Robert Zaslavsky

Dr. Zaslavsky rejects the common notion that what makes a myth in Plato a myth (as opposed to a speech or logos) is its truth value. Therefore, after an analysis of why Plato wrote as he did and a cataloguing and examination of every occurence of mythos and its derivatives in the Platonic corpus, he articulates the new linguistic and philosophical principle that a myth is a genetic or causal synagogic/synoptic account, in contradistinction to logos as a descriptive or calssificatory diairetic account. He tests this definition successfully.

This book is a tool intended to give readers a knowledge of, and feel for, the most basic building blocks of vocabulary, namely the roots that are the basis of so many English words. Knowing these roots enables readers to gain greater reading fluency. Armed with these roots, readers can guess the meanings of unfamiliar words without a feeling of helplessness and without unnecessary dependence upon a dictionary. In this way, reading becomes more fluid, more rewarding, less burdensome, and—most important—less frustrating.

Dr. Zaslavsky’s Platonic Myth and Platonic Writing: A Philosophico-Literary Exploration addresses the thorny issue of precisely what is meant by mythos (myth) in the Platonic corpus of dialogues. Dr. Zaslavsky rejects the common notion that what makes a myth in Plato a myth (as opposed to a speech or logos) is its truth value. Therefore, after an analysis of why Plato wrote as he did and a cataloguing and examination of every occurence of mythos and its derivatives in the Platonic corpus, he articulates the new linguistic and philosophical principle that a myth is a genetic or causal synagogic/synoptic account, in contradistinction to logos as a descriptive or calssificatory diairetic account. He tests this definition successfully through an examination of all those accounts in Plato that are explicitly designated as myths.

Dr. Zaslavsky has gathered together forty essays that represent the fruits of his lifetime of reading and teaching. The essays exemplify a method of reading substantive works that has been called Talmudic. The essays examine works by Homer, Plato, Aristotle, Moses Maimonides, Kant, DeQuincey, Chaucer, Shakespeare, Donne, Milton, Keats, Poe, Melville, Dickinson, Frost, Sherwood Anderson, Fitzgerald, cummings, Neruda, Arthur Miller, and Faulkner. In addition, there are essays on the Bible, the Constitution, and detective fiction. In every instance, the examined author is treated as a highly deliberate, conscious craftsperson whose intention it is the reader’s task to discern.

Dr. Zaslavsky’s An Introductory Latin Course presents the characteristics of the Latin language in a holistic way, rather than in the fragmented, way that is typical in other Latin textbooks. This mode of presentation allows students to gain a comprehensive conceptual grasp of the linguistic characteristics that are to be learnedIn addition, since there has been a neglect—even an outright abjuration—of the teaching of English grammar in our schools for at least a third of a century, which has left our students grammar poor, this textbook aims to enrich students grammatically by providing a comprehensive explanation of both English and Latin grammar. This makes it as useful for understanding English as it is for learning Latin.