This article explores projects of art and biology as joyful acts of insurrection. It presents critical and creative perspectives to generate alternative structures of subjec-tivity. These alternative structures gain relevance when intersectional variables of privilege and discrimination as political tools are set in crisis by a postanthropocen-tric awareness. The thesis of this article is that in order to understand and develop postanthropocentric intersectional positions, the microbial posthuma…
Read moreThis article explores projects of art and biology as joyful acts of insurrection. It presents critical and creative perspectives to generate alternative structures of subjec-tivity. These alternative structures gain relevance when intersectional variables of privilege and discrimination as political tools are set in crisis by a postanthropocen-tric awareness. The thesis of this article is that in order to understand and develop postanthropocentric intersectional positions, the microbial posthuman joins thecartographies of the posthuman as a material possibility from microscopic biologicalmatter and philosophical and artistic thought. This microbial posthuman also allows for a reframing in the light of microbiopolitics, a redistribution of pain, life and deathwithin a broader notion of life.
