In the poem La Luce, composed in 1685 and dedicated to Christina of Sweden, Giovanni Michele Milani propounds a mechanical and vitalist (meta-)physics of light that complies with Christian tenets by adopting a peculiar version of Democritean atomism. His lecture for the Roman Simposiaci Academy indicates the extent of Milani’s dissatisfaction with Aristotelian philosophy. While he attended the Physico-mathematical Academy and the heterodox Congresso medico romano, he nevertheless, signed La Luce…
Read moreIn the poem La Luce, composed in 1685 and dedicated to Christina of Sweden, Giovanni Michele Milani propounds a mechanical and vitalist (meta-)physics of light that complies with Christian tenets by adopting a peculiar version of Democritean atomism. His lecture for the Roman Simposiaci Academy indicates the extent of Milani’s dissatisfaction with Aristotelian philosophy. While he attended the Physico-mathematical Academy and the heterodox Congresso medico romano, he nevertheless, signed La Luce – published posthumously in 1698 with a preface by Francesco Redi – as “Accademico Umorista.” When we examine La Luce together with some excerpts of the unpublished work of Milani’s friend and fellow member of this literary institution – the Dialoghi eruditi by Giuseppe Giusto Guaccimanni – we are presented with an interesting cultural scenario. It would seem that some Umoristi might have joined the Queen in the effort to devise a Christian experimental philosophy which was open to alchemy. The posthumous publication of the poem may well have been triggered by the rivalry between the Umoristi and the Academy of the Arcadia.
