, 227b-c, when contextually understood, actually shows the limitation of being neutral. Second, that limitation compels the interlocutors in the rest of the conversation to pursue a non-neutral way of philosophizing about the sophist, contrary to the advice put forward in 227b-c. Finally, the non-neutral definition of the sophist that concludes the dialogue does not signal Plato’s preference for a non-neutral conception of philosophical knowledge either. A careful consideration of the dramatic ending suggests that he has reservations about it no less than he does about a neutral conception. The fact that both these conceptions had limitations perhaps explains why Plato, even in his late years, did not turn to the treatise format but remained within the dialogue: only in this form is it possible to retain both in philosophical logos.