Matthew J. Delhey

ABSTRACT This article reevaluates Hölderlin’s social and political thought in the 1790s. Against Georg Lukács, it argues that Hölderlin’s politics of the new mythology, while utopian, are not mystical. In the Fragment of Philosophical Letters and the Oldest System-Programme of German Idealism, Hölderlin instead articulates two fundamental claims. Socially, the new mythical collectivity must elevate (erheben) the social relations produced by bourgeois society, exalting them in aesthetic-religious form, rather than sublating (aufheben) them, modifying both their form and their content. Politically, realizing this new collectivity requires transcending the state, and so is essentially revolutionary. Hölderlin’s prosaic writings thus supplement Hyperion’s romantic critique of modernity. They take as their point of departure a sober exposition of the social relations of the market emerging in Hölderlin’s time and, from within these relations, excavate a new mythical collectivity capable of suturing the fragmentary divisions of modern life.

This thesis examines Hegel’s critique of abstract labor in the Philosophy of Right and the sections on objective spirit in the Encyclopaedia. Against both Frederick Neuhouser’s and Marxist interpretations, I argue that abstract labor, for Hegel, characterizes the specific kind of mechanical labor undertaken in the nineteenth-century factory. Such repetitive labor, Hegel claims, leads to the deadening of the worker through the deforming of her ethical subjectivity, a social pathology he hopes will be resolved by machine automation. By developing two key aspects of Hegel’s social theory—that labor produces ethical subjectivity or education and that this education is the central locus of civil society’s ethicality—I argue that we ought to understand Hegel’s hope for machine automation as a critique of those forms of labor which prevent the worker’s rational participation in the totality of the labor process and thus fail to actualize her social freedom.