John Manoussakis

This essay is an attempt towards a phenomenology of God. The leading question in our analysis will be whether God could be given to consciousness as a phenomenon. First, we go back to Husserl and to his formulation of the possibility of phenomenality. Then, the discussion proceeds to the innovative reappropriation of Husserlian phenomenology by Jean-Luc Marion and his notion of the saturated phenomenon. Finally, I propose that God can “appear” only through an “inverted intentionality,” such as it is exemplified in certain divine manifestations recorded in Scripture, in the techniques of depicting the divine in icons, and finally, in the human person.

In recent years, Richard Kearney has emerged as a leading figure in the field of continental philosophy, widely recognized for his work in the areas of philosophical and religious hermeneutics, theory and practice of the imagination, and political thought. This much-anticipated--and long overdue--study is the first to reflect the full range and impact of Kearney's extensive contributions to contemporary philosophy. The book opens with Kearney's own "prelude" in which he traces his intellectual itinerary as it traverses the three imaginaries explored in the volume: the dialogical, the political, and the narrative. The interviews that follow the first section allow readers to listen in on conversations between Kearney and some of the most interesting and respected thinkers of our time--Noam Chomsky, Charles Taylor, Jacques Derrida, Paul Ricouer, and Martha Nussbaum--as they reveal new and unexpected aspects of their thought on stories and mourning, ethics and narrative, terror and religion, intellectuals and ideology. The next section, on the political imaginary, looks at Kearney's distinctive contribution to the political situation in Ireland and in Europe more generally; and in the last, on narrative, writers including David Wood, Terry Eagleton, and Mark Dooley focus on Kearney's novels as instances of narrative theory put into literary practice. Concluding with Kearney's postscript, an essay on "Traversals and Epiphanies in Joyce and Proust," the volume comes full circle, encompassing the full extent of Richard Kearney's engagement and offerings as a philosopher

The present essay is apologetic in as much as it aims to justify as well as to explain the philosophical appropriation of Dionysian metaphysics by contemporaryFrench phenomenology, especially by the work of Jean-Luc Marion. It should be noted that Dionysius serves as the inspiration, direct or indirect, of many authors in the contemporary French school, among whom the most notable are Jacques Derrida, Jean-Louis Chretien, and Jean-Yves Lacoste. The present essaywill focus particularly on the convergence between Dionysius’s theology and Marion’s phenomenology.

This essay gives a close reading of Sophocles' Oedipus Rex in light of Schelling's discussion of theodicy as teleology. The article raises the question of the connection between ethics and time, and it argues that ethical categories are really temporal ones, so much so that it would make little sense to posit a choice between good and evil as if there were two simultaneous options. Instead, the story of Oedipus shows us how Thebes is always to precede if one is to reach Colonus, that evil precedes and enables the good

This paper traces the seminal notion of khora back to its birthplace text of Plato's Timaeus. At the same time, it develops a critique of Jacques Derrida's reading of khora in the context of apophatism, or negative theology. John Caputo's reading as well as Richard Kearney's criticism of the latter are presented and discussed in this text. Finally, the article suggests that the image of khora could provide continental philosophy with an example of wliat the author calls "Hermeneutics of Hyphenation", where an attempt to overcome the binary structure of traditional metaphysics, especially in our thinking of God, is accomplished. /// O presente artigo traça a genealogia da noção seminal de khora até ao seu local de nascimento no Timeu de Platão. Para além disso, o autor apresenta uma crítica da leitura que Jacques Derrida faz da noção de khora no contexto do apofatistmo, ou teologia negativa. A leitura que desta noção faz John Caputo bem como a crítica que desta por sua vez faz Ri-chard Kearney são igualmente apresentadas e discutidas no presente texto. Por fim, o autor sugere que a imagem de khora pode dotar a filosofia continental europeia com um exemplo daquilo a que neste texto se designa por "Hermenêutica da hifenização", na qual se procede justamente a uma tentativa de superação da estrutura binária própría da metafísica tradicional, particularmente no que se refere ao nosso pensamento acerca de Deus.

John Panteleimon Manoussakis - Heidegger's Topology: Being, Place, World - Journal of the History of Philosophy 45:4 Journal of the History of Philosophy 45.4 674-675 Muse Search Journals This Journal Contents Reviewed by John Panteleimon Manoussakis Boston College Jeff Malpas. Heidegger's Topology: Being, Place, World. Cambridge-London: Massachusetts Institute of Technology Press. 2006. Pp. x + 413. Cloth, $38.00. The exclusive focus on the who-question has often made philosophy forget the correlate where-question. All the answers given to the first question describe a man who is essentially nowhere. Place is never taken into account as part of one's identity and this implies nothing less than the exclusion of the body, for belongingness..

Martin Heidegger’s sustained reflection on Greek thought has been increasingly recognized as a decisive feature of his own philosophical development. At the same time, this important philosophical meeting has generated considerable controversy and disagreement concerning the radical originality of Heidegger’s view of the Greeks and their place in his groundbreaking thinking. In Heidegger and the Greeks, an international group of distinguished philosophers sheds light on the issues raised by Heidegger’s encounter and engagement with the Greeks. The careful and nuanced essays brought together here shed light on how core philosophical concepts such as phenomenology, existentialism, hermeneutics, and ethics are understood today. For readers at all levels, this volume is an invitation to continue the important dialogue with Greek thinking that was started and stimulated by Heidegger. Contributors are Claudia Baracchi, Walter A. Brogan, Günter Figal, Gregory Fried, Francisco J. Gonzalez, Drew A. Hyland, John Panteleimon Manoussakis, William J. Richardson, John Sallis, Dennis J. Schmidt, and Peter Warnek

Near is andDifficult to grasp, the God.Religion, too, perhaps religion even more, seems to be “near” enough; for it is such proximity, it would seem, that allows us to make all kinds of statements about it—whether in defense of it or against it. Yet were we to be asked, “What is religion?” and what makes an experience “religious,” or rather, what makes us append this characterization to any particular experience, we would find that, in Hölderlin’s words, religion is “difficult to grasp”. To paraphrase one famous passage: “We know perfectly well what we mean when we speak of [religion] and understand just as well when we hear someone else refer to it. What, then, is [religion]? If no one asks me, I...

While philosophy believes it is impossible to have an experience of God without the senses, theology claims that such an experience is possible, though potentially idolatrous. In this engagingly creative book, John Panteleimon Manoussakis ends the impasse by proposing an aesthetic allowing for a sensuous experience of God that is not subordinated to imposed categories or concepts. Manoussakis draws upon the theological traditions of the Eastern Church, including patristic and liturgical resources, to build a theological aesthetic founded on the inverted gaze of icons, the augmented language of hymns, and the reciprocity of touch. Manoussakis explores how a relational interpretation of being develops a fuller and more meaningful view of the phenomenology of religious experience beyond metaphysics and onto-theology

Unconscious Incarnations considers the status of the body in psychoanalytic theory and practice, bringing Freud and Lacan into conversation with continental philosophy to explore the heterogeneity of embodied life. By doing so, the body is no longer merely an object of scientific inquiry but also a lived body, a source of excessive intuition and affectivity, and a raw animality distinct from mere materiality. The contributors to this volume consist of philosophers, psychoanalytic scholars, and practitioners whose interdisciplinary explorations reformulate traditional psychoanalytic concepts such as trauma, healing, desire, subjectivity, and the unconscious. Collectively, they build toward the conclusion that phenomenologies of embodiment move psychoanalytic theory and practice away from representationalist models and toward an incarnational approach to psychic life. Under such a carnal horizon, trauma manifests as wounds and scars, therapy as touch, subjectivity as bodily boundedness, and the unconscious 'real' as an excessive remainder of flesh. Unconscious incarnations signal events where the unsignifiable appears among signifiers, the invisible within the visible, and absence within presence. In sum: where the flesh becomes word and the word retains its flesh. Unconscious Incarnations seeks to evoke this incarnational approach in order to break through tacit taboos toward the body in psychology and psychoanalysis. This interdisciplinary work will appeal greatly to psychoanalysts and psychoanalytic psychotherapists as well as philosophy scholars and clinical psychologists.

Given the resurgence of eschatological thought in contemporary theology and the continued relevance of phenomenology in philosophy, this book brings together leading thinkers such as Lacoste, Romano, Kearney and Hart to explore the ways in which these two seemingly unrelated disciplines illuminate each other. Through a series of phenomenological analyses of key eschatological concepts and detailed readings in some of the key figures of both disciplines, this text reveals that phenomenology and eschatology are fundamentally inter-related, and that neither can be fully understood without the other: without eschatology, phenomenology would not have developed the ethical and temporal aspects that characterize it today; without phenomenology, eschatology would remain relegated to the sidelines of serious theological discourse. Along the way, such diverse themes as time, death, parousia, and the call are re-examined and redefined.

The original hermeneutics was theological, that is, theology was the origin of hermeneutics. This chapter examines the relationship between theology and hermeneutics so as to demonstrate how the origin of hermeneutics and thereby its character, regardless of its object, could not have been anything but theological. This can only be done if the remarks that fulfill this double imperative by being as much an exposition on theology as on hermeneutics. Christological hermeneutics are permeated with the paradox of affirming both continuity and discontinuity, both communion and difference. The Trinitarian affirmation of history assumes a particular significance as soon as one can turn to the hermeneutical site par excellence, namely, the Eucharist. The Greek term martyrion signifies witness, testimony, and also martyrdom. The testimonial character of testimony implies and necessitates an Other and even a Third, inscribing, the act of hermeneutics within a witnessing community that is founded upon such testimonies.

The Ethics of Time" explores a rather uncharted field in philosophy, namely the ethical implications of time. It does so by utilizing the resources of phenomenology and hermeneutics. On the one hand, its rigorous analyses of such phenomena as waiting, memory, and the body are carried out phenomenologically, while on the other hand, it engages in a hermeneutical reading of such classical texts as, Augustine's Confessions and Sophocles's Oedipus Rex, among others. Nevertheless, this book makes a claim to originality, as it does not provide a commentary on any single text or thinker. Even though a strictly philosophical endeavour, this book engages literature, theology and the arts more generally. It takes seriously phenomenology's claim of a consciousness both constituting time and being constituted by time. This claim has some important implications for the "ethical" self or, rather, for the ways in which such a self informed by time, might come to understand anew the problems of imperfection and ethical goodness.