P. Michael Albert

Based on an interpretation of the work of martin Heidegger, this article o ers a shi away om social and cultural anthropology, which explores sociocultural aspects, and also om general anthropology, which aims to summarise all dimensions of human being. the author de nes the speci city of existential anthropology: observing and conceiving human beings as they exist and continue to exist towards death. With a few twists in relation to Heidegger’s thought, the author discusses what is theoretically and methodologically at stake in this per‐ spective, opening existential anthropology to a large empirical eld.

ABSTRACTA paper in two parts, the first is a critique of the commonly held view among both cognitivist and non-cognitivist sport philosophers that conscious mental representation of knowledge that is a necessary condition for skill acquisition. The second is a defense of a necessary causal condition for skill acquisition, a necessary causal condition that is mimetic, physically embodied, and socially embedded. To make my case I rely throughout on a common thought experiment in and beyond the philosophy of sport literature, the seminal work of Kuhn and Quine counter the representational theory of knowledge, and recent argument in the philosophy of sport related to neurophysiology, cognition, and intentionality. Ultimately I conclude that the failure of a necessary representational condition and its replacement by a necessary casual condition in skill acquisition jeopardizes much of what has been said in the philosophy of sport about not just skill acquisition but the more popular topic of high-level skill. It does, because it challenges the assumption that there is some necessary baseline knowledge that which, according to cognitivists, is brought forward in some way into highly skillful performance or, according to non-cognitivists, is somehow left behind or subsumed into a background in highly skillful performance.

Andrey Bely's autobiographical novel Kotik Letaev and Terrence Malick's film The Tree of Life do not share a common subtext. Nevertheless, they have strikingly similar themes. They each deal with an adult's confrontation of his past through memory, a memory that extends back before birth. Coming to terms with the past prepares the adult protagonist of each work for his destiny. The essay discusses Malick's use of William Blake's mysticism and Bely's dependence on the religious-philosophical ideas of Rudolf Steiner. Memory plays an important role in both works as it touches on the recapitulation of cosmic origins in the development of the individual human being. What the quester discovers through memory enables him to find the way back to Eternity from which he has descended. Both artists invoke the World Tree uniting heaven and earth and its association with the Cross of Christ. In both the novel and the film the world is seen first through a child's eyes, then through growing understanding of the adult. Malick illustrates with cinematography what Bely describes in words. Malick uses music in a way that fleshes out what Bely attempted to create through using musical tropes in language.

In this paper, I argue that, beyond a philosophy of sport, space should be made for a ‘philosophy from sport.’ A philosophy from sport is one that can allow us to see sport as more than instantiating broader social values or possessing an isolated set of unique values. It can, as I believe a philosophy from sport, by paying special attention to the actual practice of sport, bring with it ways of developing, informing, even justifying a set of broader social values. Using as a test case Michael Sandel’s arguments counter markets in What Money Can’t Buy, with a particular focus on his critique of naming rights for stadiums and arenas, I maintain that sport shows how markets can be reformed in order not to suffer the charge that they breed inequality and corruption or indecency. In fact, with sport, I argue it is possible to see exactly how markets can serve equality, decency, and ultimately the pursuit of excellence. Relying, in part, on the work of philosophers of sport from div..

This paper develops a position I call “apathetic pragmatism.” Apathetic pragmatism is a form of pragmatism that, through advocating “apathy” about the topic of truth, avoids the troubled identification of utility and truth found in classical and neo pragmatist theories of truth. Initially explored by Stephen Stich, I argue Stich’s case for apathetic pragmatism relies upon a theory of truth that causes vicious circularity. I then pursue a different route to apathetic pragmatism, one that sees apathetic pragmatism as a “paradigm shift” in relation to previous forms of pragmatism. It is a paradigm shift where pragmatism becomes a normative view concerning the questions that are necessary to ask, not an attempt to answer questions assumed necessary.

Andrey Bely's autobiographical novel Kotik Letaev and Terrence Malick's film The Tree of Life do not share a common subtext. Nevertheless, they have strikingly similar themes. They each deal with an adult's confrontation of his past through memory, a memory that extends back before birth. Coming to terms with the past prepares the adult protagonist of each work for his destiny. The essay discusses Malick's use of William Blake's mysticism and Bely's dependence on the religious-philosophical ideas of Rudolf Steiner. Memory plays an important role in both works as it touches on the recapitulation of cosmic origins in the development of the individual human being. What the quester discovers through memory enables him to find the way back to Eternity from which he has descended. Both artists invoke the World Tree uniting heaven and earth and its association with the Cross of Christ. In both the novel and the film the world is seen first through a child's eyes, then through growing understanding of the adult. Malick illustrates with cinematography what Bely describes in words. Malick uses music in a way that fleshes out what Bely attempted to create through using musical tropes in language.

Before he became infamous for character assassination disguised as literary executorship, Rufus W. Griswold established his reputation in America as a critic and early literary anthologist. In 1842, Griswold released the first edition of his massive Poets and Poetry of America with prominent Philadelphia publisher Carey and Hart. At nearly five hundred royal octavo pages—complete with elaborate frontispiece; ornamental title page with an etching by George Hewitt Cushman after Thomas Creswick; twelve-page, double-columned “historical introduction”; authorial headnotes; and selections of verse from more than one hundred poets active in the roughly seventy years since American independence—Griswold’s volume was...

Cet article présente une grille théorique qui associe les grandes représentations rituelles contemporaines à un jeu de cadres mêlant le sérieux et le jeu et pouvant se déployer sous des formes différentes : spectacle, fête, compétition, cérémonie. Quelques exemples, comme les voyages du pape, les fêtes folkloriques, les matches de football et l'expérience de la convivialité, tentent d'illustrer la fécondité possible de cette analyse.This paper presents a theoretical framework that combines great contemporary ritual performances in a frameset combining seriousness and play and can be deployed in different forms: show, party, event, ceremony. Some examples, such as the Pope's travels, folk festivals, football matches and experience the friendliness, attempting to illustrate the possible fertility of this analysis.

Los seis textos que se incluyen a continuación contienen una breve reflexión sobre cuestiones de metafísica. A pesar de la diversidad de las temáticas, hay en todas ellas una mirada que les confiere «un aire de familia», a saber, la «mirada metafísica»: «Espiritualidad y religiosidad en Simone Weil», de Natán Verdés; «Metafísica de la psicodelia», de Gerard Masmitjà; «La relación trinitaria en la realidad cosmoteándrica de Raimundo Pánikkar», de Francesc Xavier Marquès; «Introducción a la teología analítica seguida del ejemplo del colapso modal en el teísmo clásico», de Constantí Cabestany; «Metafísica: la ciencia que no avanza», de Albert Piguillem; y «Memorias del subsuelo: un breve análisis filosófico», de Andreu Cacho.