Prasenjit Duara

The temporality of historical flows can be understood through the paradigm of oceanic circulations of water. Historical processes are not linear and tunneled but circulatory and global, like oceanic currents. The argument of distributed agency deriving from the ‘ontological turn’ dovetails with the oceanic paradigm of circulatory histories. The latter allows us to grasp modes of both natural and historical inter-temporal communication through the medium of the natural and built environment. Yet the inclination in these new studies to deny any particular privilege to human will or design risks neglecting the changing role of human agency. Analytically I distinguish historiographical time from historical time. Historiographical time may be seen as the purposive capture of historical processes for various goals whereas historical time is more continuous with natural flows. More than origins and causes, the paradigm emphasizes the ramifying con-sequences of purposive actions. The gap in our understanding of the two temporalities has had a devastating impact on the planet.

While there is much writing on the nation as the subject of linear history, considerably less attention has been paid to the dimension of the nation as the always identifiable, unchanging subject of history. This unchanging subject is necessitated by the ascendancy of the conception of linear time in capitalism in which change is viewed not only as accelerating, but can no longer be framed by an ultimate source of meaning such as God. Ostensibly, linear history is the falling of events into the "river of time," but national history also posits a continuous subject to gather these changes. Such a subject is recognizable only by the spiritual qualities of authenticity, purity, and sacrality. The nation-state and nationalists stake their claim to sovereign authority, in part, as custodians of this authenticity.A range of figures, human and non-human, come to symbolize a regime of authenticity manipulable to some extent by nationalists and state-builders. This essay focuses on the instance of women in early twentieth-century China. Nationalists and cultural essentialists tended to depict women as embodying the eternal Chinese civilizational virtues of self-sacrifice and loyalty and to elevate them as national exemplars. The essay also examines cases of how women themselves may have perceived this role as exemplars and concludes that while there was considerable subversion in their enunciation of this role , there was sufficient reference to the prescriptive code of authenticity in their self-formation to sustain the regime of authenticity. The essay ends with some thoughts about the changing relationship between authenticity and intensifying globalization in the contemporary world