Markus Kohl

I discuss the difference and the connections between Kant’s notions of cognition (Erkenntnis) and knowledge (Wissen). Unlike knowledge, cognition is a representational state which need not have the propositional structure of a judgments. Even cognitions that have such a structure need not coincide with knowledge, because they might rather have the doxastic status of opinion or faith, or they might be false (whereas knowledge is a certain recognition of truth). I argue that while Kant distinguishes between many different species of cognition, he uses the term ‘knowledge’ univocally across his theoretical and practical philosophy. All knowledge is based upon some kind of cognition that provides the sufficient objective, certain ground for a knowing assent to a proposition. However, not all knowledge must be based upon the demanding type of cognition that is central to Kant’s overall argument in the first Critique, which requires a synthesis of concepts and sensible intuition. We have a lot of determinate knowledge, including knowledge that we possess transcendental freedom of will, that is based upon purely conceptual practical cognition. We can also have some indeterminate philosophical knowledge (e.g. knowledge that there are non-sensible, noumenal beings) that is based upon purely conceptual theoretical cognition.

Some major figures of early (1977-1984) Post-Punk, such as Joy Divison’s Ian Curtis or The Fall’s Mark E. Smith, were strongly influenced by existentialist themes they encountered in the writings of philosophers such as Camus or Nietzsche. Central among these themes is the modern struggle with nihilism. Nietzsche (at times) felt hopeful that some of us still possess the strength to see our modern disorientation as a creative opportunity and to (eventually) overcome the threat of nihilism: in this vein he declares that when "we hear the news that ‘the old god is dead’” it is “as if a new dawn shone on us." By contrast, I argue that foundational Post-Punk artists express a post-Nietzschean, 20th century stance of succumbing to nihilism, an overwhelming experience of defeat and self-disgust. They write and sing from a profound sense that the modern degeneration diagnosed by Nietzsche has now reached unprecedented lows so that our “disgust at life”, our “exhaustion and… wish for the ‘end’…for being otherwise, being elsewhere” has become wholly inescapable. Nietzsche's new dawn has faded.

I consider an epistemological, methodological dispute between Nietzsche and Kant about the possibility of rational self-critique: an activity where the intellect reflects on its cognitive powers, demarcates the proper use and limitations of these powers, and thereby achieves a systematically complete insight into what we can and cannot know. Kant affirms whereas Nietzsche denies that we can successfully conduct such a self-directed rational enquiry. By reconstructing the central argumentative moves that Nietzsche and Kant do or could make to defend their respective position, I trace their disagreement to starkly diverging models of philosophical enquiry, of what philosophy is and ought to be all about.

In "Kant on Freedom and Rational Agency", I aim to give a comprehensive interpretation and a qualified defense of Kant’s doctrine of freedom as a systematic conception of rational agency. Although my book follows Kant in focusing on the idea of free will as a condition of moral agency, it denies that moral freedom of will is the only relevant (transcendental) type of freedom. Human beings also exercise absolute freedom of thought (intellectual autonomy) in their theoretical cognition. Moreover, our creation and appreciation of beauty requires our freedom of imagination. I consider these three varieties of free agency both in their own rights and in their systematic connections, by examining how they differ from and yet relate to each other. On this basis, my interpretation shows that and why for Kant transcendental freedom is the proper anchor ("cardinal point") of all meaningful, rational human activity: our moral efforts to become more virtuous and to make the world a better place; our theoretical efforts to understand, explain and predict the world; and our aesthetic engagement with the world of beauty, both artistic and natural. Additionally, "Kant on Freedom and Rational Agency" illuminates Kant's intricate, multifaceted account by considering the various metaphysical, semantic, epistemological and normative dimensions of Kantian freedom and by revealing their systematic interconnections. One significant benefit of tracing these links is that by doing so we can arrive at a charitable view of how Kant seeks to justify the belief in moral freedom of will. For many commentators, Kant's appeal to a moral ‘fact of reason’ as our basis for believing in supersensible free will is an abject philosophical failure or a lapse into dogmatic rationalism. By contrast, I show that Kant justifies our belief in free will through a rather powerful, two-pronged argumentative strategy. First, he constructs a practical-moral proof of free will via the fact of reason doctrine. Second, he provides a theoretical defense of this moral proof against challenges arising from a naturalistic worldview. The linchpin of this defense is his argument that naturalistic cognizers must presuppose their epistemic freedom of thought as a necessary condition of all objective theoretical (including naturalistic) cognition. Since epistemic freedom of thought and moral freedom of will are both species of transcendental freedom, naturalists cannot (coherently) debunk our practical self-conception as transcendentally free moral agents. The appeal to epistemic freedom of thought provides no positive grounds for believing in a free moral will; but it shields our moral self-awareness (which does provide such grounds) against its most prominent detractors. This defense strategy (among other aspects of Kant’s view that I examine in my book) shows that a significant part of Kant’s legacy is his abiding potential to challenge and provide alternatives to a naturalistic philosophical worldview (held by the “defender of an omnipotent nature”) according to which the mechanistic order of nature engulfs all metaphysical reality and (thereby) our entire humanity.

I examine how Kant argues for the transcendental ideality of space. I defend a reading on which Kant accepts the ideality of space because it explains our (actual) knowledge that mathematical judgments are necessarily true. I argue that this reading is preferable over the alternative suggestion that Kant can infer the ideality of space directly from the fact that we have an a priori intuition of space. Moreover, I argue that the reading I propose does not commit Kant to incoherent modal views. If we carefully distinguish between different senses of modality, the fact that our spatial form of intuition is (in some sense) contingent does not undermine the claim that this form can explain how our mathematical judgments are (in some sense) necessary.

The aim to develop authentic forms of artistic lifestyle and self-expression played a formative role in the foundational period of post-punk in the late 1970s and early 1980s. The struggle for authenticity during that period was complicated by the artists’ growing awareness of the capitalist economy’s ability to coopt and assimilate the ideal of an authentic counter-culture, that is, to utilize this ideal for exclusively profit-oriented signing, marketing, and production strategies. In this essay, I consider what models of authenticity one can glean from the early post-punk scene and whether some such model might yield a viable ideal of authenticity that is resilient against the threat of inauthentic mainstream cooption: an ideal that can, perhaps, inspire the ongoing contemporary struggle for authenticity.

I argue that Kant acknowledges two models of spontaneous self-determination that rational beings are capable of. The first model involves absolute unconditional necessity and excludes any form of contingency. The second model involves (albeit not as a matter of definition) a form of contingency which entails alternative possibilities for determining oneself. The first model would be exhibited by a divine being; the second model is exhibited by human beings. Human beings do, however, partake in the divine model up to an extent, namely, as far as the legislative spontaneity of their law-giving faculties are concerned. I conclude by suggesting that for Kant, the mechanistic principle that we are exclusively determined by natural causes poses a twofold threat for human agency. In one respect (in relation to the second model), it threatens us with the obliteration of contingency, or with the universality of hypothetical necessity. But in another respect (in relation to the first model), it threatens us (and our putative "laws") with the obliteration of absolute necessity, or with the universality of contingency.

This book is about the Transcendental Dialectic in Kant's Critique of Pure Reason. Unlike most other treatments of this subject matter, it does not focus on Kant's criticisms of metaphysical arguments. Rather, it considers Kant's account of why "metaphysical speculation about the unconditioned"—for instance, about objects like God or the entire world—"arises naturally and inevitably out of the very structure of human reason".Willaschek posits "a three-part template underlying" Kant's account of how we are led to make unwarranted metaphysical judgments: " a transition from the logical to the real or transcendental use of reason and its ideas and principles, the tendency to misuse the latter by...

I examine a range of issues concerning Kant's conception of cognitive spontaneity. I consider whether we can cognize or know ourselves as spontaneous cognizers, and why Kant seems to regard the notion of cognitive spontaneity as less problematic than the idea of moral spontaneity. As an organizing theme of my discussion, I use an apparent tension between the A-edition and the B-edition of the first Critique. Against common interpretations, I argue that in the B-edition Kant does not revoke his claim that we can cognize, and even know, that our noumenal selves are absolutely spontaneous cognitive agents.

I examine the extent to which God is inscrutable to human reason in Kant's critical philosophy. I argue that Kant's view here is much more radical than the rationalist commonplace that we cannot grasp how divine perfection is compatible with the existence of (apparent) imperfections. In Kant's considered view, we are absolutely incapable of accurately representing God's nature in any minimally determinate way: when we try to go beyond the empty idea of a mere 'something', we inevitably distort the nature of God in an anthropomorphic fashion. The reason for this radical inscrutability of God is that our discursive intellect with its finite conceptual resources cannot capture the nature of a supremely perfect being. Our only way to form a legitimate, positive notion of God is by means of an analogy with the features that we objectively cognize in finite beings.

This essay is an attempt to interpret the behaviour of K. in Kafka's novel "Das Schloß". The focus is on three episodes that stand, respectively, at the beginning, the middle, and the end of the novel. In all of these episodes, the concepts of 'struggle' and 'victory' play a crucial role. By paying attention to the usage of these concepts, the passages under investigation can be shown to be interrelated in a significant way. Making these connections explicit allows one to draw some far-reaching conclusions about K.'s personality.

I examine the division of labor between the Metaphysical Deduction (MD) and the Transcendental Deduction (TD). Against a common reading, I argue that the MD is insufficient to prove the a priori origin of the categories. For both Kant and his main opponent, namely Hume, the question of whether the categories have an a priori origin in the pure understanding is inseparable from the question of whether they have objective validity. Since the MD does not establish the objective validity of the categories, it cannot establish their a priori origin either. The MD is nevertheless an indispensable part of Kant's project because it lays the argumentative groundwork for the proof structure of the TD and because it provides the systematic plan for the future metaphysics of experience.

“Naturrecht Feyerabend” is a collection of student notes taken on a lecture that Kant gave around the time he was working on the Groundwork. I show that these notes portray Kant as proposing a defense of morality and freedom whose “subjectivism” is unparalleled by anything that we find in his major published works. Kant here traces both the normativity of the moral principle that we must treat humanity as an end in itself and the legitimacy of regarding ourselves as free agents to the subjective needs of finite human reason that he discusses in the Transcendental Dialectic of the Critique of Pure Reason. I argue that this subjectivist defense of morality and freedom does not withstand the critical scrutiny that is suggested by Kant’s considered (published) views on these topics.

In the Metaphysics of Morals, Kant declares that virtue “can and must be taught.” This claim raises two problems. First, it is in tension with Kant’s emphasis on the absolute moral responsibility that each individual agent owes to her transcendental freedom. Second, it raises the question of how the empirical events that constitute moral education can have an impact on atemporal moral choices. Concerning the second issue, I argue that Kant has a coherent framework for representing how empirical conditions can influence (“affect”) the noumenal will without determining it to action. Regarding the first problem, I argue that although a good moral education is mostly only a facilitating rather than a strictly necessary condition for moral virtue, there is one moral capacity that does require good moral teaching: namely, the practical power of judgment that correctly applies wide, general duties of virtue to particular cases.

To many readers, it has seemed that Kant's discussion of the relation between practical and transcendental freedom in the Transcendental Dialectic is inconsistent with his discussion of the same relation in the Canon of Pure Reason. In this paper I argue for a novel way of preserving the consistency of Kant's view: in both the Dialectic and the Canon, 'transcendental freedom' requires the absence of determination by all natural causes, whereas 'practical freedom' requires the absence of determination by, specifically, sensuous incentives. However, I argue that the defense of freedom presented in the Canon is abandoned by Kant in the Groundwork when he first develops his conception of the absolute purity of moral motivation.

It is standardly assumed that, in Kant, “free agency” is identical to moral agency and requires the will or practical reason. Likewise, it is often held that the concept of “spontaneity” that Kant uses in his theoretical philosophy is very different from, and much thinner than, his idea of practical spontaneity. In this paper I argue for the contrary view: Kant has a rich theory of doxastic free agency, and the spontaneity in empirical thought (which culminates in judgments of experience) is essentially the same sort of spontaneity found in the practical use of reason. Accordingly, the faculties of understanding and practical reason both possess genuine autonomy.

I propose a new way of understanding Kant’s doctrine of freedom. My reading seeks to combine features of two popular opposed lines of interpretation, namely, of metaphysical and anti-metaphysical readings. I defend the view that Kant’s idealist attempt to ‘save’ human freedom involves substantive metaphysical commitments. However, I show that this interpretation can fruitfully integrate important insights that are standardly associated with deflationary readings: first, the idea that for Kant freedom and natural necessity can be ascribed to one and the same human being; and second, the idea that for Kant the belief in freedom and the belief in natural necessity belong to two different standpoints.