Jessica Lombard

Both current and past analyses and critiques of transhumanist and posthumanist theories have had a propensity to cite the Greek myth of Prometheus as a paradigmatic figure. Although stark differences exist amongst the token forms of posthumanist theories and transhumanism, both theoretical domains claim promethean theory as their own. There are numerous definitions of those two concepts: therefore, this article focuses on posthumanism thought. By first analyzing the appropriation of the myth in posthumanism, we show how the myth fails to be foundational and how we need to rethink the posthumanist mythological framework. We then introduce Haldane’s Daedalus figure as a fruitful analogy to understand the demiurgic posture that critics mean to unveil by first using Prometheus. Daedalus embodies the artisan role, whose status as an inventor for the mighty preserves from the gods' direct opprobrium. Thereafter, we introduce the Camusian Myth of Sisyphus as a competing analogy that ultimately serves as a myth better suited to address the posthumanist position on an existential standpoint. we ultimately show that Sisyphus, as the ‘absurd man’ that Camus claims him to be, is himself the posthuman, thus serving as a more ideal foundational myth for posthumanism and preserving the importance of narrative in posthuman discourses. To conclude, we specifically show that the concept of Sisyphus as a posthuman icon has significance that reaches beyond narrative value to current ecological debates in posthumanism

Cet article relate l’évolution de la répression du crime du Japon médiéval à ses mutations durant l’époque Edo puis l’ère Meiji, afin de retracer le glissement socio-historique entre une mentalité du châtiment et une législation de la punition – aujourd’hui matérialisée par l’emprisonnement en établissement carcéral. Le développement historique des concepts fondamentaux à une société, telle la criminalité, forment ici une manière distincte d’appartenir au monde contemporain et influencent comportements et schèmes de pensée : la réalité historique est une réalité sociale.

Durant la pandémie, le numérique s’est révélé un outil précieux pour assurer une continuité de la vie professionnelle, de l’éducation, de la vie familiale et amicale, et assurer une appétence pour la vie culturelle disponible en ligne. La bataille contre le coronavirus grâce au numérique se joue également sur d’autres plans : des gouvernements, avec l’appui d’entreprises privées, développent de nouvelles politiques de surveillance de l’épidémie et des personnes infectées. Ces usages technologiques sont des gages d’efficacité mais également des facteurs de risques pour les libertés des citoyens.

En matière de criminalité, le Japon fait figure d’exception. La population incarcérée y diminue en moyenne de 3,6 % par an et le taux de criminalité est en baisse depuis 2007. La densité d’incarcération dans les prisons japonaises n’est que de 74 % contre 120 % en France en avril 2017. Le Japon partage l’appareil démocratique et le développement économique des pays occidentaux mais se distingue par son éloignement géographique et culturel. Or les sciences criminologiques étudiant la philosophie d’un pays et ses traditions idéologiques sont fondamentales dans la réflexion sur la criminalité. Elles témoignent du fait que le crime est autant influencé par le droit, l’histoire et l’économie d’un pays, que par l’ancrage culturel d’une civilisation qui possède ses propres schèmes mentaux et comportementaux. Nous nous proposons d’attester de quelques-unes de ces pistes de réflexion.

The concept of transhumanism is based on a specific understanding of human limitations that should or could be transcended. Among them, the question of overcoming our own corporeality through the delaying of ageing or death is of major importance for a new understanding of human plasticity and fluidity when shaping ourselves and our environment. As transhumanism advocates for human enhancement through technological means, it considers ageing and death as diseases and criticizes their necessity in the human evolutionary process. In light of this transhumanist question, this article discusses ageing and death as diseases for which there must be technological solutions. It underlines that a philosophical approach is necessary to highlight how correlated and interrelated those subjects are and tries to go beyond humanist dichotomies to make clearer how major notions (health, enhancement, etc.) are intertwined with each other and consequently shape our socio-political subjectivities. Given this context, this article discusses the fact that medicine is traditionally structured on a limit that seems to be more and more plastic to pave the way for new debates, such as human enhancement, morphological freedom, and biocultural capital. It then discusses how transhumanism tries to transcend what is considered human structures by examining death as a fatal degeneration that could be overcome through biological amortality and informational immortality.

Through Heidegger’s re-reading of Descartes, this article explores a fundamental issue in the contemporary conception of worldliness. In a restricted sense, the human being is the maker of the world in that he appropriates what composes it, i.e., the worldly beings or things. Greatly influenced by the Cartesian notion of extensio, this tendency no longer entails the world as a thing in itself, but as a set of measurable things, thus available and open to activity. This article articulates the threat relative to the idea of the forming, by the human being, of the essence of the world. Every being, be it an object, an animal or even a human being, seems to be considered as a producer of energy and a structure that could be possessed. For example, such natural space is not campaign or land, but automatically field, that is to say, an agricultural deposit that is symbolically exploited and empirically exploitable. This ontological device prevents us from grasping the world in any other way than in terms of use and productivity. As a result, the ontology of the thing becomes an aesthetic issue in its own right. This issue does not involve here the capture of the object as a bearer of Beauty, but an aesthetic relation in the fundamentally etymological sense (αἰσθητικός) of what is felt, of what is sensible and perceptible. The need for an aesthetic rereading of the world and the things that stand in it presupposes, therefore, the evolution of the human gaze and a metaphysical approach to worldliness, detached from the instrumentalization of the beings and focused on their presence or their proximity. This article aims at demonstrating the necessity of a real human aesthetic responsibility, which can be concretized in the metaphysical thought of the thing that the human being unfolds, by considering it as the persistence in the world of an object whose ontological disposition could never be neutral.

This article shows technoscience as an extensively discussed concept in French and Belgian philosophy of technology, with major philosophers such as Bernadette Bensaude Vincent, Xavier Guchet and Gilbert Hottois.Instead of telling the new narrative of a specific technoscientific object, this article reflects on an ontology of their mode of existence. Technoscientific objects open emerging research fields to indefinite possibilities, while they reorganize epistemic activities and orchestrate the development of technical networks, platforms and structures.The main question here is to understand what is the ontological mode of existence of those objects and how they relate to the previously existing categories found in the work of Gilbert Simondon, that shaped the French philosophy of technology. To this end, we focus on a submicroscopic technoscientific object; namely the bio-object, and put forward an original analysis about the being of (bio)technoscientific objects in their own milieu.This paper demonstrates that, even if Simondonian notions are critical to study (bio)technoscientific objects, these cannot be considered as proper technical objects. We propose that the mode of existence of bio-objects is closer to that of artificial objects than to technical ones. This peculiarity may be the reason why French philosophers are consistent in studying technoscience as an emerging technical field, with and beyond Simondon’s lenses.