Ilaria Vanni

This article analyses first person memories in relation to objects as documented in Belongings, an online exhibition curated through the NSW Migration Heritage Centre. It explores the role of objects in recreating domestic geographies in the process of migration, using the Italian anthropologist Ernesto De Martino’s notion of ‘crisis of presence’ as the moment when familiar objects become unfamiliar or uncanny by losing their relation with the web of domestic uses, habits, sense of belonging, and cultural memories. In this crisis, objects acquire new layers of meaning entangled in the loss and re-creation of entire life-worlds, relational universes, senses of place, ‘homes’. Taking Belongings as its case study, this article argues that objects enable the telling and performance of displacement from one place and regrounding in another one as a continuum of affective, embodied and political experiences that question the separation between being at home and being a migrant.

This article examines Leona Miller’s book Cannibal and Orchids as an example of how place, in this case Papua New Guinea, is imagined according to a particular sensorium. It follows the ‘sensory turn in anthropology’ and the studies developed in the last two decades that take the senses as their object of enquiry. This body of theory is mobilised to analyse Miller’s biographical narrative recounting how PNG is imagined, represented and produced in terms of a disarray of the senses, coalescing in the trope of cannibalism. This article argues that the experience of PNG as the place of otherness is narrated both in terms of the author’s sensory displacement and of the indigenous sensorium as abject.