Mahdi Shamsi

Freedom is one of the major elements in Henry James’s The Portrait of a Lady. In an age when American women were usually engaged or married, James’s heroine, Isabel, was somewhat ahead of her time in hoping for a marriage in which she could still be independent. She was very fond of her liberty and afraid of losing it, but does her return to her husband, Osmond, at the end of the novel suggest that she has put an end to her eagerness for freedom? It is an underlying argument of this study that James’s novel, in its last scene, covers a different aspect of freedom which, through a Schopenhauerian approach, delivers a different insight into liberty. This perception of freedom in The Portrait of a Lady has never been considered in connection with Arthur Schopenhauer’s view on the experience of freedom. The implicit critical point on which the paper is founded is that, although Schopenhauer is not conspicuously mentioned in James’s notes, there is important evidence that shows the convergence between the thoughts of Schopenhauer and Henry James; that is, that evidence through which this study aims to analyse the heroine’s final decision in the last scene.

My study aims to offer a Schopenhauerian reading of Henry James's The Portrait of a Lady and D. H. Lawrence's The White Peacock. Throughout the dissertation, I am driven by two goals. First, I aim to examine the selected novels by considering Schopenhauer's philosophy. Secondly, I shall investigate why characters, especially the heroines, having recognised that their marriage was basically a mistake, still remained in their tormented relationships. Why it is important to answer this question and what makes this a unique concern, especially in James's novel, is the possibility that previous studies and many other critiques have questioned the destiny of these heroines in regard to the novelists' anti-feminist tendencies or their social and personal concerns, while I believe that by using Schopenhauer's philosophy I can provide a deeper conceptualisation of the novels' ending. In so doing, in the second chapter I will describe the reception of Schopenhauer's philosophy in England, and the direct and indirect presence of his philosophy in Lawrence's and James's Works. In the third chapter, I concentrate on Schopenhauer's concept of freedom, morality and the will in James's novel. My fourth chapter considers Lawrence's philosophy of love and reveals how his philosophy differs from Schopenhauer's. Furthermore, it draws his readers' attention to the Schopenhauerian notion of the will-to-live, acknowledged in Lawrence's novel.