Brussels, Belgium
Areas of Specialization
Ancient Greek and Roman Philosophy
  •  403
    Socratic Elenchus in the Sophist
    Apeiron 51 (4): 371-390. 2018.
    This paper demonstrates the central role of the Socratic elenchus in the Sophist. In the first part, I defend the position that the Stranger describes the Socratic elenchus in the sixth division of the Sophist. In the second part, I show that the Socratic elenchus is actually used when the Stranger scrutinizes the accounts of being put forward by his predecessors. In the final part, I explain the function of the Socratic elenchus in the argument of the dialogue. By contrast with standard scholar…Read more
  •  399
    Despite intensive exegetical work, Plato’s description of dialectic in the Sophist still raises many questions. Through a close reading of this passage that contextualizes it in the general organisation of the Sophist, this paper provides answers to these questions. After presenting the difficult text, I contend that the “vowel-kinds” are necessary conditions for the blending of kinds. Then, I interpret the “cause of divisions” mentioned by the Stranger as the kinds responsible of the dichotomou…Read more
  •  184
    1. La parution d’une nouvelle traduction française du Sophiste fait figure d’événement pour les nombreux amateurs du dialogue, puisque près de trente ans déjà nous séparent de la dernière traduction en date, proposée par Nestor-Luis Cordero (Platon : le Sophiste, Traduction inédite, introduction et notes, Paris, GF Flammarion, 1993). La traduction récente de Létitia Mouze est donc bienvenue, d’autant plus qu’elle arrive accompagnée de ce que l’autrice nomme un « guide de lecture » du dialogue...
  •  182
    Διακριτικη as a ποιητικη τεχνη in the Sophist
    Classical Quarterly 70 (1): 432-434. 2020.
    The διακριτικὴ τέχνη (the art of separating or discriminating), from which the sixth definition of theSophiststarts (226b1–231b9), is puzzling.Prima faciethe art of separating does not fit the initial division of art between ποιητικὴ τέχνη (production) and κτητικὴ τέχνη (acquisition) at 219a8–c9. Therefore, scholars generally agree that, although mutually exclusive, ποιητική and κτητική are not exhaustive and leave room for a third species of art, διακριτικὴ τέχνη, on a par with ποιητική and κτη…Read more
  •  82
    Cet article est consacré au problème du rapport entre l’entrelacement des genres (συμπλοκὴ τῶν εἰδῶν) et le logos dans le Sophiste. Après avoir brièvement présenté le problème, je discute, dans la première partie, différentes solutions proposées par les commentateurs. Je cherche à montrer qu’aucune de ces solutions n’est pleinement satisfaisante. Dans la deuxième partie, je propose une nouvelle solution au problème de la συμπλοκὴ τῶν εἰδῶν fondée sur une distinction entre deux types de logos, le…Read more
  •  9
    In Plato's Sophist, a mysterious Eleatic Stranger, the main character of the dialogue, undertakes a systematic definition of the philosopher's fiercest rival, the sophist. His hunt for a definition of the sophist, however, is interrupted by an attempt to refute the ontology of Parmenides. The philosophical significance of this refutation and its exact relationship to the sought-after definition remains a matter of great scholarly dispute. This book, by means of a running commentary on the dialog…Read more