Milan Kroulík

: In this paper I attempt to rethink the relationship between art and life by formulating it based on the rereading of the Benjaminian mimetic faculty by the anthropologist Michael Taussig. Taking this position within history as non-teleological change and based on human activity, to uphold a distinction between original and representation metaphysically becomes impossible. This is important in so far as any notion of primacy becomes obsolete, while at the same time one can work with the historical existence, both material and ideational, of initially abstract concepts such as art. Art then is something that in itself does not have a materially specific reality, but forms reality through artworks, institutions, pecuniary allocations or human motivation. Taking art as a world-forming force that is nonetheless historically produced in turn opens up new, pluralist ways of using this historical given for possible futures.

This paper is based on field-work performed in a Thai Buddhist Temple in Prague in the year 2016. The aim is to describe and in describing analyze rituals organized in and through the temple from a materialist phenomenological point of view, as well as based on an ideal-type Theravāda cosmology. In drawing on post-colonial philosophy, part of the focus lies also on the process of becoming other. This is achieved in situating practice and mimesis at the center of methodological inquiry. Each chapter is based on different expected and unexpected encounters at the Wat, and offers a possible solution to the issues that these encounters raised.