Robert Q. Porter

_Ideology_ draws on the social, political and cultural theory of Jurgen Habermas, Gilles Deleuze and Slavoj Žižek in order to explore the possibility of developing a 'critical conception of ideology'. The book is concerned with two main themes: the relationship of ideology to the 'real' and the relationship between ideology and the 'ethical'. Although these three writers are often assumed to have little in common, Porter demonstrates a formal homology between them by showing that they all offer an idea of critique that pivots around two central intuitions. Firstly, they insist that a substantive critical distinction can be drawn between the ideological and the real. And, secondly, Habermas, Deleuze and Žižek all offer an image of ideology critique that is importantly grounded on ethical terms. By engaging, among other things, with Habermas's sociological work on the public sphere, Žižek’s forays into popular culture, and Deleuze's analysis of political cinema, Ideology strives to concretely animate how each of these figures provide the critical tools necessary to challenge the kinds of ideological practice that pervade the contemporary social world

This volume examines the relationship between aesthetics and politics at the forefront of the philosophies espoused by Gilles Deleuze and Pierre-Félix Guattari, especially in their famous collaborative works _Anti-Oedipus _ and _A Thousand Plateaus_. Robert Porter analyzes the relationship between art and socio-political life, considering the ways the aesthetic and political draw from each other. Particular attention is paid to how Deleuze and Guattari, in their belief that political theory can take on aesthetic form and vice-versa, forced us to confront the fact that art always has the potential to become political, not in the least because of its ability to name and give shape to the order of our world, rather than its representation