•  560
    I provide in this paper an examination of the influence of Immanuel Kant on the internal realist Hilary Putnam. I begin by discussing Putnam’s transition from external, or metaphysical, realism to internal realism, and argue in favor of the view that Kant is best understood as an internal realist. Where Putnam is concerned, I am interested here only in his versions of external and internal realism and not with his more recent views. Having laid out a case for internal realism, I go on to disc…Read more
  •  25
    Art across Cultures and Art by Appropriation
    Journal of Aesthetic Education 54 (2): 1-20. 2020.
    Perceptually indistinguishable artifacts may be artworks in some cultures but not be artworks in others, and artifacts that were not artworks in the context of their original creation can become artworks in contexts of appropriation, that is, in contexts in which they are brought under a cross-culturally appropriate concept or definition of art. A certain background of historical and cultural conditions, some of them theoretical, is necessary for something to be or to become an artwork. It is cr…Read more
  •  22
    Cultural intentions, Reference, and Art
    Journal of Aesthetic Education 51 (2): 105-124. 2017.
    Cultural intentions, understood as enabling conditions, some physical and technological, others conceptual and theoretical, make it possible for artists to create the artworks they create. They play an ineliminable role in the mechanism of reference for artifact-kind terms, including "art." Because of the crucial role that cultural intentions play in the mechanism of reference for artifact-kind terms, the reference of such terms cannot be properly understood in the same way as the reference of n…Read more