•  1
    Evidence and Graham Harman’s Third Table
    Philosophy of Photography 6 (1): 37-47. 2015.
    In this article I discuss Larry Sultan and Mike Mandel’s Evidence, 1977 contextualized by Graham Harman’s text, produced for ‘dOCUMENTA(13)’, The Third Table, 2012. It is my contention that, although Evidence may have been produced to subvert the modernist tropes of authorship and narrative, or to draw our attention to visual material, which is ‘ready-to-hand’, the photographs can also be explored as a visual metaphor for Graham Harman’s approach to Object-Orientated Ontology (OOO). I seek to de…Read more
  •  14
    London-based company ScanLab Projects is a multi-disciplinary commercial collaboration between architect, artist, coders and designers who utilize technologies surrounding 3D laser scanning in their practice. Inherent in the manner their projects are pitched is through reference to the photographic as technological process. Central to their engagement with the light detection and ranging (LiDAR) scanning apparatus is a consideration of the relationality between virtual or digital object and what…Read more
  •  337
    What is ontic structural realism?
    Studies in History and Philosophy of Science Part B: Studies in History and Philosophy of Modern Physics 41 (1): 50-57. 2010.
  •  34
    Evidence and Graham Harman’s Third Table
    Philosophy of Photography 6 (1): 36-50. 2015.
    In this article I discuss Larry Sultan and Mike Mandel’s Evidence, 1977 contextualized by Graham Harman’s text, produced for ‘dOCUMENTA’, The Third Table, 2012. It is my contention that, although Evidence may have been produced to subvert the modernist tropes of authorship and narrative, or to draw our attention to visual material, which is ‘ready-to-hand’, the photographs can also be explored as a visual metaphor for Graham Harman’s approach to Object-Orientated Ontology. I seek to demonstrate …Read more