Nicolas De Warren

In this paper, I propose an exploration of the question of trash and garbage, of what, in other words, we unthinkingly throw away and discard, individual and collectively. What is this thing called trash and garbage? What phenomenological resources—where I understand phenomenology as centered on an analysis of the “look” of things (their visibility and invisibility) and on how we speak about things (or fail to speak, the silences)—are available for learning how to question what is trash and garbage? In developing my analysis, I draw on the notions of sedimentation, temporality, and technology in the writings of Husserl, Stiegler, and others.

This volume explores the broad and rich spectrum of contemporary phenomenological engagement with digital technologies. By focusing on plural forms of the digital, it offers a robust and flexible framework for contemporary phenomenological investigations in the digital age. It contends that the impact of digital technologies on the lifeworld involves both the emergence of novel fields of lived experience in need of phenomenological analysis and the transformation of the method and attitude of phenomenologically oriented philosophers towards the world. The chapters cover topics including immersion in virtual environments, the impact of digital cognitive devices on our perception of time, the invisibility of digital technologies in the lifeworld, the new extension of reality rendered possible by the employment of digital devices, how new technologies affect our intimacy and sexual body, the new methodological paradigm for phenomenological research prompted by digital technologies, the additive upshot of virtual imaginary, the intersection of the real and the virtual in augmented reality experiences, the structures of perception in the regime of digitally generated environments, how it feels like to empathize with others in a regime of virtual reality, process of en-rolling in the constitution of a virtual subject, the transformation of virtual reality into conspiratorial reality by means of on-line media platforms, and the problem of the extent to which technological environments impact human cognitive and perceptual experience. Phenomenologies of the Digital Age will be of interest to scholars and advanced students working in phenomenology, philosophy of technology, science & technology studies, and media studies.

That the presence of others, after their death, continues to resonate within our own lives, that, in other words, death does not rob the other of their meaning for us, as if the meaning of their lives for us would suddenly become extinguished upon their death, is revealing of who we are, of how I am constituted in relation to others. The question of life after death is thus inseparable from the question of life before death, of what it is to have a life in concert, communication, and consort with others. How does the other, whose actual presence in the world is no longer, remain present to those who continue to exist in the world? In this paper, it is argued that the intimacy of disappearance attests to the singular quality of another’s existence in terms of the value, or meaningfulness, their existence had, and continues to have, for the value of my own life. In this manner, the intimacy of another’s disappearance for us is inseparable from an intimacy of our own disappearance from ourselves. We are touched, as never before, besides ourselves in grief for a disappearance from our lives that never lets us go.

In this chapter, I propose to examine a specific form of self-awareness in which we become aware of our existence in a problematic sense: wistfulness. In thinking about what it means to have a life, one is often haunted by different senses of possibility: of what could or should be, of what might have been, but just as well, of what could never have been. In such latter instances, we become aware of ourselves not in terms of actuality (who I am) or possibility (who I can or could become), but in terms of impossibility, namely, as the impossible selves that nonetheless, in some sense, define and hence belong to us, as attested to in the experience of regret and remorse, not for what we did (or who we have been) but for what was impossible for us to be (or do). Drawing on Georg Simmel’s philosophy of life, I shall explore various senses in which we are responsible for ourselves, of who we have been and could yet be, as well as who it was impossible for us to once have been. In this regard, what Simmel calls the meta-ethical significance of death refers to the responsibility we have for ourselves in terms of what was both possible and impossible for us.

This book is the first extensive treatment of Husserl's phenomenology of time-consciousness. Nicolas de Warren uses detailed analysis of texts by Husserl, some only recently published in German, to examine Husserl's treatment of time-consciousness and its significance for his conception of subjectivity. He traces the development of Husserl's thinking on the problem of time from Franz Brentano's descriptive psychology, and situates it in the framework of his transcendental project as a whole. Particular discussions include the significance of time-consciousness for other phenomenological themes: perceptual experience, the imagination, remembrance, self-consciousness, embodiment, and the consciousness of others. The result is an illuminating exploration of how and why Husserl considered the question of time-consciousness to be the most difficult, yet also the most central, of all the challenges facing his unique philosophical enterprise"--Provided by publisher.

An exceptional collection of letters, postcards, original writings, and photographs The First World War witnessed an unprecedented mobilization of philosophers and their families: as soldiers at the front; as public figures on the home front; as nurses in field hospitals; as mothers and wives; as sons and fathers. In Germany, the war irrupted in the midst of the rapid growth of Edmund Husserl's phenomenological movement – widely considered one of the most significant philosophical movements in twentieth century thought. Philosophers at the Frontoffers a documentary history of phenomenology in the First World War. Through an exceptional collection of primary source materials (letters, postcards, original writings, photographs) from the Husserl Archives in Leuven, the Bayerische Staatsbibliothek, and the Archives of the University of Göttingen, the complex narratives of how the war affected the lives and thought of central figures in the phenomenological movement are charted. Key figures such as Edmund Husserl, his sons Wolfgang and Gerhart, Max Scheler, Edith Stein, Adolf Reinach, Martin Heidegger, and others are included in this collection of materials. The volume includes reproductions of original material, as well as German transcription of all texts and their English translation.

Il n’est pas inhabituel de considérer l’imagination comme une conscience d’objets non réels, ayant la forme d’images internes ou de représentations privées de toute incarnation spatiale. Dans cet article j’interroge la phénoménologie de l’imagination de Husserl à partir de deux questions : l’imagination est-elle un type de conscience d’image? L’imagination, est-elle privée de toute incarnation spatiale? Après avoir reconstruit la distinction nette opérée par Husserl entre imagination et conscience d’image (l’imaginaire n’est pas une image mentale interne), j’explore la thèse de Husserl, fort suggestive, selon laquelle toute imagination implique la projection du corps vécu. Loin d’être entièrement dépourvu de spatialité, l’imaginaire exhibe des caractéristiques quasi-spatiales, et il est fondé sur ce qui est « le plus propre » de mon corps vécu – cela même que, pour ainsi dire, j’amène toujours avec moi, même dans les envols les plus éloignés de mon imagination.

“The apocalypse of hope” and other comparable flourishes in the writings of Frantz Fanon and Jean-Paul Sartre on political violence strike an alarming tone. In The Wretched of the Earth, Fanon advocates the way of revolutionary violence as the inevitable consequence of colonialism and its systematic exploitation of colonized natives. In his role of agent provocateur, Sartre’s preface to Fanon’s influential and controversial work characteristically dramatizes this redemptive promise of violence: “to gun down a European is to kill two birds with one stone…there remains a dead man and a free man.” This notorious pronouncement constitutes itself as an act of violence—we must feel threatened—meant to incite the latent counter-violence behind, in Sartre’s diagnosis, the false consciousness of bourgeois toleration and understanding. Could Sartre’s bold statement be spoken today without violent condemnation? This statement claims that, against the dehumanization of colonial oppression, only revolutionary violence allows for the colonized natives to constitute a “people” and recreate themselves in the image of a new humanity forged from the experience of liberation. For Fanon in particular, the recreation of humanity is impossible without the birth of a national consciousness and a revolutionary culture. As Fanon writes, “[w]e believe that the conscious, organized struggle undertaken by a colonized people in order to restore national sovereignty constitutes the greatest cultural manifestation that exists.” This reach toward a new humanism through the praxis of revolutionary violence points directly to the problem of beginnings. As Arendt observes in On Revolution, “[r]evolutions are the only political events which confront us directly and inevitably with the problem of beginning.” Anti-colonial violence, for Fanon, inaugurates the beginning of political life; the colonized native reconstitutes himself as a βίοσ πολιτικόσ capable of both speech and praxis. For Sartre, anti-colonial violence reveals the dialectical necessity of world history in its struggle towards genuine universality and the utopia of a “classless” society.

This paper distinguishes four senses of naturalism: reductive physicalism; a naturalism that departs from what Thompson calls “natural-historical judgments”; a naturalism that recognizes that physical nature is located within the space of reasons; and a phenomenological naturalism that shifts the focus to the “natural” experiences of subjects who encounter the world. The paper argues for a “phenomenological neo-Aristotelianism” that accounts both for the internal justification of our first-order moral experience and the need for a broader grounding in a universalistic account of the goods of agency

The aim of this article is to develop a novel interpretation of the significance of trauma and substitution in Levinas’s ethical thinking in light of the problem of temporality, language, and the question of what it means to be a created being. With an emphasis on Levinas’s style of writing, the intersections of Derrida, Husserl, and Freud in his thinking, and the “two-times” of traumatic temporality, the argument of this article seeks to understand how responsibility for the other is crystallized through the trauma of the Goodness and expiation for the impossibility of enduring its unforgiving demand.

El artículo explora “la importancia de lo que nos preocupa” desde un ángulo fenomenológico, siguiendo el espíritu del ensayo seminal de Harry Frankfurt. El trabajo discute de manera algunos de sus conceptos y asuntos centrales dentro de un marco husserliano de análisis. Mi tesis general es que la distinción tripartita de Frankfurt –conocer, conducta ética, cuidado– es igual de central para la fenomenología de la razón de Husserl y, más directamente, subyace a la ética husserliana de los valores y la vocación que se desarrolla en sus manuscritos de Friburgo de las décadas de 1920 y 1930.

Long since forgotten, Walter Flex's war-time novel The Wanderer Between the Two Worlds was one of the most popular publications during the First World War and, indeed, one of the best selling German novels in the 20th-century. While Flex's novel contributed to the sacrificial and nationalistic discourse that dominated the spiritual mobilization of German writers and intellectuals during the war, the aim of this paper is to revisit Flex’s exemplary novel in order to outline a new matrix of intelligibility for an understanding of the discourse of sacrifice during the First World War. Although the focus here remains on Flex’s Der Wanderer and its German context of nationalism, this proposed analysis serves as a case-study of sacrificial discourse within the broader horizon of the relations between sacrificial discourse, the secular religious enterprise of nationalism, and the shaping of political affects. As this paper seeks to demonstrate, couched within an ideological mythologization of the experience of war, Flex’s novel nonetheless contains anthropological and cultural insights into the tenacity of sacrificial discourse for nationalism and modern social solidarity.

This paper develops a phenomenological approach to life after death on the basis of certain fragmentary insights proposed by Jan Patočka. Rather than consider the after-life in either metaphysical or religious terms, as the continued survival of the soul after death, this paper considers life after death in terms of how the dead still survives in the living and, likewise, of the living experience of one's own death with the passing of the Other. These complex ways in which ghosts of the dead inhabit and haunt the living are examined not just in terms of remembrance and memory, but through a more poignant form of presence in which the metaphysical quality – the meaningfulness of their existence – becomes manifest.

Although Levinas’s thinking has generated substantial attention for its emphasis on the irreducibility of alterity, an unconditional responsibility for others, and “ethics as first philosophy,” his accentuation of war and suffering, and hence “evil” in a capacious sense, as endemic to existence, has attracted less notice. In this paper, I explore the originality of Levinas’s reflections on evil in his essay “Transcendence and Evil” against the backdrop of his earlier identification of the “evil of being” and historical conceptions of evil as “privation of the Good” and theodicy. In shadowing the biblical Book of Job, Levinas’s insight into the “transcendence of evil,” with its tear in the fabric of being and disruption of subjectivity, represents, as explored in this paper, a striking departure from his previous considerations on evil and categorical rejection of theodicy, in its secular and theological forms, while nonetheless insisting on the redemptive breakthrough of the Good at the heart of darkness.

Understood historically, culturally, politically, geographically, or philosophically, the idea of Europe and notion of European identity conjure up as much controversy as consensus. The mapping of the relation between ideas of Europe and their philosophical articulation and contestation has never benefited from clear boundaries, and if it is to retain its relevance to the challenges now facing the world, it must become an evolving conceptual landscape of critical reflection. The Routledge Handbook of Philosophy of Europe provides an outstanding reference work for the exploration of Europe in its manifold conceptions, narratives, institutions, and values. Comprising twenty-seven chapters by a group of international contributors, the Handbook is divided into three parts: • Europe of the Philosophers • Concepts and Controversies • Debates and Horizons Essential reading for students and researchers in philosophy, politics and European studies the Handbook will also be of interest to those in related disciplines such as sociology, religion, and European history and history of ideas. Darian Meacham is an Assistant Professor of Philosophy at Maastricht University, The Netherlands. He is the editor-in-chief of the Journal of the British Society for Phenomenology and the co-editor of Thinking After Europe: Jan Patočka and Politics (2016) Nicolas de Warren is Associate Professor of Philosophy and Jewish Studies at Pennsylvania State University, USA. He is the author of Husserl and the Promise of Time (2010), A Momentary Breathlessness in the Sadness of Time (2018), and Original Forgiveness (2020).