Knox Peden

First systematic presentation and assessment of the groundbreaking journal Cahiers pour l’Analyse. Concept and Form is a two-volume monument to the work of the philosophy journal the Cahiers pour l’Analyse (1966–69), the most ambitious and radical collective project to emerge from French structuralism. Inspired by their teachers Louis Althusser and Jacques Lacan, the editors of the Cahiers sought to sever philosophy from the interpretation of given meanings or experiences, focusing instead on the mechanisms that structure specific configurations of discourse, from the psychological and ideological to the literary, scientific, and political. Adequate analysis of the operations at work in these configurations, they argue, helps prepare the way for their revolutionary transformation. The first volume comprises English translations of some of the most important theoretical texts published in the journal, written by thinkers who would soon be counted among the most inventive and influential of their generation. The second volume collects newly commissioned essays on the journal, together with recent interviews with people who were either members of its editorial board or associated with its broader theoretical project. Contributors include Alain Badiou, Étienne Balibar, Edward Baring, Jacques Bouveresse, Yves Duroux, Alain Grosrichard, Peter Hallward, Adrian Johnston, Serge Leclaire, Patrice Maniglier, Tracy McNulty, Jacques-Alain Miller, Jean-Claude Milner, Knox Peden, Jacques Rancière, François Regnault, and Slavoj Žižek.

Ian Hunter's career as an intellectual historian has been grounded in a commitment to regionalism and the refinement of a methodology devoted to conceiving thought in terms of various modes of comportment. This essay suggests that Hunter's recent work on ?The History of Theory? downplays the first principle in its development of the second, and consequently risks abandoning the commitment to historical pluralism that has been a distinguishing feature of his singular contribution to intellectual history

Spinoza Contra Phenomenology fundamentally recasts the history of postwar French thought, typically presumed to have been driven by a critique of reason indebted to Nietzsche and Heidegger. Although the reception of phenomenology gave rise to many innovative developments in French philosophy, from existentialism to deconstruction, not everyone in France was pleased with this German import. This book recounts how a series of French philosophers used Spinoza to erect a bulwark against the nominally irrationalist tendencies of phenomenology. From its beginnings in the interwar years, this rationalism would prove foundational for Althusser's rethinking of Marxism and Deleuze's ambitious metaphysics. There has been a renewed enthusiasm for Spinozism of late by those who see his work as a kind of neo-vitalism or philosophy of life and affect. Peden counters this trend by tracking a decisive and neglected aspect of Spinoza's philosophy—his rationalism—in a body of thought too often presumed to have rejected reason. In the process, he demonstrates that the virtues of Spinoza's rationalism have yet to be exhausted.

This article looks at Marcel Gauchet’s major metahistorical statement, The Disenchantment of the World: A Political History of Religion (1985), and uses it to advance a series of claims about the place of secularization in debates within and about French politics, especially in relation to modern French history. The argument is put forward that Gauchet’s work is best understood as offering an alternative philosophy of history to Marxism that could serve to support a broadly republican realignment of French politics in the 1980s. Revisionist historiography concerning the French Revolution likewise played a role in this development, and served as a prerequisite of sorts to Gauchet’s broader historical project. The article also considers Gauchet’s work in light of postmodern skepticism of the utility of historical metanarratives.

_ Source: _Volume 9, Issue 2, pp 177 - 195 Hayden White’s contention that “moral and aesthetic” preferences are primary in shaping a historian’s vision of the past seems to play in to various contemporary efforts to consider history at a scale conducive to insight into climate change and global political dilemmas. Nevertheless, his critique of the archive as a repository of truth acquires new resonance as the naturalist and technological reconfiguration of the archive accompanying these developments gets underway. The signal value of White’s polemical intervention in historical theory was to divorce claims of moral right and political justice from truth claims about the objective reality of the past. It remains so today

An Atheism that is Not Humanist Emerges in French Thought examines the advent of antihumanism as a cultural figure out of a network of intellectual crises in interwar and postwar France and ties this advent to the more general consequences of secularization in the modern age. Bracketing political judgments, and eschewing dialectical methods, Stefanos Geroulanos shows how the critique of humanism that emerged from disparate quarters of French intellectual life resulted in a series of negative positions that rendered the human void of any conceptual content and thereby unsuitable as a basis for future political action or philosophical investigation. In addition to basing his analysis on two rigorously sketched concepts of his own design, "antifoundational realism" and "negative anthropology," Geroulanos deploys a striking use of conceptual irony to show how the critical efforts of his protagonists often led to theoretical cul-de-sacs and a heightened measure of existential despondency. The treatment of the emergence of antihumanism as a local phenomenon among a segment of French intellectuals nevertheless encounters problems when it abandons the terrain of historical argument for an engagement with broader metaphysical concerns. By participating in the discourse of its subjects, An Atheism that is Not Humanist finds its way into cul-de-sacs of its own, in which, for example, the ostensibly political bearing of efforts to transcend mere politics for broader considerations of the "theo-political crisis of modernity" remains unclear. Finally, by accepting the terms of the phenomenological diagnosis of metaphysical crisis in the interwar years, the book compromises certain of its genealogical aspirations, especially with regard to the legacy of Third Republic idealism and the specific qualities of post-phenomenological structuralism

This article suggests reasons why Donald Davidson’s work in philosophy of mind and metaphysics can be identified as Spinozist and also explores the significance of using proper names from the history of philosophy to describe contemporary projects. It argues that what makes Davidson’s work Spinozist is not just its internal features, but the role it occupies in relation to other positions identified as Kantian and Hegelian in today’s philosophical terrain. Finally, it suggests that the core animus at the heart of Davidson’s Spinozism is its indifference to autonomy as a concept in need of metaphysical grounding or essential to normative commitment.

V današnjih humanističnih vedah ne manjka sklicevanj na antropocen in ontološke premike, ki naj bi jih ta domnevno sprožil. Esej se osredotoči na več fiktivnih in kritičnih del – predvsem na roman Paula Bowlesa The Sheltering Sky iz leta 1949 – zato da bi podal vrsto trditev glede težavnosti predstavljanja razmerja med naravo kot področjem kavzalnosti, ki se podreja naravnim zakonom, na eni strani ter nominalno človeškim ali razumskim področjem, kamor sodijo dejanja, namere in različni upravičeni ali neupravičeni razlogi, na drugi strani. Predvsem pa ga zanima raziskovanje želja, ki motivirajo prizadevanja po kontrastnih načinih reprezentiranja tega razmerja in na koncu vztraja na ključni vlogi reprezentacije, ki naredi upodabljanje takšnih dilem razumljivo, njihove predpostavke pa problematične.

ABSTRACT Genevieve Lloyd’s assessment of Spinoza’s rationalism shows how imagination and sensibility are integrated with reason in his metaphysics and equally makes clear how his philosophy illuminates a number of aesthetic works and political situations. This response considers the limitations of the aesthetic analogy she draws from Flaubert and also queries the contrast she sees between Spinoza’s account of reason and finitude and Pascal’s account of the same. Turning from Pascal, it concludes with a consideration of Spinoza’s response to Augustine’s doctrine of original sin in the Political Treatise in order to indicate some problems that stem from a vision of politics grounded in a Spinozist metaphysics of multiplicity.

This article presents a decades-long conflict in the upper echelons of postwar French academic philosophy between the self-identifying “Cartesian” Ferdinand Alquié, professor at the Sorbonne, and the “Spinozist” Martial Gueroult of the Collège de France. Tracking the development of this rivalry serves to illuminate the historical drama that occurred in France as phenomenology was integrated into the Cartesian tradition and resisted by a commitment to rationalism grounded in a specifically French understanding of Spinozism. Over the course of Alquié and Gueroult's polemic, however, we nevertheless witness a shared concern to preserve philosophy from the reductive tendencies of historicism and its possible assimilation to theology. What is more, the ultimate impasse of this conflict continues to inform the most innovative projects in French thought in the wake of structuralism and the “theological turn” of French phenomenology