•  5
    Notes toward a Semeiotic of Art
    Cognitio 24 (1). 2023.
    Although Charles Peirce only rarely applied his semeiotic principles to art, his ideas are highly informative for contemplating the exchange of qualitative meaningin the iconic signs constitutive of art. Reflecting on Peirce’s theory of the icon, three hypo-iconic sub-types, the formative role of the sign-interpretant, and the metaphysical “qualisignificance” of a universe “perfused with signs”, I provide some theoretical notes toward sketching a semeiotic of art. Further illustrative of a Peirc…Read more
  •  3
    Critical Notice of Joseph Urbas, The Philosophy of Ralph Waldo Emerson
    European Journal of Pragmatism and American Philosophy 13 (2). 2021.
    The Mind and Heart of Ralph Waldo Emerson in World Perspective All serious readers of Emerson’s writings will gain insight from Joseph Urbas’s “historical reconstruction” of Emerson’s bottom-line philosophical commitments. By closely engaging an exceptionally wide breadth of primary material – one simply unseen in previous philosophical interpretations of Emerson – The Philosophy of Ralph Waldo Emerson brings to bear the weight of his published and unpublished corpus on the topics of metaphys...
  •  5
    Domesticating: A Meditation on Self-Reliance
    The Pluralist 17 (2): 31-34. 2022.
    travel, emerson often insisted, is only for the fool-hearted. He said it so many times in his popular essays and public lectures, he had actually gained a reputation for it. [It] is a fool's paradise. Our first journeys discover to us the indifference of places. At home I dream that at Naples, at Rome, I can be intoxicated with beauty, and lose my sadness. I pack my trunk, embrace my friends, embark on the sea, and at last wake up in Naples, and there beside me is the stern fact, the sad self, u…Read more
  •  20
    Ecstatic Naturalism and Aesthetic Transcendentalism on the Creativity of Nature
    American Journal of Theology and Philosophy 37 (1): 55-69. 2016.
    Ecstatic naturalism and classical American philosophy both emphasize the creative possibilities of nature and expound metaphysical views in support of them. Ecstatic naturalism proposes that the creative transformations witnessed at the level of nature natured are sustained and empowered by nature naturing, which consists in innumerable “potencies.” This view has a historical precedence in Charles Peirce’s evolutionary cosmology, most notably in its cosmogonic stage of a “Platonic world” that co…Read more
  •  11
    Transcendentalist Encounters with a Universe of Signs
    American Journal of Semiotics 37 (1-2): 5-45. 2021.
    This essay aims to identify a semiotic consciousness found in New England Transcendentalism, consisting of the worldview that signs are pervasively present throughout nature and society. It finds that this worldview exists as a historical strand of thought stretching through the 19th century and, ultimately, further beyond, thereby making up an early movement in American semiotics. In this context, I furthermore see Transcendentalist thought informing the backdrop of Charles Peirce’s groundbreak…Read more
  •  6
    Metaphysical grounds of universal semiosis
    Cognitio 21 (2): 231-245. 2021.
    Na história da filosofia americana, há um filão de pensamento sobre os signos na natureza. Animais, insetos, árvores, flores, o clima, paisagens e a noite estrelada são todos encontrados expressivos de diversos significados. Além disso, esses fenômenos naturais são considerados por pensadores, como Ralph Waldo Emerson e Charles S. Peirce, como dotados de um caráter representativo no seu núcleo ontológico. A minha apresentação baseia-se nesta tradição, explorando a semiose da natureza em toda a s…Read more
  •  32
    The Categorial Logic of Peirce’s Metaphysical Cosmogony
    The Pluralist 10 (3): 313-334. 2015.
    In this paper, I present a detailed interpretation of Peirce’s cosmogony about the origin of the universe and its evolutionary development. This involves bringing together and making sense of Peirce’s disconnected statements on cosmology, which are scattered throughout his writings and which sometimes employ different terminologies. Furthermore, it shall involve identifying the categories of firstness, secondness, and thirdness that govern its conceptual structure, and ultimately the metaphysica…Read more
  •  10
    Monism and Meliorism
    European Journal of Pragmatism and American Philosophy 9 (2). 2017.
    In 1887 the Open Court Publishing Company had its founding in a philosophy of monism. The company’s proprietor Edward C. Hegeler began the enterprise in an effort to promote his personal philosophic, religious, and moral ideas. He believed that these ideas could be conciliated with the growing scientific trends of the late nineteenth century, and that monism was the intellectual framework for doing so. Paul Carus, the editor of the journals The Open Court and The Monist, joined Hegeler as an int…Read more
  •  36
    Charles S. Peirce's New England Neighbors and Embrace of Transcendentalism
    Transactions of the Charles S. Peirce Society 53 (2): 216. 2017.
    In multiple autobiographical sketches, Charles S. Peirce identifies New England Transcendentalism as an essential part of his intellectual biography. A well-known instance is the passage opening "The Law of Mind" that identifies the setting of his childhood and early education within "the neighborhood of Concord": I may mention, for the benefit of those who are curious in studying mental biographies, that I was born and reared in the neighborhood of Concord,—I mean in Cambridge,—at the time when…Read more
  •  5
    This book proposes an original philosophy of nature, contributes to our understanding of two of America’s greatest philosophers, Ralph Waldo Emerson and Charles S. Peirce, and examines the philosophical expressions of the art of nineteenth-century American landscape painting.
  •  30
    My thesis is that there is an aesthetic dimension of nature that is metaphysically significant, qualitatively pluralistic, and artistically creative, and that this accounts for the sensuous complexity of experience, as well as the possibility of discovering new qualitative features about the world and expressing them in novel forms, as exemplified in art. I call the philosophy that endorses the reality of this dimension Transcendentalist Aesthetics. The term "Transcendentalist" recalls the philo…Read more