Mattia Papa

This article analyses the text of Natorp's lecture given at the Kantgesellschaft in Halle in 1912 (Kant und die Marburger Schule) and attempts to describe what is meant by "transcendental method" for Paul Natorp. The aim is to compare the theses of the Marburg philosopher with the Kantian dictates of the first Critique and to show how Kant's philosophy of culture can be defined. Furthermore, it will be shown here how the dense account of '12 is also a fundamental tool from the point of view of the critical examination of the New Kantian's reflection, since it was presented in the same year as the publication of the Natorpian Allgemeine Psychologie nach kritischer Methode, one of the philosopher's most controversial and debated works.

Analysing Cassirer's positions in the Nachruf dedicated to Natorp (1925) and in the third volume of the Philosophy of Symbolic Forms (1929), I will try in this short paper to outline the core, merits, and limitations of Natorp's psychology in Cassirer's interpretation. In doing so, I will emphasise three elements: 1. the cornerstones of Natorpian psychology, which for Cassirer represent Natorp's main contribution to the history of ideas; 2. the thematic unity of Natorp's philosophical production; 3. the fundamental continuity between Natorp's research and that of Cassirer. These three aspects are interwoven and belong in some way to the inner development of Marburg Neo-Kantianism.

The aim of this paper is to trace one of the deepest roots of Hegel's concept of history within Kant's doctrine of schematism. I propose to draw a line of continuity between Kant's Einbildungskraft and Hegel's Selbstbewusstsein. The concept of Selbstbewusstsein of the young Hegel is to be understood, in my view, as the moment when the extreme and radical consequences are drawn from the schematism of the first Critique, revised in the light of Kant's reflections on teleology developed in the Critique of Judgment. In this sense, Hegel can be seen as the 'solution' to the rift that opened up in the heart of Western culture during the Enlightenment.